i'm not sure if you've actually really listened and are just assuming most of her stuff is like Shake It Off. (worst song on its album btw)
its ok i get youre probably never gonna like her anyway idc
It's the best song and you know it
I have that feeling with a lot of "feel good" songs so I get it haha
"Walking on Sunshine" and any xmas song tend to make me wanna die
Kill me now

i'm not sure if you've actually really listened and are just assuming most of her stuff is like Shake It Off. (worst song on its album btw)
its ok i get youre probably never gonna like her anyway idc
She’s not a Madonna or even a Lady Gaga. She’s doing nothing new or interesting or even good pastiche or retro revival. She’s just there making cynically produced material that doesn’t even have the charm of the simplistic cynical pop Max Martin was pumping out at the turn of the century. There is absolutely no reason her legacy as an artist should be elevated in the way in which it has been since the release of 1989. There has never been a more forced narrative in music journalism.
She’s not a Madonna or even a Lady Gaga. She’s doing nothing new or interesting or even good pastiche or retro revival. She’s just there making cynically produced material that doesn’t even have the charm of the simplistic cynical pop Max Martin was pumping out at the turn of the century. There is absolutely no reason her legacy as an artist should be elevated in the way in which it has been since the release of 1989. There has never been a more forced narrative in music journalism.
Poptimism
Kill me now
!https://youtube.com/watch?v=UKkNlwpajNk&feature=share&si=EMSIkaIECMiOmarE6JChQQWhere the hell did you hear this cause I never have lol
She’s not a Madonna or even a Lady Gaga. She’s doing nothing new or interesting or even good pastiche or retro revival. She’s just there making cynically produced material that doesn’t even have the charm of the simplistic cynical pop Max Martin was pumping out at the turn of the century. There is absolutely no reason her legacy as an artist should be elevated in the way in which it has been since the release of 1989. There has never been a more forced narrative in music journalism.
i think the max martin songs that are all over 1989 mostly have that same appeal as the other max martin stuff youre talking about
i just disagree tho i think shes an all time great pop star with some of the best melodies and emotion and ill keep crying to her songs
how can something be "cynically produced"?
Where the hell did you hear this cause I never have lol
My grandparents
Teenage Dream era Katy got bops
I don't think I liked any pop hits from that era tbh
I don't think I liked any pop hits from that era tbh
The singles were very overplayed to the point of nauseating monotony but looking back a few of those songs were really well produced and written, and they stood the test of time. Of course, some of the songs were f***ing awful as well
Speaking of offing yourself
!https://www.youtube.com/watch?v=P5uE7KDkDFE:datass:
i wonder if anyone is listening to this in 2022

Speaking of offing yourself
!https://www.youtube.com/watch?v=P5uE7KDkDFEchill
i think the max martin songs that are all over 1989 mostly have that same appeal as the other max martin stuff youre talking about
i just disagree tho i think shes an all time great pop star with some of the best melodies and emotion and ill keep crying to her songs
how can something be "cynically produced"?
The fact you’re asking that last question means this conversation is an inevitable dead end.
@twinkletoez wish he made more s*** like this
Spooky and groovy
I think that’s the worst song ever made.
Those cheesy radio ballads are way worse
She’s not a Madonna or even a Lady Gaga. She’s doing nothing new or interesting or even good pastiche or retro revival. She’s just there making cynically produced material that doesn’t even have the charm of the simplistic cynical pop Max Martin was pumping out at the turn of the century. There is absolutely no reason her legacy as an artist should be elevated in the way in which it has been since the release of 1989. There has never been a more forced narrative in music journalism.
Folklore is great though