Mar 15
Aura Gifs HDInsane
https://twitter.com/i/status/2032338386334167382#niggaswasntthere
SABMAN TURNT 🧔🏻Mar 15
eye contactLate af
guess they just decided to certify it
Mar 15CRUSH!
- Mar 15
My fav beat from the album
Mar 15theauracleOPM Babi
Cocaine Noise
Crushyou went 2/3 gang
- Mar 15
cocaine nose really one of them ones
Mar 15·1 replyThat Crush video is awesome sauce
- Mar 15·4 repliestupacarti
That Crush video is awesome sauce
Feels like a reminder of why Che and Osama and Nettspend are so aesthetically homogenous right now and are blending into just slight different variations of the same artist, with Nettspend getting the most push / help since he's signed to Interscope + is white.
Each promotional video they do they attempt to do something like this, with media of them partaking in d*** usage and attempting to do / perform in a manner that they think is cool, and then they pass it off to an editor / or the camera man makes some sort of elaborate trailer with the footage.
It all falls flat and is super inauthentic because it's always over-edited and plastered with too many effects. This Crush video and even FOMDJ work so well because it is very minimal, and a lot of the magic is done when the creatives and the musicians are actually shooting, not entirely in the edit.
the simple YVL flag room set up with Travis, Carti and Gio are cool; the strip club footage is quite cool; the I AM MUSIC continuous flash title card freeze frame; the concert footage; the gif-like motion sequences; the Oway MV editing inspiration as a call back to the early AWGE style that Carti brought highlight and attention to in 2017 -- the lower frame rate sequences that make the sequences blurry -- it all shows more love and appreciation for the art form than what turns out to be nothing more than goy slop content when the same end goal is attempted by people that are only making music and creating "worlds" around their music, not because they truly love it, but just so they can be famous and make money for a short amount of time in their life.
- Mar 15·2 repliestupacarti
Feels like a reminder of why Che and Osama and Nettspend are so aesthetically homogenous right now and are blending into just slight different variations of the same artist, with Nettspend getting the most push / help since he's signed to Interscope + is white.
Each promotional video they do they attempt to do something like this, with media of them partaking in d*** usage and attempting to do / perform in a manner that they think is cool, and then they pass it off to an editor / or the camera man makes some sort of elaborate trailer with the footage.
It all falls flat and is super inauthentic because it's always over-edited and plastered with too many effects. This Crush video and even FOMDJ work so well because it is very minimal, and a lot of the magic is done when the creatives and the musicians are actually shooting, not entirely in the edit.
the simple YVL flag room set up with Travis, Carti and Gio are cool; the strip club footage is quite cool; the I AM MUSIC continuous flash title card freeze frame; the concert footage; the gif-like motion sequences; the Oway MV editing inspiration as a call back to the early AWGE style that Carti brought highlight and attention to in 2017 -- the lower frame rate sequences that make the sequences blurry -- it all shows more love and appreciation for the art form than what turns out to be nothing more than goy slop content when the same end goal is attempted by people that are only making music and creating "worlds" around their music, not because they truly love it, but just so they can be famous and make money for a short amount of time in their life.
why don’t you have a job @ p4k or any other major media publication bro
- Mar 15Again
why don’t you have a job @ p4k or any other major media publication bro
Tupacarti the goat of Carti and underground community
- OPMar 15·1 replyAgain
why don’t you have a job @ p4k or any other major media publication bro
He alr works in music
Mar 15·1 reply
Mission
carti got abt 50 better songs if not more
- Mar 15·edited·1 replyeye contact
He alr works in music
🤫🤫🤫 omertà …
- OPMar 15good boy
🤫🤫🤫 omertà …
- Mar 15good boy
carti got abt 50 better songs if not more
Now that we can agree on
Mar 15·3 repliesThe hate this album gets among carti’s fanbase is really frustrating to me. A lot of stuff said against this album is just untrue. “The label forced some last-minute changes” we literally have snippets of the kendrick tracks from about a year before the drop. Mojo jojo and Backdoor were teased without Kendrick so the only difference is his involvement in them and not the whole album…
Sure it’s a little bloated but that’s a given with any tracklist this big but we still got some top carti tracks on it such as like weezy and HBA and different day
feel like the album did exactly what it’s supposed to, mainstream success without big compromising on the sound and uniqueness that always comes with carti albums. He’s disappointed that he didn’t win a grammy for it but this shouldn’t be the metric for its success. If Travis never won a grammy for Astroworld then Carti probably shouldn’t be aiming for it as well, if it wins it wins.
Mar 15they tryna run in my house
- Mar 15·1 replyMaximus
The hate this album gets among carti’s fanbase is really frustrating to me. A lot of stuff said against this album is just untrue. “The label forced some last-minute changes” we literally have snippets of the kendrick tracks from about a year before the drop. Mojo jojo and Backdoor were teased without Kendrick so the only difference is his involvement in them and not the whole album…
Sure it’s a little bloated but that’s a given with any tracklist this big but we still got some top carti tracks on it such as like weezy and HBA and different day
feel like the album did exactly what it’s supposed to, mainstream success without big compromising on the sound and uniqueness that always comes with carti albums. He’s disappointed that he didn’t win a grammy for it but this shouldn’t be the metric for its success. If Travis never won a grammy for Astroworld then Carti probably shouldn’t be aiming for it as well, if it wins it wins.
lone 30 track album better
- Mar 15·1 reply
that sexisdeath interview was cool but needed it to be like 2 hours tbh
and also artdealer really just became a supreme employee and said f*** vol 1
Mar 15MaximusThe hate this album gets among carti’s fanbase is really frustrating to me. A lot of stuff said against this album is just untrue. “The label forced some last-minute changes” we literally have snippets of the kendrick tracks from about a year before the drop. Mojo jojo and Backdoor were teased without Kendrick so the only difference is his involvement in them and not the whole album…
Sure it’s a little bloated but that’s a given with any tracklist this big but we still got some top carti tracks on it such as like weezy and HBA and different day
feel like the album did exactly what it’s supposed to, mainstream success without big compromising on the sound and uniqueness that always comes with carti albums. He’s disappointed that he didn’t win a grammy for it but this shouldn’t be the metric for its success. If Travis never won a grammy for Astroworld then Carti probably shouldn’t be aiming for it as well, if it wins it wins.
well said
- Mar 16·3 repliesAgain
lone 30 track album better
Lone does not have a single project that can sit on the same table with a carti tape brother
- Mar 16·1 replyfakerickhoodie
that sexisdeath interview was cool but needed it to be like 2 hours tbh
and also artdealer really just became a supreme employee and said f*** vol 1
where is this
- Mar 16·edited·1 replytupacarti
Feels like a reminder of why Che and Osama and Nettspend are so aesthetically homogenous right now and are blending into just slight different variations of the same artist, with Nettspend getting the most push / help since he's signed to Interscope + is white.
Each promotional video they do they attempt to do something like this, with media of them partaking in d*** usage and attempting to do / perform in a manner that they think is cool, and then they pass it off to an editor / or the camera man makes some sort of elaborate trailer with the footage.
It all falls flat and is super inauthentic because it's always over-edited and plastered with too many effects. This Crush video and even FOMDJ work so well because it is very minimal, and a lot of the magic is done when the creatives and the musicians are actually shooting, not entirely in the edit.
the simple YVL flag room set up with Travis, Carti and Gio are cool; the strip club footage is quite cool; the I AM MUSIC continuous flash title card freeze frame; the concert footage; the gif-like motion sequences; the Oway MV editing inspiration as a call back to the early AWGE style that Carti brought highlight and attention to in 2017 -- the lower frame rate sequences that make the sequences blurry -- it all shows more love and appreciation for the art form than what turns out to be nothing more than goy slop content when the same end goal is attempted by people that are only making music and creating "worlds" around their music, not because they truly love it, but just so they can be famous and make money for a short amount of time in their life.
Lolll money aint r34l fr lik3 that 1 y3 leak of early Selah
- Mar 16·1 replytupacarti
Feels like a reminder of why Che and Osama and Nettspend are so aesthetically homogenous right now and are blending into just slight different variations of the same artist, with Nettspend getting the most push / help since he's signed to Interscope + is white.
Each promotional video they do they attempt to do something like this, with media of them partaking in d*** usage and attempting to do / perform in a manner that they think is cool, and then they pass it off to an editor / or the camera man makes some sort of elaborate trailer with the footage.
It all falls flat and is super inauthentic because it's always over-edited and plastered with too many effects. This Crush video and even FOMDJ work so well because it is very minimal, and a lot of the magic is done when the creatives and the musicians are actually shooting, not entirely in the edit.
the simple YVL flag room set up with Travis, Carti and Gio are cool; the strip club footage is quite cool; the I AM MUSIC continuous flash title card freeze frame; the concert footage; the gif-like motion sequences; the Oway MV editing inspiration as a call back to the early AWGE style that Carti brought highlight and attention to in 2017 -- the lower frame rate sequences that make the sequences blurry -- it all shows more love and appreciation for the art form than what turns out to be nothing more than goy slop content when the same end goal is attempted by people that are only making music and creating "worlds" around their music, not because they truly love it, but just so they can be famous and make money for a short amount of time in their life.
But nah fr34l keep acting like u can read peoples minds n know their intetionss u got itt gng🤣🤣🤣🤣🤣🤦🙏🙏🙏✝️✝️✝️✝️✝️✝️✝️🌎
Mar 16·1 replyJahon· editedLolll money aint r34l fr lik3 that 1 y3 leak of early Selah
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