insertcoolnamehere

4y

for all the energy they gave towards noname's ONE tweet, both these millionaire rappers better be giving money towards her bookstore/prison works.

Cam Skattebo Fan

4y

I said this in the Kendrick album thread but I think this album is his way of being a savior for people, depending on how you view it?

Because to me, the way this album reads to me is a blueprint on how to better yourself and those around you. Kendrick is showing us the steps he’s taken to confront his own bias, hypocrisy, and perceived failure, and then showing us how he copes with them.

IMO this can be applicable to pretty much any person who feels some societal or familiar pressure to be a leader or something along those lines.

The album IMO isn’t explicitly saying “ain’t no hero get out”, he’s showing us how we can be our own heroes.

paQlBQ

4y

Yo why r&b b****es don’t feature on each other’s songs?

Slingshot

4y

Art is therapy

Not a tool

smile now

4y

That’s cool and all op but i actually mostly disagree with what he’s saying here because I think the way Kendrick went at noname was completely out of pocket and that it was based on a false idea of noname being a “savior”. But she gotta realize that she herself played a role in that as well. I would have liked to see her reflect more on her own responsibility in that, instead of just pointing the finger at those who may have unfairly deemed her to be some kind of failure without addressing how that happened. This is the problem with how she conceived of social change by a misconception that great women throughout history are the ones who spur social change, which explains her idolization of Bettey White to whom she pretty obviously saw herself as the next great woman with the task of changing society for the better, or in other words, as a savior.
The part that I take issue with is that she acts as if she had to choose between either being a savior, or just only being concerned with her own problems, as she said in Mirror: “Sorry I didn't save the world, my friend, I was too busy building mine again”. But here noname presents us with a false dichotomy, either be a savior, or just concern yourself with your own problems, since you cannot save the world anyway, there is a different option that noname is omitting, you don’t have to choose between either extremes, but I think that’s because she was previously so invested in the other extreme. So I understand where she’s coming from, but I don’t think this is the right position to take, but who knows where her head will be at in a couple of years, I look forward to finding that out with her next album and until then I’ll be bumping Mrs. Morale & The Big Steppers
TLDR: I can definitely sympathize with noname feeling of disappointment in not achieving what she genuinely wanted to achieve with the message in her music, but it was ultimately based on this misconception of the problems that she wanted to solve because of his understanding of history mostly being determined by great men (or as she says, “saviors”) propagating ideas that changed material conditions. When confronted with his own inevitable failure as one of those great women, she instead went to the other extreme and distanced himself from being concerned with the world's problems altogether and embraced a highly individualistic mindset in just worrying about “building his own world” instead, but those are of course not the only choices.

Saint Seiya

4y

Great discussion topic @op

Everything

4y

I'll never be mad at someone deciding to dedicate their time and efforts solely to themselves and their family. This is the only life we got.

smile now

4y

That’s cool and all op but i actually mostly disagree with what he’s saying here because I think the way Kendrick went at noname was completely out of pocket and that it was based on a false idea of noname being a “savior”. But she gotta realize that she herself played a role in that as well. I would have liked to see her reflect more on her own responsibility in that, instead of just pointing the finger at those who may have unfairly deemed her to be some kind of failure without addressing how that happened. This is the problem with how she conceived of social change by a misconception that great women throughout history are the ones who spur social change, which explains her idolization of Bettey White to whom she pretty obviously saw herself as the next great woman with the task of changing society for the better, or in other words, as a savior.
The part that I take issue with is that she acts as if she had to choose between either being a savior, or just only being concerned with her own problems, as she said in Mirror: “Sorry I didn't save the world, my friend, I was too busy building mine again”. But here noname presents us with a false dichotomy, either be a savior, or just concern yourself with your own problems, since you cannot save the world anyway, there is a different option that noname is omitting, you don’t have to choose between either extremes, but I think that’s because she was previously so invested in the other extreme. So I understand where she’s coming from, but I don’t think this is the right position to take, but who knows where her head will be at in a couple of years, I look forward to finding that out with her next album and until then I’ll be bumping Mrs. Morale & The Big Steppers
TLDR: I can definitely sympathize with noname feeling of disappointment in not achieving what she genuinely wanted to achieve with the message in her music, but it was ultimately based on this misconception of the problems that she wanted to solve because of his understanding of history mostly being determined by great men (or as she says, “saviors”) propagating ideas that changed material conditions. When confronted with his own inevitable failure as one of those great women, she instead went to the other extreme and distanced himself from being concerned with the world's problems altogether and embraced a highly individualistic mindset in just worrying about “building his own world” instead, but those are of course not the only choices.

Scratchin Mamba

4y

· edited

Scroll down for tldr

First I’ll say that I really like the album a lot regardless of my critique. I still think Kendrick is arguably the greatest rapper of all time, but that doesn’t mean his social commentary always hits the mark, and that’s what I’m gonna focus on here. I don’t think he has some nefarious agenda or anything either, I believe he always had the best intentions, but had unfair expectations of what he could accomplish with the message in his art to achieve social change, which eventually led him down this path of a highly individualist COPE of his own perceived failure in bettering society.

There are some songs on the album where through deeply reflecting on his own personal experiences he actually did come to some great insights and points of social commentary, songs like Father Time, Mother I Sober and Auntie Diaries are great examples of that. Without explicitly naming those terms, he discusses things like patriarchy, colonialism, sexual violence etc. in a thoughtful and accessible way. But it’s when he zooms out of his own personal experiences and looks at SOCIETY from a distance and his own role in (not) bettering society where he gets lost in the ideological illusions of idealism, individualism and a great man theory of history. I promise I’m not tryna over intellectualize s*** and I will try to explain what I mean with as much clarity as I can.

After my first couple of listens of the album I realized Kendrick probably has one of the most interesting character arcs outlined in his discography. The shift from Section.80 to this album isn’t lost on anybody, including Kendrick himself. The change from “we gon be alright” to “I chose me I’m sorry” is a pretty dramatic shift, but it’s in my opinion an unnecessary shift that ultimately stems from how he misunderstood the problems that he addressed in his music throughout his career.

I think if you want to pinpoint where exactly this shift happened the most, there are two important moments, firstly the period in between TPAB and DAMN. and the 2020 BLM protests. Kendrick told us many times on this album that he is NOT our savior, but he had to convince himself of that before he told us that, in Mortal Man where he finishes the poem throughout TPAB, he said:

“A war that was based on apartheid and discrimination
Made me wanna go back to the city and tell the homies what I learned
The word was respect
Just because you wore a different gang color than mine's
Doesn't mean I can't respect you as a black man
Forgetting all the pain and hurt we caused each other in these streets
If I respect you, we unify and stop the enemy from killing us
But I don't know, I'm no mortal man
Maybe I'm just another nigga”

From his perceived failure he found out that he was not a savior and in fact just another nigga. That reality check took a lot of the hope out of him, and I do sympathize with it, but it was because of an unfounded expectation based on a false conception of how social change is achieved. Namely through the propagation of certain ideas, and that a positive message spreading to individuals could bring about a positive change in society, if only it was that simple… This is what I mean with idealism. In reality it’s not the ideas of the people that need to be changed in order to prevent violence in impoverished communities, it’s the material conditions that need to change in order to take away the conditions that lead to that violence.

But Kendrick thought he could make a change by spreading his idea of unity, being confronted with that failure was hard for him to take, and I think that’s why DAMN. had such a depressing tone throughout the album, especially with songs like YAH, FEEL and LUST. He also started to find the responsibility he felt to change the world overwhelming, but he wasn’t quite abandoning the responsibility altogether. “I feel like the whole world want me to pray for em, but who the f*** praying for me? ” is still not quite the same as “I chose me I’m sorry ”

I think that was partly because of the 2020 BLM protests and how he got criticized for not doing enough, especially by Noname. That last verse on Mirror where he went “I chose me I’m sorry” in the hook was directed at her:

“'Cause all of it's toxic
Girl, I'm not relevant to givin' on profit
Personal gain off my pain, it's nonsense
Darlin', my demons is off the leash for a moshpit
Baby, I just had a baby, you know she need me
Workin' on myself, the counselin' is not easy
Don't you point a finger, just to point a finger
'Cause critical thinkin' is a deal-breaker
Faith in one man is a ship sinking
Do yourself a favor and get a mirror that mirror grievance
Then point it at me so the reflection can mirror freedom
She told me that she need me the most, I didn't believe her
She even called me names on the post, the world can see it
Jokes and gaslightin'
Mad at me 'cause she didn't get my vote, she say I'm triflin'
Disregardin' the way that I cope with my own vices
Maybe it's time to break it off
Run away from the culture to follow my heart”

I actually mostly agree with what he’s saying here because I think the way noname went at Kendrick was completely out of pocket and that it was based on a false idea of Kendrick being a “savior”. But he gotta realize that he himself played a role in that as well. I would have liked to see him reflect more on his own responsibility in that, instead of just pointing the finger at those who may have unfairly deemed him to be some kind of failure without addressing how that happened. This is the problem with how he conceived of social change by a misconception that great men throughout history are the ones who spur social change, which explains his idolization of 2pac, to whom he pretty obviously saw himself as the next great man with the task of changing society for the better, or in other words, as a savior.

The part that I take issue with is that he acts as if he had to choose between either being a savior, or just only being concerned with his own problems, as he said in Mirror: “Sorry I didn't save the world, my friend, I was too busy building mine again”. But here Kendrick presents us a false dichotomy, either be a savior, or just concern yourself with your own problems, since you cannot save the world anyway, there is a different option that Kendrick is omitting, you don’t have to choose between either extremes, but I think that’s because he was previously so invested in the other extreme. So I understand where he’s coming from, but I don’t think this is the right position to take, but who knows where his head will be at in a couple of years. I look forward to finding that out with his next album and until then I’ll be bumping Mr. Morale & The Big Steppers

TLDR: I can definitely sympathize with Kendrick’s feeling of disappointment in not achieving what he genuinely wanted to achieve with the message in his music, but it was ultimately based on his misconception of the problems that he wanted to solve because of his understanding of history mostly being determined by great men (or as he says, “saviors”) propagating ideas that changed material conditions. When confronted with his own inevitable failure as one of those great men, he instead went to the other extreme and distanced himself from being concerned with the world's problems altogether and embraced a highly individualistic mindset in just worrying about “building his own world” instead, but those are of course not the only choices.

Everything

4y

I'll never be mad at someone deciding to dedicate their time and efforts solely to themselves and their family. This is the only life we got.

CGI Dog

4y

damn

Slingshot

4y

It’s rooted in projection lol

fancy lacriminal

4y

Kenny should start trying to learn real theory like Pac did if he wants to meaningfully carry on his legacy

Slingshot

4y

word for word said he doesn’t want to

Saint Seiya

4y

I think both sides have merit in their arguments thus a good discussion