buster on his german s***

sheesh spione that low

I've only seen Steamboat Willie

Joan of Arc and West of Zanzibar still on my watchlist

It was relentless and razor sharp but just not as interesting as it should be I dunno

we in 1929 finally?

only seen a handful from 1929 whats on the program

pretty excited to finally check out the GW Pabst is that Louise there?

Diary of a Lost Girl

when i finally really get that Hell of Pitz Palu reference in Basterds also quite curious what f***ing Leni the mountain woman was all about

started '29 with a Laurel and Hardy short which was not funny

Discussing 1929

started with Pandora's Box, but I prefer Diary of a Lost Girl more.

started A Cottage On Dartmoore as well and it almost felt like some Dreyer-lite tbh

i see it on your watchlist @RASIE lets do it

you missed out on 1922

Cinephiles be like

I know how we look but tell me if you've ever seen as much charm and danger and excitement and groundbreaking special effects packed into 45 minutes as this

I've seen this actually and I was amazed im not gon lie to u

also

we ready to debate which was the peak year of the silent film era?

early early laurel & hardy not that funny honestly. mid 30s is good, although they reused a lot of gags and situations for the plot.

Watchlist:

• Diary of a Lost Girl (Pabst)
• Thunderbolt (von Sternberg)
• Hallelujah (Vidor)
• Tide of Empire (Dwan)
• The Iron Mask (Dwan)
• The General Line (Eisenstein & Aleksandrov)
• Eternal Heart (Shimizu)
• The Lighthouse Keepers (Gremillon)
• Eternal Love (Lubitsch)
• The Love Parade (Lubitsch)
• Blackmail (Hitchcock)
• Woman in the Moon (Lang)
• "H2O" (Ralph Steiner)
• Pandora's Box (Pabst)
• The Black Watch (Ford)
• Salute (Ford)
• The Strong Boy (Ford)
• The Wild Party (Arzner)
• The Shakedown (Wyler)
• Hell's Heroes (Wyler)
• The Informer (Arthur Robison)
• "Rain" (Joris Ivens & Mannus Franken)
• Where East is East (Browning)
• "Black and Tan" (Dudley Murphy)
• Linda (Dorothy Davenport)
• Sangue Mineiro (Humberto Mauro)