literally puts me in the deepest of thought lol. the inquisitive lyrics just make me

an emotional rollercoaster fr! on my first listen after a greater love ended i couldnt stop grinning and laughing out of pure satisfaction

@viscera dbree.org/v/c942ae

😏

Yves Tumor & the band on his upcoming tour reminded me of this

when this man comes to my country i am 100% gonna go by myself

need to hear honesty live

this hits even harder home now, the song really showcases sense the of paranoia of a young black man living 21st century, its shockingly bleak

Rest In Peace George Floyd

Hsdallen Lights turned into my fav song it’s so good

running this back rn

so good

super stars hitting rn

battered and bruised in your multicolored maze

on HTATM's art direction

The American experimental music producer, Yves Tumor, aka Sean Bowie, is one of the iconoclastic artists who are particularly involved in the album artwork creative process. For his fourth album, he called on a creative team including Jordan Hemingway (Photographer), Collin Fletcher (Designer), Jeremy Valender (Director of Photography), Isamaya Ffrench (Makeup), Shiori Takahashi (Hair), some of the finest in their own categories.
Jeremy told us that everything started from Jordan Hemingway deciding to shoot a B-movie trailer centered on the different Yves Tumor characters for the album visuals. There were no specific ideas, just pure creativity and eccentricity. The whole crew ended up shooting the trailer over two days and totally “improvised,” as Collin said. For this B-movie trailer, Shiori told us she created about 30 hairstyles with totally different looks and vibes from 18th century to 2020, as well as gothic and science-fiction vibes. She loved working with Yves saying, “Hair suddenly became part of his performance.” The crew loved the movement and the look of Yves’ soaking wet long hair in the last scene they shot at the end of the second day, Shiori said. Collin told us they were lucky to have decided to shoot this last scene because it ended up being the most iconic. For this scene, “Sean and Jordan liked the idea of a double exposure of Yves arousing himself. We shot on the motion film camera, did the double exposure on the negative film and Jordan picked a motion film still for the album cover,” Jeremy told us. So not a photograph but a movie still for a very stunning and sensual cover. He concluded, “On a shoot like that there’s never enough time or money, but the fact is there were so many creative people. And above all Yves throwing himself into the artwork made some amazing imagery.” Collin added: “It was a storm of amazing collaborators organically creating the perfect interpretation of the album.”

instagram.com/p/CBgJ8nRgLp1

teeeams.bandcamp.com/track/sierra-city-center-diamond-club

teams era track

so fire

👀

Strawberry privilege is ridiculous

what IG is this

his finsta deletefetish lol

if i send a request will he accept?

how did u find it.