I feel like Daringer’s production has gotten a lot better but for some reason he’s being underutilized more than ever now. Hope that changes with TT4 and HWH8
this is it. His Bronson s*** is fire. The SE Gang track is in the right direction. Giving me Hitler 3/4 vibes and I like it. But idk what the camp is doing handcuffing him to Beat Butcha.
Never thought I'd see the day when ktt sounds more washed than the coli
lol the Coli still on some "West sounds like a girl" s***
look...I like grimy, boom bap Conway but this is pretty dope...nice showcase for his Drumwork ppl too
Nigga already got his own drake and nicki
also lets stop acting like this whole project is some trap/mainstream sounding s*** when there's still plenty of boom bap/grimy stuff on here...not comparing it to Alfredo or Burden of Proof but it gives me similar vibes at times
ffs do y'all really want a dark grimy Conway album right in the middle of spring
he already made GOAT, he already made Reject 2... let him make something else
ffs do y'all really want a dark grimy Conway album right in the middle of spring
he already made GOAT, he already made Reject 2... let him make something else
people can’t handle Conway spazzing over some trap drums
This is what ppl some ppl itt been asking for. Conway's always rapped over other styles of production but he hadn't really included them in albums, just been doing it in freestyles.
"They should branch out"
Hope now ppl will realize how Daringer has been the glue to Griselda. I want them to blow up too, but do it in the way they've always been.
Branching out doesn’t mean hoping on generic ass trap beats though
people can’t handle Conway spazzing over some trap drums
mixed a little trap drums with their Griselda and they're in shambles
Branching out doesn’t mean hoping on generic ass trap beats though
lol they're not generic, they're expensive-sounding modern beats that have some hi-hats
people can’t handle Conway spazzing over some trap drums
I like this tape but they’re not even really good trap drums or trap beats IMO. If people didn’t like THAT then I’d find it weird
lol they're not generic, they're expensive-sounding modern beats that have some hi-hats
They’re not good trap beats though
what if I told you that WWCD was a great album in spite of mostly forgettable production?
They’re not good trap beats though
they're not bad either. it's just not an album I'd listen to for the beats. Conway is shining as a vocalist and a performer here.
they're not bad either. it's just not an album I'd listen to for the beats. Conway is shining as a vocalist and a performer here.
I think this is defo true and he hits some fresh flows and deliveries that we don’t get on every single Conway verse.
they're not bad either. it's just not an album I'd listen to for the beats. Conway is shining as a vocalist and a performer here.
exactly
I think this is defo true and he hits some fresh flows and deliveries that we don’t get on every single Conway verse.
yes. I remember the remixes of popular songs he put out last year and those were fire. I remember wishing he did more of that.
well here he is doing more of that!
Hearing Conway rap about being a job creator and telling his community to pull themselves up by their bootstraps is so lame. Griselda has always been entrepreneurship p***, but they were actually at the ground level doing it. This sounds so detached and bougie. Really spoils the brand for me. Still some nice bars/flows obviously.
they're not bad either. it's just not an album I'd listen to for the beats. Conway is shining as a vocalist and a performer here.
He does a good job for the most part, but the production brings it down for me, there are other styles aside from trap if they wanna experiment. Literally everything is trap and has been for years, one of the reasons griselda was so refreshing was that you could put on a griselda album and know you’re not gonna hear some generic ass high hats
He does a good job for the most part, but the production brings it down for me, there are other styles aside from trap if they wanna experiment. Literally everything is trap and has been for years, one of the reasons griselda was so refreshing was that you could put on a griselda album and know you’re not gonna hear some generic ass high hats
I hear you but I'd been been starting to feel like you put on new Griselda and get some generic 'spooky s***'
things run their course
then when they return to the spooky s***, which they're going to, it's gonna sound that much fresher
I hear you but I'd been been starting to feel like you put on new Griselda and get some generic 'spooky s***'
things run their course
then when they return to the spooky s***, which they're going to, it's gonna sound that much fresher
To an extent I agree, The two WSG releases after P4P started to sound stale and recycled I just wish they’d have picked another way to experiment with beats without trying to go mainstream trap, it’s just such an obvious crossover attempt and isn’t unique in any way
It’s almost like they started to sound a bit generic so they picked the most generic sub genre in rap to experiment with
To an extent I agree, The two WSG releases after P4P started to sound stale and recycled I just wish they’d have picked another way to experiment with beats without trying to go mainstream trap, it’s just such an obvious crossover attempt and isn’t unique in any way
It’s almost like they started to sound a bit generic so they picked the most generic sub genre in rap to experiment with
yeah, but I think every artist - not just in music - goes through a period where they're bored with doing the same thing and want to do something new. especially after having a measure of success.
usually they end up f***ing up a lot. branching out/expanding your palette, especially when you've cornered a market, is really f***ing difficult.
but I get the critique. For instance, WMTSS is kinda a generic take on the Griselda street rap sound; it's kind of the end of that way of doing things. So after that, there's a choice to make. They could go in the Roc Marci lane and be even more left-field and dig deeper into the cult-following stuff, but that's clearly not what their ambitions are.
but I appreciate your point that they sort of went from generic Griselda-style production to generic mainstream beats. that's an interesting critique.
that said, I think PIM2 has some of the most exciting production of a GXFR project to date.
yeah, but I think every artist - not just in music - goes through a period where they're bored with doing the same thing and want to do something new. especially after having a measure of success.
usually they end up f***ing up a lot. branching out/expanding your palette, especially when you've cornered a market, is really f***ing difficult.
I defiantly understand what you’re saying, it’s just trap beats are so played out and overused, every time I hear a rolling high hat on a track I literally do an eye roll, there are a few exceptions when used sparingly like 27 summers by Nas, smile by jay z or the track madlib and gibbs did.
But on top of the high hats you’ve also got a weed carrier talking up real estate on what, 4 tracks out of 11?