Ya'll think Kanye produced on this?

He liked the announcement so maybe.

Alchemist also liked Souwwaves post

I really hope he makes it

he reposted it to his story so i guess it confirms his involvement

Would love to hear it if he did. Knowing K Dot, he wouldn't expect anything else but top tier production from Ye

Also he killed it on the new Push album

Just saw Yes. No way that’s a coincidence

yee

As of now.

Boi1da
Alchemist
Sounwave
Dj Dahi
Terrace Martin
Cardo
Bekon
Tae Beast

Need Flyling lotus badly

you had me at terrace martin being back

Need Thundercat in some capacity.

Need Bekon all over this s*** honestly, this guy is a beast

And his voice is crazy too lol. Adds a real theatrical vibe. Astro bot gave me the same vibe.

one of the heaviest performances oat

Damn. the Good Kid going to pimp this section and its gonna be MAAD!

remember terrace martin said while they was writing this in the studio they had to keep running outside and crying cause s*** was too intense

Get with the Times underrated album

I know he worked on it last(?) year

Hope it made the cut

Pretty sure he produced the Prayer song too, this dude is so talented

made the cat

Yeah because a close friend of Terrace, Kamasi and Thundercat committed suicide around that time, they spoke about it recently on that TPAB podcast on Spotify

yupp

need to peep that

I just listened to "Mortal Man," for the first time since it came out, two days ago. I started having flashback to the sessions. Kamasi Washington did the strings arrangement for "Mortal Man." I did the horn. In the L.A. music community—me, Thundercat, Kamasi, Ronald Bruner, Ryan Porter, Brandon Coleman, Taylor Graves, Cameron Graves, Miles Mosley—a very special friend of ours died. A guy who you’d have been hearing about now. He would’ve been on Kendrick’s record, but our friend committed suicide. He was the best saxophone player you’ve ever f***ing heard in Los Angeles, California. He played alto sax. He was our dear friend, Zane Musa.

The day we did the strings for “Mortal Man,” there was a silent, thick energy of loss. Our friend was one of the best saxophone players in the world, and he committed suicide. This album is deeper than what motherfuckers know. There was a dark energy in that studio, we were at Chapman Studios. We kept running out, crying, coming back in. When I was writing the arrangement on the piano, we got so emotional. And I’d hear a chord that was wrong. To me, it was wrong. It was wrong, man! I didn’t even correct it. I didn’t even listen to it again until after we mixed it. When I listen to "Mortal Man" now, it did something to my heart to remind me of my friend. And that was so right. Something so wrong ended up so right when I gave it time to just breathe. This whole record is those experiences. See what I’m saying?

Whoever is trying to a***yze it from a pure a***ytical way, they’ve already lost. But we need critics. We love critics. We keep y’all going, y’all keep us going. When the record companies didn’t really f*** with our kind of music, the blogs and the critics did.

Feels good to even be discussing this rn man

T-minus 24 days