Relax he was just explaining it to me lol
And trinity doesn’t know she needs neo at all at beginning of movie
obvious troll dude chill
Lmaoo mans be acting like a total d***head then be like
“Ana and his stans tried to cancel me
”
Lmaoo mans be acting like a total d***head then be like
“Ana and his stans tried to cancel me
”
s***s weird he needs to get his attention from elsewhere
Why are you such a hater if I’m talking to ak not you
why are you hating on me hating?
People were saying the first hour of Dune was a drag but the first hour of this was very bad to me
Picked up once Neo left the matrix
I probably need to rewatch the movie tbh
My first watch I started passing out about 40 minutes in so paused it took a nap and restarted it later in the day
i'd off myself before a rewatch, and not my ktt2 account
People were saying the first hour of Dune was a drag but the first hour of this was very bad to me
Picked up once Neo left the matrix
sorry im still getting my bearings we talking resurrections or '99?
sorry im still getting my bearings we talking resurrections or '99?
Resurrections
Beginning of movie Morpheus wants neo but still suspects he is working with machines . Bugs trying to find a way to get him back then sees his old room and thinks of nostalgia with set and setting . A modal to unlock a key in his Brain so that he sees something is wrong and it’s not the story he knows . Set and setting . One sees him forced to leave his office because smith coming to arrest him. The other sees his office swatted by fans but they really looking for Morpheus . But really Morpheus just hacked that mirror so swat was like same timing @AKFresh
Resurrections
I feel opposite there were many details first half
Lmaoo mans be acting like a total d***head then be like
“Ana and his stans tried to cancel me
”
That’s all of their routine
I feel opposite there were many details first half
Maybe but it wasn’t very well done, or maybe I just wasn’t paying attention idk
Lmaoo mans be acting like a total d***head then be like
“Ana and his stans tried to cancel me
”
I see bane hate stays paying dividends, keep farming them likes fellas
Lmaoo mans be acting like a total d***head then be like
“Ana and his stans tried to cancel me
”
The weirdest part is then they try to cancel me and say “ he did all these things unprovoked “ .
Maybe but it wasn’t very well done, or maybe I just wasn’t paying attention idk
It’s definitely worth a rewatch after what you know now
People were saying the first hour of Dune was a drag but the first hour of this was very bad to me
Picked up once Neo left the matrix
I'd watch the Dune intro title on repeat for 3 hours over this
thats real, i get dysmorphic a lot and the shadows of your other self that you catch in reflections really got to me
Simulacra and Simulation delineates the sign-order into four stages:
The first stage is a faithful image/copy, where we believe, and it may even be correct, that a sign is a "reflection of a profound reality" (pg 6), this is a good appearance, in what Baudrillard called "the sacramental order".
The second stage is perversion of reality, this is where we come to believe the sign to be an unfaithful copy, which "masks and denatures" reality as an "evil appearance—it is of the order of maleficence". Here, signs and images do not faithfully reveal reality to us, but can hint at the existence of an obscure reality which the sign itself is incapable of encapsulating.
The third stage masks the absence of a profound reality, where the sign pretends to be a faithful copy, but it is a copy with no original. Signs and images claim to represent something real, but no representation is taking place and arbitrary images are merely suggested as things which they have no relationship to. Baudrillard calls this the "order of sorcery", a regime of semantic algebra where all human meaning is conjured artificially to appear as a reference to the (increasingly) hermetic truth.
The fourth stage is pure simulacrum, in which the simulacrum has no relationship to any reality whatsoever. Here, signs merely reflect other signs and any claim to reality on the part of images or signs is only of the order of other such claims. This is a regime of total equivalency, where cultural products need no longer even pretend to be real in a naĂŻve sense, because the experiences of consumers' lives are so predominantly artificial that even claims to reality are expected to be phrased in artificial, "hyperreal" terms. Any naĂŻve pretension to reality as such is perceived as bereft of critical self-awareness, and thus as oversentimental