the back half of this album is absolutely unreal
widescreen cinematic neon black walls of sound
the back half of this album is absolutely unreal
widescreen cinematic neon black walls of sound
Daytime or late night vibes?
Well I guess you said neon black
Daytime or late night vibes?
Well I guess you said neon black
I donβt know if Iβll be able to listen to this during the day unless itβs mad gloomy out lmao
I donβt know if Iβll be able to listen to this during the day unless itβs mad gloomy out lmao
Lol aight bet
bumpksi
the sub bass at the end of What Is It That Breaks
my headphones canβt handle this peak
Daytime or late night vibes?
Well I guess you said neon black
from rinsing singles, def night time and listen loud on yr bassiest setup.
waiting for tonight for first listen
from rinsing singles, def night time and listen loud on yr bassiest setup.
waiting for tonight for first listen
Think I'll listen on a late night drive then.
can't believe its out ngl
the sub bass at the end of What Is It That Breaks
my headphones canβt handle this peak


from rinsing singles, def night time and listen loud on yr bassiest setup.
waiting for tonight for first listen
I listened on the way to work this morning and it was also amazing, surprisingly
this is one to rly dig into slowly. had it on repeat 2-3 times now and feels like I keep peeling back layers
so for credits:
Oliver Coates (Aftersun OST, generally π)
cello on 3,7,12
Detente (legend, Oklou live band)
guitar on 1,3
DJ Suzy (Malibu exec prod her album)
additional vocals on 4
Evian Christ (lord of the trance)
additional writing on 11
Future Sound of London
writing (sample?) on 13
Malibu curated a Spotify playlist of influences for Silk, such a good listen
Malibu curated a Spotify playlist of influences for Silk, such a good listen
sticky pls @sab