Mid Boy.

Facts.

Pharrell manager or something got issues with Gibbs from way back.

Niggas so petty man

Holy s*** swoope

That’s my man

Wow that producer list is insane

On iTunes it now says Pain & Strife is 2:37 instead of 1:57, and Zipper Bagz is now 2:14 instead of 2:56

i was kinda bummed offset track being so short
but now i dont know

Chill with the pharrell slander

Wasn't neptunes supposed to be on here

seems like pharrell's manager blocked that track from being released

NZ iTunes gib good news please

TONIGHT

Art direction for this album has been incredible

That was him???

TONIGHT

Tonight

Apple Music

The thing about Freddie Gibbs’ music is that you know it when you hear it but can imagine him almost anywhere: alongside DJ Paul on some throwback Southern trap (“PYS”) or over a lounge-y Alchemist beat (“Blackest in the Room”), next to newcomers like Moneybagg Yo (“Too Much”) or pioneers like Raekwon (“Feel No Pain”). Were his voice weaker or his writing less sharp, his workingman’s kingpin persona might get washed out, but they aren’t. And over the course of 45 minutes, he confirms that his stylistic flexibility isn’t creative indecision so much as proof of his gift for bridging hip-hop’s past with its ever-evolving present. After 2019’s underground-leaning Madlib collaboration Bandana and the self-consciously classic sound of 2020’s Alchemist-produced Alfredo, $oul $old $eparately sounds like Gibbs locking in his niche: the rapper’s rapper that a general audience can understand.

Yes

en.m.wikipedia.org/wiki/Hentai_(song)

Damn

not out in nz yet huh

running back SOAD in anticipation

almost there

TONIGHT