oh were doing this right now
top psychedelic masterpieces of the year?
!https://www.youtube.com/watch?v=E0Z3HAaguSo!https://www.youtube.com/watch?v=Hfk4pZf7a34!https://www.youtube.com/watch?v=BT5j9OQ7Sh0!https://www.youtube.com/watch?v=pHNbHn3i9S4!https://www.youtube.com/watch?v=8de_EbOd22M!https://www.youtube.com/watch?v=q8IyuQWAv-M!https://www.youtube.com/watch?v=FfFAsjawANE!https://www.youtube.com/watch?v=L_y0ErPx1Jo!https://www.youtube.com/watch?v=nmO0OZC6Ifk!https://www.youtube.com/watch?v=t679ZGAk2IAill make a list tomorrow
but Ride On Baby a psych song?
also apparently was recorded december '65 and ofc released 67
ill make a list tomorrow
but Ride On Baby a psych song?
also apparently was recorded december '65 and ofc released 67
well f*** swap it out for Paint It Black/Have You Seen Your Mother then
ill pull up with another list tomorrow too
You made it brother how does it feel?
after waiting a year for me to get from '55 to '65 he refused to post anything because apparently hes to strictly an album guy to pick a single highlight or some s***
after waiting a year for me to get from '55 to '65 he refused to post anything because apparently hes to strictly an album guy to pick a single highlight or some s***
That was before people even cared about album format really too
after waiting a year for me to get from '55 to '65 he refused to post anything because apparently hes to strictly an album guy to pick a single highlight or some s***
damn, big yikes at the albumist mentality
ill make a list tomorrow
but Ride On Baby a psych song?
also apparently was recorded december '65 and ofc released 67
Paul Samwell Smith was low-key the genius in the Yardbirds from the jump who engineered the rave-up structure, charted the gregorian chants and came up with all sorts of goofy experimentation in the studio before anyone else was doing that and then he left in late '66 to focus on studio work like some Brian Wilson but just ended up producing some trash prog then all those Cat Stevens hits years later
good songs but dang
Paul Samwell Smith was low-key the genius in the Yardbirds from the jump who engineered the rave-up structure, charted the gregorian chants and came up with all sorts of goofy experimentation in the studio before anyone else was doing that and then he left in late '66 to focus on studio work like some Brian Wilson but just ended up producing some trash prog then all those Cat Stevens hits years later
good songs but dang
interesting trajectory
damn, big yikes at the albumist mentality
i dont know why he said '65 in the first place because he definitely wrote off anything before '67 at one point
interesting trajectory
they definitely should've stayed together
wouldve had an amazing '67-'68 if he stayed to harness the fury of the Beck/Page era
might not have even been a Zeppelin for you to have to put up with
might've turned into the Stones toughest competition for double guitar hero band through to the 70s
they definitely should've stayed together
wouldve had an amazing '67-'68 if he stayed to harness the fury of the Beck/Page era
might not have even been a Zeppelin for you to have to put up with
might've turned into the Stones toughest competition for double guitar hero band through to the 70s
im not a zeppelin hater just because i think theyre not goats
im not a zeppelin hater just because i think theyre not goats
youre turning into a bowie and zeppelin contrarian
i get it but still
kidding anyway
youre turning into a bowie and zeppelin contrarian
i get it but still
kidding anyway
has it grown on you any more recently?
I've had it since I was 18
there are some good moments but it'll never grow into a classic for me. Zappa just can't finesse a melody enough to move me.
out of those ones only Paint It Black, Have You Seen..., Mother's Little Helper struck me as psych
stones 1966 singles run is godly ofc but aftermath album not quite masterful to me compared with the year's masterpieces
and like at least half of Revolver is psych to me so I'm still taking beatles in that realm. especially I'm Only Sleeping, Love You To, She Said She Said, And Your Bird Can Sing, Tomorrow Never Knows, and Rain. Tomorrow Never Knows might be my psych song of the year actually, i think its edging out Yardbirds, Love, Stones, Byrds
I don't know how And Your Bird Can Sing and She Said She Said seem like psych to you when so much else doesn't
they aren't really to me tbh
I might as well fess up now and admit I think Revolver is obscenely overrated and no Greatest Album Of All Time contender of mine would have a f***ing Good Day Sunshine or Got To Get You Into My Life on it
Doctor Robert either
George snapped on his songs and I usually won't skip Yellow Submarine tbh but For No One and Here There Everywhere don't hit like they used to
I would take the Elevators debut over this half-mid
I don't know how And Your Bird Can Sing and She Said She Said seem like psych to you when so much else doesn't
they aren't really to me tbh
I might as well fess up now and admit I think Revolver is obscenely overrated and no Greatest Album Of All Time contender of mine would have a f***ing Good Day Sunshine or Got To Get You Into My Life on it
Doctor Robert either
George snapped on his songs and I usually won't skip Yellow Submarine tbh but For No One and Here There Everywhere don't hit like they used to
I would take the Elevators debut over this half-mid
She Said She Said has directly LSD inspired lyrics, the super bright colorful guitar sound, the way it changes the speed/meter (idk the music theory) at the "when i was a boy part", especially the ending with multiple Lennons singing and the drums speed up as it fades. i mean it is literally universally considered one of their first psychedelic songs in any piece of beatles literature you could find so i think im right
And Your Bird Can Sing less psych but has the similar guitar sound and sounds similar to she said she said. both these also seem more trippy when you compare them to the rockers of 1965 or the surrounding McCartney tracks on Revolver
seriously, google list of beatles psychedelic songs and She Said She Said is on basically everything that comes up
I don't know how And Your Bird Can Sing and She Said She Said seem like psych to you when so much else doesn't
they aren't really to me tbh
I might as well fess up now and admit I think Revolver is obscenely overrated and no Greatest Album Of All Time contender of mine would have a f***ing Good Day Sunshine or Got To Get You Into My Life on it
Doctor Robert either
George snapped on his songs and I usually won't skip Yellow Submarine tbh but For No One and Here There Everywhere don't hit like they used to
I would take the Elevators debut over this half-mid
i feel you on the inconsistency, Revolver is one of those masterpieces with a few tracks below the rest for me too. still pretty much tied with Revolver for #2
Got to Get You Into My Life is amazing though
and i thought you liked doctor robert. For No One is great but never a masterpieces for me, but Here There and Everywhere still always hits. i actually used to despise Yellow Submarine and thought it was a huge blemish but I don't mind it now, i like basically all of it except the chorus
Eleanor Rigby the real overrated one on there
She Said She Said has directly LSD inspired lyrics, the super bright colorful guitar sound, the way it changes the speed/meter (idk the music theory) at the "when i was a boy part", especially the ending with multiple Lennons singing and the drums speed up as it fades. i mean it is literally universally considered one of their first psychedelic songs in any piece of beatles literature you could find so i think im right
And Your Bird Can Sing less psych but has the similar guitar sound and sounds similar to she said she said. both these also seem more trippy when you compare them to the rockers of 1965 or the surrounding McCartney tracks on Revolver
seriously, google list of beatles psychedelic songs and She Said She Said is on basically everything that comes up
No I'm fully aware this is the general consensus and know what you mean but I've never really subscribed to it
I'm Only Sleeping and Tomorrow Never Knows absolutely but the other ones are pretty thin for me
We have slightly different definitions of psychedelia which is why things like Too Much On My Mind and Dead End Street and I'm Not Like Everybody Else are more psych to me than those Revolver jams. Something about the nostalgia and longing for things past is a heavy psych element to me which I think Lennon recognized in the Kinks when he wrote Strawberry Fields. The Beatles were kind of futuristic forward-looking psych with the flashiest production on earth whereas is The Kinks were kind of nostalgic backward looking with their quaint production which perfectly managed to conjure an unparalleled near mystical atmosphere of ye olde England. Equally trippy.
cant wait to argue again for 66.67,68 about the Kinks not being psychedelic with only a handful of exceptions
That was the explanation I've been meaning to give you for the last 6 months or whatever lol
i feel you on the inconsistency, Revolver is one of those masterpieces with a few tracks below the rest for me too. still pretty much tied with Revolver for #2
Got to Get You Into My Life is amazing though
and i thought you liked doctor robert. For No One is great but never a masterpieces for me, but Here There and Everywhere still always hits. i actually used to despise Yellow Submarine and thought it was a huge blemish but I don't mind it now, i like basically all of it except the chorus
Eleanor Rigby the real overrated one on there
I FEEL GOOD
IN A SPECIAL WAY
I'M IN LOVE AND IT'S A SUNNY DAY
Lennon must have been in the corner like
No I'm fully aware this is the general consensus and know what you mean but I've never really subscribed to it
I'm Only Sleeping and Tomorrow Never Knows absolutely but the other ones are pretty thin for me
We have slightly different definitions of psychedelia which is why things like Too Much On My Mind and Dead End Street and I'm Not Like Everybody Else are more psych to me than those Revolver jams. Something about the nostalgia and longing for things past is a heavy psych element to me which I think Lennon recognized in the Kinks when he wrote Strawberry Fields. The Beatles were kind of futuristic forward-looking psych with the flashiest production on earth whereas is The Kinks were kind of nostalgic backward looking with their quaint production which perfectly managed to conjure an unparalleled near mystical atmosphere of ye olde England. Equally trippy.
already said this before but man those examples and that kinks nostalgia is literally the perfect counterpoint to the psych at the time to me, firmly grounded in reality with feet on the ground. Dead End Street absolutely unpsychedelic to me but i could see more of an argument for Big Black Smoke tbh even though its also dark, its trippier to me. Too Much on My Mind slightly so as well. I'm Not Like Everybody Else I can't hear any psych either though
I FEEL GOOD
IN A SPECIAL WAY
I'M IN LOVE AND IT'S A SUNNY DAY
Lennon must have been in the corner like
didn't Ray himself love that song? but yeah its just decent to me and I can understand people hating it
cant wait until you meet Ray one day and accidentally let it slip that you think Kinks are psychedelic and he will slap you
the kind of childlike nostalgia that is psychedelic to me is the Syd Barrett or July kind
already said this before but man those examples and that kinks nostalgia is literally the perfect counterpoint to the psych at the time to me, firmly grounded in reality with feet on the ground. Dead End Street absolutely unpsychedelic to me but i could see more of an argument for Big Black Smoke tbh even though its also dark, its trippier to me. Too Much on My Mind slightly so as well. I'm Not Like Everybody Else I can't hear any psych either though
The lead guitar is on I'm Not Like Everybody Else is lysergic as f***
trust me
Its Dark Star in miniature