got a 1080p of L'Age d'Or if ya want
u got em downloaded or nah?
Naw not yet didnt have my laptop with me, i’ll try to do as much as possible tomorrow. Might DL everything in 1 go
also an interesting website
cinematheque.fr/henri/film/146168-l-age-d-or-chutes-luis-bunuel-1930/#
Omg would be so dope to just sit down and progressively watch the best movie from every year until there is sound then colour then different fashion dialogue camera angles all that so cool
Omg would be so dope to just sit down and progressively watch the best movie from every year until there is sound then colour then different fashion dialogue camera angles all that so cool
yes
Man really bamboozled me into watching the absolute last s*** I wanted to ever watch because I thought I would get to lay something gentle on his poor soul
Omg would be so dope to just sit down and progressively watch the best movie from every year until there is sound then colour then different fashion dialogue camera angles all that so cool
Man really bamboozled me into watching the absolute last s*** I wanted to ever watch because I thought I would get to lay something gentle on his poor soul

better watch my rec some time this year otherwise you'll be a hypocrite

better watch my rec some time this year otherwise you'll be a hypocrite
Its queued up don't worry
Don't want to watch it on my laptop out here and couldn't find a night before I left

better watch my rec some time this year otherwise you'll be a hypocrite
How was that 35 screening
How was that 35 screening
mate i don't even know how to fully articulate myself about this film
it's absolutely nothing like i expected when it comes to tark. solaris i hated, ivan a pretty easy digestable piece of film, the sacrifice and stalker pretty challenging, but this was def something else.
i'm amazed by how something created in a stream of consciousness style could be so wonderfully combined together even though it jumps in and out of pre-war, war-era and post-war.
tark's beautiful way of shooting the elements is really the best i've seen so far. i was mesmerized when I saw those drops of water flowing from the roof together with that burning barn.
one of the most wonderful films i've seen when it comes to meditations on memory (probably along with je t'aime, je t'aime and other resnais films)
i think that along with the roof f***ing disintegrating was my favorite sequences in the film. really gotta give time for this to melt, which is probably why i avoid watching more than one new tark a year
was really cool to see this in 35 as well, but the audio was crackling a bit, probably a little older print and it kinda showed with its scratches but colors looked wonderful, and so did the sepia and B&W.
might have to download a remux to see how it compares in terms of grading


i always felt like water corresponded with the pacing and the flow of the film when it came to tarkovskij but this is a v fluid (no pun intended) piece of work and the camera movements really helped (e.g. the corridor at the book printer)


i always felt like water corresponded with the pacing and the flow of the film when it came to tarkovskij but this is a v fluid (no pun intended) piece of work and the camera movements really helped (e.g. the corridor at the book printer)
Went to visit the farmhouse I grew up in recently and this happened to it
looked similar ngl
mate i don't even know how to fully articulate myself about this film
it's absolutely nothing like i expected when it comes to tark. solaris i hated, ivan a pretty easy digestable piece of film, the sacrifice and stalker pretty challenging, but this was def something else.
i'm amazed by how something created in a stream of consciousness style could be so wonderfully combined together even though it jumps in and out of pre-war, war-era and post-war.
tark's beautiful way of shooting the elements is really the best i've seen so far. i was mesmerized when I saw those drops of water flowing from the roof together with that burning barn.
one of the most wonderful films i've seen when it comes to meditations on memory (probably along with je t'aime, je t'aime and other resnais films)
i think that along with the roof f***ing disintegrating was my favorite sequences in the film. really gotta give time for this to melt, which is probably why i avoid watching more than one new tark a year
was really cool to see this in 35 as well, but the audio was crackling a bit, probably a little older print and it kinda showed with its scratches but colors looked wonderful, and so did the sepia and B&W.
might have to download a remux to see how it compares in terms of grading
forgot it was your first
hope you did d****
Hurt you tagged that French f*** before you tagged me over this
everybody knows I'm the Zerkalo fan club prez
forgot it was your first
hope you did d****
Hurt you tagged that French f*** before you tagged me over this
everybody knows I'm the Zerkalo fan club prez
does x**** count
im sorry, it was that i talked about it with him yesterday and i know that you got a massive boner for this, my bad, no excuse!
Went to visit the farmhouse I grew up in recently and this happened to it
looked similar ngl
f*** man
I think my LB review has pics
just saw
can't imagine what much fun it would've been to roam around there as a kid
can imagine how much you can relate to this though or that it hits very close to home to see those farm scenes though
what caused the fire?
just saw
can't imagine what much fun it would've been to roam around there as a kid
can imagine how much you can relate to this though or that it hits very close to home to see those farm scenes though
what caused the fire?
It was pretty magical
definitely honed a pretty big imagination stuck in the middle of nowhere with hardly anybody else around
luckily we had a VHS player and rented mountains of movies.
Probably beheaded my first chicken at like 6
wasn't a big farm but we had cows and pigs and chickens and turkeys and ducks and tons of dogs and cats. Just used to run around making forts and fires and shooting my pellet gun
haven't heard what started the fire yet but I randomly got invited to a wedding out there about five years ago and it looked almost exactly the same as it did when I was a kid. The fire was only a couple of years ago and the forest is already be reclaiming the land


i always felt like water corresponded with the pacing and the flow of the film when it came to tarkovskij but this is a v fluid (no pun intended) piece of work and the camera movements really helped (e.g. the corridor at the book printer)
Did the book printer scene stress you out as much as it did me?
mate i don't even know how to fully articulate myself about this film
it's absolutely nothing like i expected when it comes to tark. solaris i hated, ivan a pretty easy digestable piece of film, the sacrifice and stalker pretty challenging, but this was def something else.
i'm amazed by how something created in a stream of consciousness style could be so wonderfully combined together even though it jumps in and out of pre-war, war-era and post-war.
tark's beautiful way of shooting the elements is really the best i've seen so far. i was mesmerized when I saw those drops of water flowing from the roof together with that burning barn.
one of the most wonderful films i've seen when it comes to meditations on memory (probably along with je t'aime, je t'aime and other resnais films)
i think that along with the roof f***ing disintegrating was my favorite sequences in the film. really gotta give time for this to melt, which is probably why i avoid watching more than one new tark a year
was really cool to see this in 35 as well, but the audio was crackling a bit, probably a little older print and it kinda showed with its scratches but colors looked wonderful, and so did the sepia and B&W.
might have to download a remux to see how it compares in terms of grading
Solaris hate
movie just feels uncomfortable
Did the book printer scene stress you out as much as it did me?
for some reason i felt like ”oh no she’s going to the gulag” and getting berated by liza felt surreal.
the stressiest part was probably the corridor. wide angle lens in a confined space usually does the trick to make it feel distorted and uncomfortable for the viewer
watch 4 Sons now and I knew it
"Just before the studio converted to talkies, Fox gave a contract to the German director F. W. Murnau, and his film Sunrise (1927), still highly regarded by critics, had a powerful effect on Ford.26 Murnau's influence can be seen in many of Ford's films of the late 1920s and early 1930s— Four Sons (1928), was filmed on some of the lavish sets left over from Murnau's production"