TheFader

4w

I don’t agree with this. I’ve thought about this for a while, but it’s never been more evident than on this project. Keep in mind, I enjoy this album so this isn’t hate, just an observation I’ve made over the years.

Drake’s approach to R&B is COMPLETELY different nowadays than what it was 10+ years ago. Whether it’s a better or worse approach is dependent on who you’re asking, but I’m not even talking about just the content of the music itself, that’s obvious. I mean that his approach to songwriting as a whole when it comes to R&B has done a complete 180.

He used to approach R&B writing from a very traditional standpoint: clearly defined ABAB structure, songs written around a specific narrative, more complex & varied melodic lines, layered vocals along with background vocals, and less wordplay in the lyrics, instead focusing more on eliciting emotion. These songs sound like they were written by legitimate R&B musicians. Prime examples of this include:

Then, the approach started to switch sometime around 2017 or 2018. It changed to something more formless and conversational, gone were the traditional song structures and in were songs that could be mistaken for one long verse, usually with one or two repeating melodic lines the entire song, in addition to feeling like songs written by a rapper due to their emphasis on punchlines and similes within the lyrics. He seems to prefer catching a vibe on his modern R&B songs rather than writing a fleshed out song. They almost come off as freestyles more than actually written songs. Some examples include:

The style you prefer is completely subjective, but it is very interesting to note and observe the differences. For that reason, I don’t think people would hate a song like Marvins Room if it were to release today, because it would be basically a complete 180 flip from the R&B that 2025 Drake is making.

TheFader

4w

I don’t agree with this. I’ve thought about this for a while, but it’s never been more evident than on this project. Keep in mind, I enjoy this album so this isn’t hate, just an observation I’ve made over the years.

Drake’s approach to R&B is COMPLETELY different nowadays than what it was 10+ years ago. Whether it’s a better or worse approach is dependent on who you’re asking, but I’m not even talking about just the content of the music itself, that’s obvious. I mean that his approach to songwriting as a whole when it comes to R&B has done a complete 180.

He used to approach R&B writing from a very traditional standpoint: clearly defined ABAB structure, songs written around a specific narrative, more complex & varied melodic lines, layered vocals along with background vocals, and less wordplay in the lyrics, instead focusing more on eliciting emotion. These songs sound like they were written by legitimate R&B musicians. Prime examples of this include:

Then, the approach started to switch sometime around 2017 or 2018. It changed to something more formless and conversational, gone were the traditional song structures and in were songs that could be mistaken for one long verse, usually with one or two repeating melodic lines the entire song, in addition to feeling like songs written by a rapper due to their emphasis on punchlines and similes within the lyrics. He seems to prefer catching a vibe on his modern R&B songs rather than writing a fleshed out song. They almost come off as freestyles more than actually written songs. Some examples include:

The style you prefer is completely subjective, but it is very interesting to note and observe the differences. For that reason, I don’t think people would hate a song like Marvins Room if it were to release today, because it would be basically a complete 180 flip from the R&B that 2025 Drake is making.

CLBwasthesame

4w

Im just saying if Drake dropped Marvin’s Room today you all would call it boring

Freight

4w

Could be talking about Prairie View A&M since it’s just as close to the ranch as Texas A&M. Don’t know of any 85 near it either tho lol

But if you’re going to the ranch from Houston you’re gonna drive through Prairie View on Highway 290

TheFader

4w

I don’t agree with this. I’ve thought about this for a while, but it’s never been more evident than on this project. Keep in mind, I enjoy this album so this isn’t hate, just an observation I’ve made over the years.

Drake’s approach to R&B is COMPLETELY different nowadays than what it was 10+ years ago. Whether it’s a better or worse approach is dependent on who you’re asking, but I’m not even talking about just the content of the music itself, that’s obvious. I mean that his approach to songwriting as a whole when it comes to R&B has done a complete 180.

He used to approach R&B writing from a very traditional standpoint: clearly defined ABAB structure, songs written around a specific narrative, more complex & varied melodic lines, layered vocals along with background vocals, and less wordplay in the lyrics, instead focusing more on eliciting emotion. These songs sound like they were written by legitimate R&B musicians. Prime examples of this include:

Then, the approach started to switch sometime around 2017 or 2018. It changed to something more formless and conversational, gone were the traditional song structures and in were songs that could be mistaken for one long verse, usually with one or two repeating melodic lines the entire song, in addition to feeling like songs written by a rapper due to their emphasis on punchlines and similes within the lyrics. He seems to prefer catching a vibe on his modern R&B songs rather than writing a fleshed out song. They almost come off as freestyles more than actually written songs. Some examples include:

The style you prefer is completely subjective, but it is very interesting to note and observe the differences. For that reason, I don’t think people would hate a song like Marvins Room if it were to release today, because it would be basically a complete 180 flip from the R&B that 2025 Drake is making.

Elemental

4w

Interesting post
Lowkey thread worthy

Nix

4w

Hop on 85, drive right past A&M (Past A&M)
It's rainin' in Houston, we're not arguing again

That road doesn't exist in Houston

TheFader

4w

I don’t agree with this. I’ve thought about this for a while, but it’s never been more evident than on this project. Keep in mind, I enjoy this album so this isn’t hate, just an observation I’ve made over the years.

Drake’s approach to R&B is COMPLETELY different nowadays than what it was 10+ years ago. Whether it’s a better or worse approach is dependent on who you’re asking, but I’m not even talking about just the content of the music itself, that’s obvious. I mean that his approach to songwriting as a whole when it comes to R&B has done a complete 180.

He used to approach R&B writing from a very traditional standpoint: clearly defined ABAB structure, songs written around a specific narrative, more complex & varied melodic lines, layered vocals along with background vocals, and less wordplay in the lyrics, instead focusing more on eliciting emotion. These songs sound like they were written by legitimate R&B musicians. Prime examples of this include:

Then, the approach started to switch sometime around 2017 or 2018. It changed to something more formless and conversational, gone were the traditional song structures and in were songs that could be mistaken for one long verse, usually with one or two repeating melodic lines the entire song, in addition to feeling like songs written by a rapper due to their emphasis on punchlines and similes within the lyrics. He seems to prefer catching a vibe on his modern R&B songs rather than writing a fleshed out song. They almost come off as freestyles more than actually written songs. Some examples include:

The style you prefer is completely subjective, but it is very interesting to note and observe the differences. For that reason, I don’t think people would hate a song like Marvins Room if it were to release today, because it would be basically a complete 180 flip from the R&B that 2025 Drake is making.

BecauseTK

4w

YoulovewhenIfuckyoufromtheback, but I wanna see your face right now
I know that he ain't hittin' on nothin' 'cause you're comin' to my place right now

AvenueJones

4w

SIT ON DA D***

Campaign Sosa

4w

Meet your padre is growing on me

GhostOfSouljaSlim

4w

And once again, PARTY should’ve not sound as good and as authentic as he did on those Mexican trumpets on Meet your Padre. But he did. And I’m proud of it. I need more tropical party.

TheFader

4w

I don’t agree with this. I’ve thought about this for a while, but it’s never been more evident than on this project. Keep in mind, I enjoy this album so this isn’t hate, just an observation I’ve made over the years.

Drake’s approach to R&B is COMPLETELY different nowadays than what it was 10+ years ago. Whether it’s a better or worse approach is dependent on who you’re asking, but I’m not even talking about just the content of the music itself, that’s obvious. I mean that his approach to songwriting as a whole when it comes to R&B has done a complete 180.

He used to approach R&B writing from a very traditional standpoint: clearly defined ABAB structure, songs written around a specific narrative, more complex & varied melodic lines, layered vocals along with background vocals, and less wordplay in the lyrics, instead focusing more on eliciting emotion. These songs sound like they were written by legitimate R&B musicians. Prime examples of this include:

Then, the approach started to switch sometime around 2017 or 2018. It changed to something more formless and conversational, gone were the traditional song structures and in were songs that could be mistaken for one long verse, usually with one or two repeating melodic lines the entire song, in addition to feeling like songs written by a rapper due to their emphasis on punchlines and similes within the lyrics. He seems to prefer catching a vibe on his modern R&B songs rather than writing a fleshed out song. They almost come off as freestyles more than actually written songs. Some examples include:

The style you prefer is completely subjective, but it is very interesting to note and observe the differences. For that reason, I don’t think people would hate a song like Marvins Room if it were to release today, because it would be basically a complete 180 flip from the R&B that 2025 Drake is making.