Also SZA and Kendrick have both benefited from having longevity of their music.
Swimming Pools was a much bigger song when it came out and probably Kendrick's breakthrough song but looking back, Money Trees is a bigger song by far over time.
Looking back we can't call Money Trees a "breakout" hit.
Bingo.
It was a moderate hit. It peaked high but didn’t last long and had zero longevity whatsoever
They both charted the same amount of time before All The Stars re-entered in 2025
They both charted the same amount of time before All The Stars re-entered in 2025
And yet All the Stars had a gajillion more streams and total sales units
And yet All the Stars had a gajillion more streams and total sales units
You just said “bingo” to a post that said talking about overtime / overall is a diff convo.
They were both same tier of hits during original release. Same peeks and weeks charted. One had some more sales and one had some more radio exposure.
You just said “bingo” to a post that said talking about overtime / overall is a diff convo.
They were both same tier of hits during original release. Same peeks and weeks charted. One had some more sales and one had some more radio exposure.
He’s saying you can’t call a song that grew overtime as the one that was the “breakthrough”, like you tried to do with Love Galore.
All the Stars didn’t grow overtime, it was big when it released and it’s still big now.
Nobody listens to What Lovers Do anymore, and it was only a moderate hit for Maroon 5 standards back when it released
He’s saying you can’t call a song that grew overtime as the one that was the “breakthrough”, like you tried to do with Love Galore.
All the Stars didn’t grow overtime, it was big when it released and it’s still big now.
Nobody listens to What Lovers Do anymore, and it was only a moderate hit for Maroon 5 standards back when it released
So how was Swimming Pools a breakthrough hit but Love Galore isn’t?
And it doesn’t matter what “nobody listens to anymore”. A breakthrough hit refers to popularity at time of release. Nobody could ever listen to Best I Ever Had again and that would still always be Drake’s breakthrough hit
Daily Streams:
What Lovers Do - 403,525
Dancing In The Flames - 256,660
Once again, bringing up an artist that has nothing to do with this conversation
So how was Swimming Pools a breakthrough hit but Love Galore isn’t?
And it doesn’t matter what “nobody listens to anymore”. A breakthrough hit refers to popularity at time of release. Nobody could ever listen to Best I Ever Had again and that would still always be Drake’s breakthrough hit
First of all, you’re comparing two songs that released at two completely different times in the music industry, of two completely different genres.
Hip-hop famously was not well represented on the Hot 100 prior to streaming, and even still Swimming Pools both peaked higher than Love Galore AND charted for longer.
But a straight rap song peaking at #17 in 2012 was absolutely huge
First of all, you’re comparing two songs that released at two completely different times in the music industry, of two completely different genres.
Hip-hop famously was not well represented on the Hot 100 prior to streaming, and even still Swimming Pools both peaked higher than Love Galore AND charted for longer.
But a straight rap song peaking at #17 in 2012 was absolutely huge
R&B wasn’t thriving in 2017 either, and if anything did worse than Hip-Hop consistently throughout the 2010s.
So if you allowing Swimming Pools to be a breakthrough hit for defeating odds then Love Galore def gonna need that same energy
Daily Streams:
What Lovers Do - 403,525
SOMEBODY LOVES ME - 386,772
GIMME A HUG - 218,874
SOMETHING ABOUT YOU - 206,025
CN TOWER - 189,960
SPIDER-MAN SUPERMAN - 129,542
GREEDY - 119,604
MOTH BALLS - 105,251
RAINING IN HOUSTON - 98,936
SMALL TOWN FAME - 92,434
WHEN HE’S GONE - 85,799
CRYING IN CHANEL - 74,488
BRIAN STEEL - 70,481
MEET YOUR PADRE - 70,227
OMW - 68,637
LASERS - 62,267
CELIBACY - 58,381
GLORIOUS - 39,744
Daily Streams:
What Lovers Do - 403,525
SOMEBODY LOVES ME - 386,772
GIMME A HUG - 218,874
SOMETHING ABOUT YOU - 206,025
CN TOWER - 189,960
SPIDER-MAN SUPERMAN - 129,542
GREEDY - 119,604
MOTH BALLS - 105,251
RAINING IN HOUSTON - 98,936
SMALL TOWN FAME - 92,434
WHEN HE’S GONE - 85,799
CRYING IN CHANEL - 74,488
BRIAN STEEL - 70,481
MEET YOUR PADRE - 70,227
OMW - 68,637
LASERS - 62,267
CELIBACY - 58,381
GLORIOUS - 39,744
Wow
Horrendous
This is the most dire the Billboard 200 has been in a long time
https://twitter.com/talkofthecharts/status/1924939480856748094people are afraid to drop an album
Daily Streams:
What Lovers Do - 403,525
SOMEBODY LOVES ME - 386,772
GIMME A HUG - 218,874
SOMETHING ABOUT YOU - 206,025
CN TOWER - 189,960
SPIDER-MAN SUPERMAN - 129,542
GREEDY - 119,604
MOTH BALLS - 105,251
RAINING IN HOUSTON - 98,936
SMALL TOWN FAME - 92,434
WHEN HE’S GONE - 85,799
CRYING IN CHANEL - 74,488
BRIAN STEEL - 70,481
MEET YOUR PADRE - 70,227
OMW - 68,637
LASERS - 62,267
CELIBACY - 58,381
GLORIOUS - 39,744
"The album is performing well"
Yeah Drake is gonna need the rollout of his life to get this next album to make any noise
Hurry Up Tomorrow falling to #16 during a movie release week that cannot be real omg
Hurry Up Tomorrow falling to #16 during a movie release week that cannot be real omg
no way you are this excited