Back to the movie if only 11/25 were the Netflix premiere imagine after a heavy duty thanksgiving meal being able to go relax on the couch and watch this over a cup of extremely strong egg nog
Wait a couple days for Christmas !
@op was this posted?
@op was this posted?
https://twitter.com/nextbestpicture/status/2113876504576974939This made me feel good
This made me feel good
Based on the footage screened, “Cliff Booth” finds Tarantino returning to his roots; like “True Romance,” “Reservoir Dogs,” and “Pulp Fiction,” it’s a crime movie heavily influenced by novelists like Elmore Leonard (who Tarantino adapted for one of his best films, “Jackie Brown”) and Raymond Chandler. It also presents a darker Cliff Booth than the one we saw in “Once Upon a Time…in Hollywood,” a version closer to the more cold-blooded, almost sociopathic Booth introduced in Tarantino’s novelization of “Once Upon a Time” than the amiable (albeit wife-murdering) fellow from the movie.
as the new film begins in June 1977, his primary connection to the film industry is a job as a projectionist at the New Beverly Cinema. (A fun in-joke that got a big laugh from the AFI Fest audience, most of whom were probably well aware that Tarantino now owns that theater.) Booth’s real profession seems to be as a kind of shady bag man and fixer, though the 17 minutes we saw at the Chinese wasn’t enough to give a strong sense of where the plot will go.
What it did give was some choice Tarantino dialogue, particularly in “Soul Brothers Die Hard,” a Blaxploitation film-within-the-film starring Yahya Abdul-Mateen II (and presumably unrelated to the 1973 movie “Brother on the Run,” which was released in some markets under the alternate title of “Soul Brothers Die Hard,” though with Tarantino you never know what kind of subterranean connection might exist). There’s also a promising relationship between Cliff and his father, a pawn shop proprietor played by Peter Weller, and enough period-accurate production design and pop culture references to assure the audience that “Cliff Booth” will be as rich in nostalgic pleasures of the late 1970s as “Once Upon a Time” was for the late 1960s.
indiewire.com/news/festivals/quentin-tarantino-cliff-booth-surprise-afi-fest-1235223109
35mm print of this is screening at the New Beverly Cinema in L.A. (aka one of the theaters owned by Tarantino) starting November 25
Based on the footage screened, “Cliff Booth” finds Tarantino returning to his roots; like “True Romance,” “Reservoir Dogs,” and “Pulp Fiction,” it’s a crime movie heavily influenced by novelists like Elmore Leonard (who Tarantino adapted for one of his best films, “Jackie Brown”) and Raymond Chandler. It also presents a darker Cliff Booth than the one we saw in “Once Upon a Time…in Hollywood,” a version closer to the more cold-blooded, almost sociopathic Booth introduced in Tarantino’s novelization of “Once Upon a Time” than the amiable (albeit wife-murdering) fellow from the movie.
Darker Cliff
Darker Cliff
I mean he's already darker in the OUATIH novelization so it should be interesting to see how Fincher interprets that
I mean he's already darker in the OUATIH novelization so it should be interesting to see how Fincher interprets that
I know that’s why when this project was announced that was one of my biggest hopes since the movie would be more from his perspective whereas in once upon a time he was more a supporting guy and other than the flashback is mostly from perspective of Leo
I know that’s why when this project was announced that was one of my biggest hopes since the movie would be more from his perspective whereas in once upon a time he was more a supporting guy and other than the flashback is mostly from perspective of Leo
At least the duo gave us "Don't cry in front of the Mexicans"
Hear me out Booth is a psycho underneath that cool chill demeanor, me thinks if this comes to light we d see a wayyyyyy different side of him and the tone would probably be way different, could easily be a more brooding Fincheresque Pic depending on the story
Sure sure, but scripts tend to warp to fit the directors perspective/vision as it translates from paper to film
A scene with booth shooting the s*** with 70s music blaring in back ground could easily be recontextualized under finchers vision to be something far more tense and from the perspective of booths train of thought for instance ya feel me
The story about nothing
Fr: Domestic abuser movie
Couldn’t imagine caring enough about actors personal lives to let that instead of quality of product decide if I watch it or not
streets saying that the premiere is on November 16
gotta say it's funny that we're less than a month away from release and Netflix haven't even started promoting this. like they still haven't even dropped the poster for this
oof
Fincher's ‘Cliff Booth' Loses Roughly 150 Screens as Regal, Cinemark “Politely Decline" Its Two-Week IMAX Run