I always assumed one of these ripped off the other but they came out the same month
wonder how that happened cause Ray sings "it's time for confessing it all" exactly the same dramatic way Bowie sings "beware the savage jaw of 1984"
corny beef if im totally honest
Ronnie always rocking his Tonights The Night shirt to show it wasnt srs
already think this is the most life affirming Eno bop when the riffing starts near the middle and then the girl starts yelping
hard/glam rockers Sweet drop an early heavy metal classic
i think people stretch things a bit to call early 70s hard rock "metal" sometimes. but this one is absolutely in the same vein as what a Saxon or Priest or somebody would be doing towards the end of the decade. especially the part where the solo kicks in
take away the harmonies, make the vocals a bit more aggressive and change their look and its pure metal. that glam rock -> 80s metal lineage is super important
nice yeah definitely sounds like Priest
The last opus of bubblegum. That classical bridge section at 3:05 is so good.
!https://youtube.com/watch?v=n5h467jeNm8&si=dkIB18UXRPsBgKDmpretty similar to the Spectory stuff Wizzard were doing last year but with way more B.Wilson to it. very nice bridge.
pretty similar to the Spectory stuff Wizzard were doing last year but with way more B.Wilson to it. very nice bridge.
Yeah that’s a good call.
I think I found the source of Fleetwood Mac finally finding the sauce again next year
what a great Everlys cover @Fella
@op you get on this Santana live album? recorded 1973 but released 1974. one of their best releases ever. originally only released in japan as a triple LP
Borboletta is pretty cool too
they were never this deep into jazz again
also a Alice Coltrane and Carlos Santana collab album from this year i gotta check out
@op you get on this Santana live album? recorded 1973 but released 1974. one of their best releases ever. originally only released in japan as a triple LP
!https://www.youtube.com/watch?v=oYT1q3p4MnQ!https://www.youtube.com/watch?v=RnFdYNaJhisqueued up Barbo but not this thanks
queued up Barbo but not this thanks
lot of Santana heads swear on it as the magnum opus iirc
lot of Santana heads swear on it as the magnum opus iirc
this Toussaint going hard not surprisingly
I think I found the source of Fleetwood Mac finally finding the sauce again next year
what a great Everlys cover @Fella
I was going to post her song Willin from this year.
I was going to post her song Willin from this year.
you better specify *her version of Willin, or Lil Feat stan RVI will cut you
I can finally post this. So much of what Oasis is looking at in the 90’s is going back directly to something like this. So overwhelmingly anthemic in the way the best Britpop is, that I got a little chocked up the first time when I realized the hook was going to be as cathartic as it was. Like discovering a song that should have always been there. I destroyed my voice singing along to it for days.
!https://youtube.com/watch?v=znvCWZpTzT8&si=kHb7yUau97odgXH0@Elric @RVI
I actually found an interview from Noel Gallagher where he confirms this. He says even more so than The Beatles and The Stone Roses, it was Slade who made Oasis who they were as a band.
you better specify *her version of Willin, or Lil Feat stan RVI will cut you
another smattering of classics this year from The Feat. so much funk influence into their blend now
also the year with a contender for their best ever release with Electrif Lycanthrope: Live at Ultra-Sonic Studios, 1974. was a treasured bootleg for years then finally given official release and is on streaming. firmly in their apex period now. masterfully rich mixing of southern/roots/r&b/funk/country/jazz/jam rock