Reply
  • mishima

    Shoveling snow to this.

    real s***

  • enough is enough - PND carried meet your padre too

  • GhostOfSouljaSlim

    They really paying to get every hit and negativity and it’s coming to light every time a new person or celebrity exposes it.

    They clearly don't care about being exposed at this point.

  • Feb 16
    BecauseTK

    YoulovewhenIfuckyoufromtheback, but I wanna see your face right now
    I know that he ain't hittin' on nothin' 'cause you're comin' to my place right now

  • I misssss youuuuuuu

  • Feb 16
    ·
    1 reply
    TheFader

    I don’t agree with this. I’ve thought about this for a while, but it’s never been more evident than on this project. Keep in mind, I enjoy this album so this isn’t hate, just an observation I’ve made over the years.

    Drake’s approach to R&B is COMPLETELY different nowadays than what it was 10+ years ago. Whether it’s a better or worse approach is dependent on who you’re asking, but I’m not even talking about just the content of the music itself, that’s obvious. I mean that his approach to songwriting as a whole when it comes to R&B has done a complete 180.

    He used to approach R&B writing from a very traditional standpoint: clearly defined ABAB structure, songs written around a specific narrative, more complex & varied melodic lines, layered vocals along with background vocals, and less wordplay in the lyrics, instead focusing more on eliciting emotion. These songs sound like they were written by legitimate R&B musicians. Prime examples of this include:

    !https://youtu.be/wWcaNu10POQ?si=8vpwUhz8q9u7n8QS!https://youtu.be/pc7SitHShpM?si=z2hmMkumgaSB1mnJ!https://youtu.be/ndCnatxRaF8?si=ftnIPwdmblGiDCjr!https://youtu.be/akwlMVMNIYw?si=ui-AGA6vZCqut58X

    Then, the approach started to switch sometime around 2017 or 2018. It changed to something more formless and conversational, gone were the traditional song structures and in were songs that could be mistaken for one long verse, usually with one or two repeating melodic lines the entire song, in addition to feeling like songs written by a rapper due to their emphasis on punchlines and similes within the lyrics. He seems to prefer catching a vibe on his modern R&B songs rather than writing a fleshed out song. They almost come off as freestyles more than actually written songs. Some examples include:

    !https://youtu.be/L2y1wk5EB6U?si=XvqGNTVu1b-A1ARA!https://youtu.be/ZX_mvoY_Hg0?si=uqLH7SasAGeO_Y4G!https://youtu.be/tJYeoXe5SsA?si=fUP9xoDTh9lzGUEK!https://youtu.be/m9rb-v3wthQ?si=8AZ7cQTx9eIbtJ7Z

    The style you prefer is completely subjective, but it is very interesting to note and observe the differences. For that reason, I don’t think people would hate a song like Marvins Room if it were to release today, because it would be basically a complete 180 flip from the R&B that 2025 Drake is making.

    I don't necessarily agree with this. Drake is still writing fully-fleshed out R&B songs. Songs like Polar Opposites, Bahamas Promises & Tried Our Best some of his best R&B cuts. He never stopped making them.

    And even if he's changed his style of writing, that doesn't have to be a bad thing. It's a stylistic choice that still works and is a natural evolution of his style.

    People are free to like what they like, of course, but ultimately, it's a good thing that he's diverse enough of an R&B artist that he has different styles/moods across his vast catalog of R&B songs.

    I think this album is a good display of not just how well he plays with PARTYNEXTDOOR as a collaborator but it shows his strengths as an R&B artist.

    For someone who primarily raps, I think it's great that he's as well-rounded an R&B act as he is, especially seeing as he's a very limited singer.

  • My bad my bad my bad

  • Whole lotta text on this page when all you gotta say is

    Glorious, die trying co-songs of the year

  • PARTYNEXTDOOR, for instance, is very different stylistically now than he was in 2013/2014. He uses a lot more autotune now and uses a lot more highly-pitched inflections/flows that have him sounding like Young Thug/Future sometimes. That's not something he always did.

    These are all stylistic choices artists need to make. I might not like them but it's a way to ensure his sound and style don't become stale and repetitive.

  • Feb 16
    ·
    2 replies
    thegreatdivine

    I don't necessarily agree with this. Drake is still writing fully-fleshed out R&B songs. Songs like Polar Opposites, Bahamas Promises & Tried Our Best some of his best R&B cuts. He never stopped making them.

    And even if he's changed his style of writing, that doesn't have to be a bad thing. It's a stylistic choice that still works and is a natural evolution of his style.

    People are free to like what they like, of course, but ultimately, it's a good thing that he's diverse enough of an R&B artist that he has different styles/moods across his vast catalog of R&B songs.

    I think this album is a good display of not just how well he plays with PARTYNEXTDOOR as a collaborator but it shows his strengths as an R&B artist.

    For someone who primarily raps, I think it's great that he's as well-rounded an R&B act as he is, especially seeing as he's a very limited singer.

    You don’t see a clear difference in how songs like Bahama Promises and Tried Our Best are written in comparison to songs like Shot for Me and Marvins Room? I’m not even saying one is better or worse than the other, just they’re vastly different approaches to R&B writing

  • TheFader

    SPIDER-MAN SUPERMAN may go down as the biggest song from this album after a year or two. That song is the one.

    yo...

  • DJ Ghost reacting to Gimme A Hug and learning the lyrics to it is both hilarious and amazing

    He actually said some real s*** during it as well

    Goated reaction

  • Crying in Chanel
    Lasers
    Glorious

    The only skips for me

  • Feb 16
    ·
    1 reply
    TheFader

    You don’t see a clear difference in how songs like Bahama Promises and Tried Our Best are written in comparison to songs like Shot for Me and Marvins Room? I’m not even saying one is better or worse than the other, just they’re vastly different approaches to R&B writing

    Feel like music is moving in that direction in general tbh. Look at Weeknd and Kendrick’s albums for example, nobody is really doing these traditional song structures anymore.

  • Feb 16
    ·
    1 reply

    Shots at finding Nemo uncalled for imo

  • The more I get the more I want

  • Feb 16
    ·
    1 reply

    When he's gone, let me know
    When he's gone out your mind

  • Feb 16
    ·
    edited
    TheFader

    I don’t agree with this. I’ve thought about this for a while, but it’s never been more evident than on this project. Keep in mind, I enjoy this album so this isn’t hate, just an observation I’ve made over the years.

    Drake’s approach to R&B is COMPLETELY different nowadays than what it was 10+ years ago. Whether it’s a better or worse approach is dependent on who you’re asking, but I’m not even talking about just the content of the music itself, that’s obvious. I mean that his approach to songwriting as a whole when it comes to R&B has done a complete 180.

    He used to approach R&B writing from a very traditional standpoint: clearly defined ABAB structure, songs written around a specific narrative, more complex & varied melodic lines, layered vocals along with background vocals, and less wordplay in the lyrics, instead focusing more on eliciting emotion. These songs sound like they were written by legitimate R&B musicians. Prime examples of this include:

    !https://youtu.be/wWcaNu10POQ?si=8vpwUhz8q9u7n8QS!https://youtu.be/pc7SitHShpM?si=z2hmMkumgaSB1mnJ!https://youtu.be/ndCnatxRaF8?si=ftnIPwdmblGiDCjr!https://youtu.be/akwlMVMNIYw?si=ui-AGA6vZCqut58X

    Then, the approach started to switch sometime around 2017 or 2018. It changed to something more formless and conversational, gone were the traditional song structures and in were songs that could be mistaken for one long verse, usually with one or two repeating melodic lines the entire song, in addition to feeling like songs written by a rapper due to their emphasis on punchlines and similes within the lyrics. He seems to prefer catching a vibe on his modern R&B songs rather than writing a fleshed out song. They almost come off as freestyles more than actually written songs. Some examples include:

    !https://youtu.be/L2y1wk5EB6U?si=XvqGNTVu1b-A1ARA!https://youtu.be/ZX_mvoY_Hg0?si=uqLH7SasAGeO_Y4G!https://youtu.be/tJYeoXe5SsA?si=fUP9xoDTh9lzGUEK!https://youtu.be/m9rb-v3wthQ?si=8AZ7cQTx9eIbtJ7Z

    The style you prefer is completely subjective, but it is very interesting to note and observe the differences. For that reason, I don’t think people would hate a song like Marvins Room if it were to release today, because it would be basically a complete 180 flip from the R&B that 2025 Drake is making.

    Get Along Better out now
    BBL Love out now

  • Feb 16
    ·
    1 reply
    Herbachis

    Shots at finding Nemo uncalled for imo

    swimming in the money come and find me

  • Feb 16
    ·
    1 reply
    this is not an alt

    Feel like music is moving in that direction in general tbh. Look at Weeknd and Kendrick’s albums for example, nobody is really doing these traditional song structures anymore.

    Hurry Up Tomorrow may not be the most conventionally written album from a structure standpoint, but everything still sounds meticulous and intentional. Dawn FM, on the other hand, is an exercise in classic pop writing when it comes to structure.

    It’s different with Drake’s modern writing, which is also non-conventionally written, but at times can feel so formless and free-flowing that it can feel like it lacks intention or specific decision-making behind it

  • John Madden

    swimming in the money come and find me

    He switched up on Nemo on some brazen s***

  • TheFader

    Hurry Up Tomorrow may not be the most conventionally written album from a structure standpoint, but everything still sounds meticulous and intentional. Dawn FM, on the other hand, is an exercise in classic pop writing when it comes to structure.

    It’s different with Drake’s modern writing, which is also non-conventionally written, but at times can feel so formless and free-flowing that it can feel like it lacks intention or specific decision-making behind it

    if youre reasonable to give weeknd a pass for experimenting with his album
    why would you expect traditional r&b on albums like HNVM or Her Loss or FATD

  • Iced Out

    When he's gone, let me know
    When he's gone out your mind

  • Feb 16
    ·
    1 reply

    The outro of meet your padre where is party and the horns

    That’s legitimately one of the best moments on the album

    I hope he does something like that again solo

  • Feb 16
    ·
    1 reply
    TheFader

    You don’t see a clear difference in how songs like Bahama Promises and Tried Our Best are written in comparison to songs like Shot for Me and Marvins Room? I’m not even saying one is better or worse than the other, just they’re vastly different approaches to R&B writing

    Those songs were made 12 years apart. You really expect him to not evolve? If he doesn't evolve in his style/approach, that'd also be an issue lol.