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  • Aug 3, 2023
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    1 reply
    John Mauve

    Who says that's his goal

    Majority of the songs on the album don’t even have hooks and he over here saying commercial accessibility was the main goal

  • Aug 3, 2023
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    shaleirose

    You’re framing the numbers to reflect like the album wasn’t good or like people have already moved on from it, when the obvious explanation is that it’s just not a commercially accessible album

    And you’re framing it like the album isn’t commercially accessible when it is. Yeezus has been around for a decade. This is the fourth Travis album. Half the album is leftovers from other commercially accessible albums like Donda and Rodeo. The public is used to this sound, it’s not some wildly experimental music they can’t handle. They’re just not enjoying this particular version

  • Aug 3, 2023
    shaleirose

    You’re framing the numbers to reflect like the album wasn’t good or like people have already moved on from it, when the obvious explanation is that it’s just not a commercially accessible album

    The great thing about discussing numbers is that it doesn't matter what I think. The numbers indicate people are already moving on from the album. If the songs were more stable on streaming or there was a clear front-runner hit, the numbers would indicate that.

    You feel like I'm attacking Travis when I'm not. Most albums that have dropped this year have scored just 1 hit record (if they managed to score any at all) so it's more about people's listening habits than Travis' album being bad (even though I don't think it's that great).

    And I always speak in terms of the general population, not just Travis' fanbase, when I say people are already moving on from the album so while Travis' fans might still be f***ing with the album heavy, their impact isn't enough to stop the songs from bleeding streams daily.

  • Aug 3, 2023
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    2 replies
    John Mauve

    Who says that's his goal

    His actions

  • Aug 3, 2023
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    Freight
    · edited

    And you’re framing it like the album isn’t commercially accessible when it is. Yeezus has been around for a decade. This is the fourth Travis album. Half the album is leftovers from other commercially accessible albums like Donda and Rodeo. The public is used to this sound, it’s not some wildly experimental music they can’t handle. They’re just not enjoying this particular version

    6/19 songs on the album have hooks

  • Aug 3, 2023
    Freight

    His actions

    And not the music itself?

  • Aug 3, 2023
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    1 reply
    Freight

    And you’re framing it like the album isn’t commercially accessible when it is. Yeezus has been around for a decade. This is the fourth Travis album. Half the album is leftovers from other commercially accessible albums like Donda and Rodeo. The public is used to this sound, it’s not some wildly experimental music they can’t handle. They’re just not enjoying this particular version

    Also, acting like Travis isn't a numbers-obsessed guy is very disingenuous. K-pop was a clear attempt at scoring a hit record that didn't go the way Travis wanted.

  • Aug 3, 2023
    Freight

    His actions

    You can say his goal was to maximise the commercial viability of the album after the fact, but certainly doesn't sound like it was the goal artistically

  • Aug 3, 2023
    Freight

    Travis is a commercially accessible artist. His goal is to make commercial accessible music. He missed the mark

    Dumbo alert

  • Aug 3, 2023
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    1 reply
    shaleirose

    6/19 songs on the album have hooks

    7/21 songs on CLB don’t have hooks

  • Aug 3, 2023
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    thegreatdivine

    Also, acting like Travis isn't a numbers-obsessed guy is very disingenuous. K-pop was a clear attempt at scoring a hit record that didn't go the way Travis wanted.

    K-Pop is a clear force from the label to have a commercially accessible song on the record. It literally stands out like a sore thumb from the rest of the album

  • Aug 3, 2023
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    1 reply

    Taylor Swift made folklore, which was a departure from her pop-oriented sound but it still doesn't mean she didn't do all she could to boost that album's performance on the chart, as well as doing all she could to boost the single she pushed off the album.

  • Aug 3, 2023
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    1 reply
    Freight

    7/21 songs on CLB don’t have hooks

    Ok? 14/21 songs do what is your point

  • Aug 3, 2023
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    1 reply
    shaleirose

    K-Pop is a clear force from the label to have a commercially accessible song on the record. It literally stands out like a sore thumb from the rest of the album

    The label doesn’t have the ability to force Travis to do anything. This isn’t his debut album. He has enough credibility to have unilateral control over his music

  • Aug 3, 2023
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    1 reply
    shaleirose

    K-Pop is a clear force from the label to have a commercially accessible song on the record. It literally stands out like a sore thumb from the rest of the album

    Travis told you himself that the label forced that song on him? Interesting.

  • Aug 3, 2023
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    1 reply
    thegreatdivine

    Travis told you himself that the label forced that song on him? Interesting.

    Did he tell you he was trying to make a commercially accessible album?

  • Aug 3, 2023
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    shaleirose

    Ok? 14/21 songs do what is your point

    Lmao I completely misread your post. I’m not conceding my point though. A song doesn’t need to have a pop song structure and be made for radio in order to be commercial accessible in 2023

  • Aug 3, 2023
    thegreatdivine

    Taylor Swift made folklore, which was a departure from her pop-oriented sound but it still doesn't mean she didn't do all she could to boost that album's performance on the chart, as well as doing all she could to boost the single she pushed off the album.

    Has nothing to do with your original post

  • Aug 3, 2023
    Freight

    The label doesn’t have the ability to force Travis to do anything. This isn’t his debut album. He has enough credibility to have unilateral control over his music

    One moment, Travis has enough of a singular vision artistically to not make a chart-bait album but when you call out the CLEAR attempt at scoring a hit that failed miserably, he's all of a sudden a D-list artist who has to do everything their label suggests lmao.

  • Aug 3, 2023
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    1 reply

    400k is great. Maybe Trav is passed his commercial prime, idk, but the album was great imo and 400k is still huge, esp after a 5 year hiatus. Can't peak forever. Congrats!

  • Aug 3, 2023
    Freight

    Lmao I completely misread your post. I’m not conceding my point though. A song doesn’t need to have a pop song structure and be made for radio in order to be commercial accessible in 2023

    Looking at the Top 40 on the Hot 100 right now greatly disproves this

  • Aug 3, 2023
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    Skinn Foley

    400k is great. Maybe Trav is passed his commercial prime, idk, but the album was great imo and 400k is still huge, esp after a 5 year hiatus. Can't peak forever. Congrats!

    I don't think he's past his commercial prime, the album just isn't no Astroworld

    Also it's harder to sell these days

  • Aug 3, 2023
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    1 reply
    shaleirose

    Did he tell you he was trying to make a commercially accessible album?

    You're pulling theories out of thin air to justify your point. Travis' actions tell us enough of who he is as an artist and what his goals are commercially. If he didn't care about numbers, he'd move differently. Suggesting otherwise is being disingenuous.

  • Aug 3, 2023
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    thegreatdivine

    You're pulling theories out of thin air to justify your point. Travis' actions tell us enough of who he is as an artist and what his goals are commercially. If he didn't care about numbers, he'd move differently. Suggesting otherwise is being disingenuous.

    No one’s pulling theories from anywhere, it’s just obvious to hear. K-Pop literally stands out on the album like a sore thumb.

    There are maybe less than 10 artists in the world right now who can do whatever they want on an album without any label interference, and Travis is not one of those artists yet

  • Aug 3, 2023
    mov

    I don't think he's past his commercial prime, the album just isn't no Astroworld

    Also it's harder to sell these days

    Either way it's no biggie. Kanye isn't doing Graduation numbers anymore, Drake isn't doing Views numbers anymore, etc. As long as the music is good and it's not flopping, it doesn't really matter what it sells.

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