Reply
  • Updated Mar 16
  • Mar 16

    Queen

  • Mar 16
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    edited
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    6 replies

    Tbf... after Bob Dylan came to Jan Werner's support over his racist & misogynistic comments about 'women & coloured people's inability to understand music like the real white male geniuses of music'

    F**k him too, we off Blonde on Blonde

    Edit: direct quote from Bob at a concert in the aftermath of Jann receiving consequences for his words & actions

    “All right, like to say hello to Jann Wenner who’s in the house. Jann Wenner, surely everybody’s heard of him. Anyway, he just got booted out of the Rock n Roll Hall of Fame - and we don’t think that’s right, we’re trying to get him back in.” — Bob Dylan 11/16/23

  • They all trash

  • Mar 16
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    1 reply

    never should have given women the right to vote...

  • Mar 16
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    3 replies

    Hate this trend of s***ting on older legends. just let them be lol

  • who and who

  • Mar 16
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    1 reply

    I can’t get into Dylan either

  • hating is different from “could never get into him” so you’re basically just hating for no reason and that’s p corny. she’s based for not caring about the beatles though, them dudes are beyond overrated

  • It is what it is. Not everyone has to like the Greats

    Some greats are more overrated than others tho but ya'll ain't gon like that convo

  • Mar 16
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    1 reply

  • Must be more into zappa

  • Wtf i love her now?

  • Mar 16
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    5 replies

    The fact that so many books still name the Beatles as "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all time are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all time. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics, instead, are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers.
    In a sense, the Beatles are emblematic of the status of rock criticism as a whole: too much attention paid to commercial phenomena and too little to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, most rock critics will ignore him. If a major label picks up a musician who is as stereotyped as can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for major labels, distributors and record stores. They simply highlight what product the music business wants to make money from.

    Hopefully, one not-too-distant day, there will be a clear demarcation between a great musician like Tim Buckley, who never sold much, and commercial products like the Beatles. At such a time, rock critics will study their rock history and understand which artists accomplished which musical feat, and which simply exploited it commercially.

    Beatles' "Aryan" music removed any trace of black music from rock and roll. It replaced syncopated African rhythm with linear Western melody, and lusty negro attitudes with cute white-kid smiles.

    Contemporary musicians never spoke highly of the Beatles, and for good reason. They could never figure out why the Beatles' songs should be regarded more highly than their own. They knew that the Beatles were simply lucky to become a folk phenomenon (thanks to "Beatlemania", which had nothing to do with their musical merits). That phenomenon kept alive interest in their (mediocre) musical endeavours to this day. Nothing else grants the Beatles more attention than, say, the Kinks or the Rolling Stones. There was nothing intrinsically better in the Beatles' music. Ray Davies of the Kinks was certainly a far better songwriter than Lennon & McCartney. The Stones were certainly much more skilled musicians than the 'Fab Four'. And Pete Townshend was a far more accomplished composer, capable of entire operas such as "Tommy" and "Quadrophenia"; not to mention the far greater British musicians who followed them in subsequent decades or the US musicians themselves who initially spearheaded what the Beatles merely later repackaged to the masses.

    The Beatles sold a lot of records not because they were the greatest musicians but simply because their music was easy to sell to the masses: it had no difficult content, it had no technical innovations, it had no creative depth. They wrote a bunch of catchy 3-minute ditties and they were photogenic. If somebody had not invented "Beatlemania" in 1963, you would not have wasted five minutes of your time reading these pages about such a trivial band.

  • Real for disrespecting Bob Dylan
    Fake for disrespecting the Beatles

  • rvi
    Mar 16
    ·
    1 reply

    i feel like i blinked and she got really popular all of a sudden

  • Mar 16
    elmuchachoalegre

    never should have given women the right to vote...

  • Wow so interesting and unique

  • Mar 16
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    1 reply

    The Lil Yachty of white women

  • Mar 16
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    1 reply

    who cares

    Helter Skleter is one of my favorite songs and I still dont think anybody is required to love these old cacs

  • CRACKASTEPPAVEGAN

    The Lil Yachty of white women

    Now all she needs to do is collab with T-Swift and they'll have their Another Late Night moment

  • Mar 16
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    1 reply

    corny to hate on legends

  • Purrp 🌚
    Mar 16
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    1 reply

    @Uhhhhhh @Camille thoughts?

  • Purrp 🌚
    Mar 16
    ·
    1 reply
    voriox

    The fact that so many books still name the Beatles as "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all time are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all time. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics, instead, are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers.
    In a sense, the Beatles are emblematic of the status of rock criticism as a whole: too much attention paid to commercial phenomena and too little to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, most rock critics will ignore him. If a major label picks up a musician who is as stereotyped as can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for major labels, distributors and record stores. They simply highlight what product the music business wants to make money from.

    Hopefully, one not-too-distant day, there will be a clear demarcation between a great musician like Tim Buckley, who never sold much, and commercial products like the Beatles. At such a time, rock critics will study their rock history and understand which artists accomplished which musical feat, and which simply exploited it commercially.

    Beatles' "Aryan" music removed any trace of black music from rock and roll. It replaced syncopated African rhythm with linear Western melody, and lusty negro attitudes with cute white-kid smiles.

    Contemporary musicians never spoke highly of the Beatles, and for good reason. They could never figure out why the Beatles' songs should be regarded more highly than their own. They knew that the Beatles were simply lucky to become a folk phenomenon (thanks to "Beatlemania", which had nothing to do with their musical merits). That phenomenon kept alive interest in their (mediocre) musical endeavours to this day. Nothing else grants the Beatles more attention than, say, the Kinks or the Rolling Stones. There was nothing intrinsically better in the Beatles' music. Ray Davies of the Kinks was certainly a far better songwriter than Lennon & McCartney. The Stones were certainly much more skilled musicians than the 'Fab Four'. And Pete Townshend was a far more accomplished composer, capable of entire operas such as "Tommy" and "Quadrophenia"; not to mention the far greater British musicians who followed them in subsequent decades or the US musicians themselves who initially spearheaded what the Beatles merely later repackaged to the masses.

    The Beatles sold a lot of records not because they were the greatest musicians but simply because their music was easy to sell to the masses: it had no difficult content, it had no technical innovations, it had no creative depth. They wrote a bunch of catchy 3-minute ditties and they were photogenic. If somebody had not invented "Beatlemania" in 1963, you would not have wasted five minutes of your time reading these pages about such a trivial band.

    This a copy pasta right?

  • Mar 16

    i love her

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