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  • Apr 1, 2020
  • Damn just listened to all the 2020 songs this album is gonna be aoty

  • Apr 1, 2020
    sfsorrow

    What’s y’all favorite on Safe in the Hands of Love??

    i go back and forth between Let the Lionness In You Flow Freely and Licking An Orchid depending on my mood. I love the project as a front to back piece too tho, the sequencing is perfect

    Noid

  • Apr 1, 2020

    jah bless yves

  • Apr 1, 2020

    Noid is such a banger. It should have been a hit.

  • Apr 1, 2020

    Just came across kerosene and this dude is rlly dope. Gonna have to check his stuff

  • Apr 1, 2020

    my LP got dispatched f*** yes hoping for really quick delivery

  • Apr 1, 2020

    Need a leak

  • Apr 1, 2020

    some good remixes

  • Apr 1, 2020
    sfsorrow

    What’s y’all favorite on Safe in the Hands of Love??

    i go back and forth between Let the Lionness In You Flow Freely and Licking An Orchid depending on my mood. I love the project as a front to back piece too tho, the sequencing is perfect

    Honesty

  • Apr 1, 2020
    ·
    2 replies

    Stereogum put out their write up for this album already:

    stereogum.com/2078103/yves-tumor-heaven-to-a-tortured-mind-review/franchises/album-of-the-week

    By comparison, Heaven To A Tortured Mind is jarring and immediate — rock ‘n’ roll history refracted through the imagination of an androgynous American expat with a background in Europe’s avant-garde club scene, known to take the form of a demon in fishnets. As with Safe In The Hands Of Love, Tumor co-produced Heaven To A Tortured Mind with Justin Raisen, the LA mainstay whose work with the likes of Sky Ferreira, Angel Olsen, and Miya Folick has long skirted the edge between pop and indie rock. They teamed with core collaborators including producer-at-large Yves Rothman, “acid R&B” guitarist Heavy Mellow, French composer Sylvain Carton, and several members of Ariel Pink’s band, plus pop-ins from figures like Hirakish, Kelsey Lu, Diana Gordon, Clara La San, and Sunflower Bean’s Julia Cumming.

    That’s an eclectic crew, and they’ve come up with an eclectic sound. Heaven To A Tortured Mind reminds me of the 1970s, when the likes of David Bowie and Sly Stone and Pink Floyd and Funkadelic were carrying rock music to revolutionary, apocalyptic extremes. It reminds me of the second half of the ’90s, when artists were jumbling genres in the shadow of metropolitan cool kids like Beastie Boys and Beck. It reminds me of the shadowy internet-native pop revisionists of the 2010s, of Oneohtrix Point Never and Arca and Autre Ne Veut and the Weeknd. It sounds less like the future than the timeline bending backward into an alternate history, a better version of the darkly funky odysseys Donald Glover has been attempting in recent years.

  • Apr 1, 2020




  • Apr 1, 2020
    ThuggerBaby

    Stereogum put out their write up for this album already:

    https://www.stereogum.com/2078103/yves-tumor-heaven-to-a-tortured-mind-review/franchises/album-of-the-week/

    By comparison, Heaven To A Tortured Mind is jarring and immediate — rock ‘n’ roll history refracted through the imagination of an androgynous American expat with a background in Europe’s avant-garde club scene, known to take the form of a demon in fishnets. As with Safe In The Hands Of Love, Tumor co-produced Heaven To A Tortured Mind with Justin Raisen, the LA mainstay whose work with the likes of Sky Ferreira, Angel Olsen, and Miya Folick has long skirted the edge between pop and indie rock. They teamed with core collaborators including producer-at-large Yves Rothman, “acid R&B” guitarist Heavy Mellow, French composer Sylvain Carton, and several members of Ariel Pink’s band, plus pop-ins from figures like Hirakish, Kelsey Lu, Diana Gordon, Clara La San, and Sunflower Bean’s Julia Cumming.

    That’s an eclectic crew, and they’ve come up with an eclectic sound. Heaven To A Tortured Mind reminds me of the 1970s, when the likes of David Bowie and Sly Stone and Pink Floyd and Funkadelic were carrying rock music to revolutionary, apocalyptic extremes. It reminds me of the second half of the ’90s, when artists were jumbling genres in the shadow of metropolitan cool kids like Beastie Boys and Beck. It reminds me of the shadowy internet-native pop revisionists of the 2010s, of Oneohtrix Point Never and Arca and Autre Ne Veut and the Weeknd. It sounds less like the future than the timeline bending backward into an alternate history, a better version of the darkly funky odysseys Donald Glover has been attempting in recent years.

    DAMN I NEED NOW

  • Apr 1, 2020

    13 hours til NZ

  • Apr 1, 2020
    ThuggerBaby

    Stereogum put out their write up for this album already:

    https://www.stereogum.com/2078103/yves-tumor-heaven-to-a-tortured-mind-review/franchises/album-of-the-week/

    By comparison, Heaven To A Tortured Mind is jarring and immediate — rock ‘n’ roll history refracted through the imagination of an androgynous American expat with a background in Europe’s avant-garde club scene, known to take the form of a demon in fishnets. As with Safe In The Hands Of Love, Tumor co-produced Heaven To A Tortured Mind with Justin Raisen, the LA mainstay whose work with the likes of Sky Ferreira, Angel Olsen, and Miya Folick has long skirted the edge between pop and indie rock. They teamed with core collaborators including producer-at-large Yves Rothman, “acid R&B” guitarist Heavy Mellow, French composer Sylvain Carton, and several members of Ariel Pink’s band, plus pop-ins from figures like Hirakish, Kelsey Lu, Diana Gordon, Clara La San, and Sunflower Bean’s Julia Cumming.

    That’s an eclectic crew, and they’ve come up with an eclectic sound. Heaven To A Tortured Mind reminds me of the 1970s, when the likes of David Bowie and Sly Stone and Pink Floyd and Funkadelic were carrying rock music to revolutionary, apocalyptic extremes. It reminds me of the second half of the ’90s, when artists were jumbling genres in the shadow of metropolitan cool kids like Beastie Boys and Beck. It reminds me of the shadowy internet-native pop revisionists of the 2010s, of Oneohtrix Point Never and Arca and Autre Ne Veut and the Weeknd. It sounds less like the future than the timeline bending backward into an alternate history, a better version of the darkly funky odysseys Donald Glover has been attempting in recent years.

    that gambino shade lmfaooo

  • Apr 1, 2020

    Tomorrow morning about to be the most pristine wake n bake listening session

  • Great album cover

  • I’m realllyyyy f***ing with the singles. Reminds me of Young Americans era David Bowie but mixed with the art rock/electronics of the Berlin Trilogy. Loving it.

  • Apr 1, 2020
    ·
    1 reply

    My man Sean Bowie bringing back the rock this friday.

  • Apr 1, 2020
    Phosky

    My man Sean Bowie bringing back the rock this friday.

    Singlehandedly reviving a whole genre

  • Apr 2, 2020

    romanticist and dream palette are incredible

  • Apr 2, 2020

    11 hours

  • Apr 2, 2020
    ·
    edited

    honestly I thought SITHOL was just ok, pretty good, def some great songs on there but this is shaping up to be amazing