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  • CARMEN πŸ’œ
    Apr 22, 2020
    Moody mann

    I'm back #fuckthemods #fuckfionaapple

    oh s*** ur back

  • Apr 22, 2020
    Β·
    1 reply
    Moody mann

    I'm back #fuckthemods #fuckfionaapple

    looolllll what happened

  • Apr 22, 2020
    Β·
    4 replies

    Just came across the most interesting trick for working with drum breaks gonna see how I can transfer this some 87bpm after finals

    Essentially: get a drum break, rearrange it with the hits you want. Save that.

    Then duplicate it and distort/compress the f*** out of it followed by a transient shaper into a limiter. Bounce that.

    Take the new distorted layer, send it to a bus where there is a F0 sine wave playing from another channel. Distort them hard together, then cut below like 1k hz. Now u have a sick "ride" layer

    Then u can rearrange the white noise/distorted layer in the break to layer with the original hits, making it feel distorted as hell, but it's actually not

  • CARMEN πŸ’œ
    Apr 22, 2020
    bbbbbbb

    Just came across the most interesting trick for working with drum breaks gonna see how I can transfer this some 87bpm after finals

    Essentially: get a drum break, rearrange it with the hits you want. Save that.

    Then duplicate it and distort/compress the f*** out of it followed by a transient shaper into a limiter. Bounce that.

    Take the new distorted layer, send it to a bus where there is a F0 sine wave playing from another channel. Distort them hard together, then cut below like 1k hz. Now u have a sick "ride" layer

    Then u can rearrange the white noise/distorted layer in the break to layer with the original hits, making it feel distorted as hell, but it's actually not

    post results in clyp it

  • Apr 22, 2020
    Β·
    1 reply
    Worldpremiere_

    looolllll what happened

    They didn't like my opinion of Fiona apples new album. I called it brookyn hipster voting for Joe biden music or something to that effect

  • Apr 22, 2020
    Β·
    1 reply
    bbbbbbb

    Just came across the most interesting trick for working with drum breaks gonna see how I can transfer this some 87bpm after finals

    Essentially: get a drum break, rearrange it with the hits you want. Save that.

    Then duplicate it and distort/compress the f*** out of it followed by a transient shaper into a limiter. Bounce that.

    Take the new distorted layer, send it to a bus where there is a F0 sine wave playing from another channel. Distort them hard together, then cut below like 1k hz. Now u have a sick "ride" layer

    Then u can rearrange the white noise/distorted layer in the break to layer with the original hits, making it feel distorted as hell, but it's actually not

    Damn i need to hear this. Ur crazy bro lol

  • Apr 22, 2020
    Β·
    4 replies

    Also @Baella is permabanned

  • Apr 22, 2020
    Β·
    1 reply
    Moody mann

    They didn't like my opinion of Fiona apples new album. I called it brookyn hipster voting for Joe biden music or something to that effect

    lmfaooooooooooo the 10 got ktt in absolute shambles.

    i been a fiona fan for years so seeing everyone go crazy has been guts.

  • Apr 22, 2020
    Β·
    1 reply
    Worldpremiere_

    lmfaooooooooooo the 10 got ktt in absolute shambles.

    i been a fiona fan for years so seeing everyone go crazy has been guts.

    She's not bad i just didn't get the 10 thing lol

  • Apr 22, 2020
    Moody mann

    She's not bad i just didn't get the 10 thing lol

    Scores in general are garbage imo. Gotta let the music speak for itself. Fiona apple dont give a s*** about critics lol.

  • dropped a lil fun chaotic banger, smile on my face whole time i recorded

  • Apr 23, 2020
    Moody mann

    Damn i need to hear this. Ur crazy bro lol

    my first few attempts sounded like complete s***, but I think I get the concepts. Gotta trial and error for a bit

  • Apr 23, 2020
    Β·
    2 replies

    I have officially morphed into Kaytranada.

    My mastering on this is fire too.

    @Sean_Combs_Filter @MORPHE @Biginthegame

  • Apr 23, 2020
    Β·
    1 reply
    Moody mann
    https://soundcloud.com/user-888556504/groove-on

    I have officially morphed into Kaytranada.

    My mastering on this is fire too.

    @Sean_Combs_Filter @MORPHE @Biginthegame

    im f***in wit this one smooth. wanna cruise with a dime piece to dis.

  • Apr 23, 2020
    Worldpremiere_

    im f***in wit this one smooth. wanna cruise with a dime piece to dis.

    Thanks man! Yeah the bass is the key for music like this. Without it its not the same

  • CARMEN πŸ’œ
    Apr 23, 2020
    Β·
    1 reply
    Moody mann
    https://soundcloud.com/user-888556504/groove-on

    I have officially morphed into Kaytranada.

    My mastering on this is fire too.

    @Sean_Combs_Filter @MORPHE @Biginthegame

    Its sounds good, I feel like the kick and bass are conflicting for the low end a little too much.

    I would make it so the kick is making up the brunt of beat, and the bass is just supplying it.

    Anything in 20-100 should have a low pass filter on the bass, there is just one little gap where the bass and kick should exist separately

  • CARMEN πŸ’œ
    Apr 23, 2020

    Hip hop kind of makes you think the kick and bass should be together, but it should be like a rocky relationship.

    They broke up, but still have mutual respect for each other as friends

  • Apr 23, 2020
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    1 reply
    CARMEN

    Its sounds good, I feel like the kick and bass are conflicting for the low end a little too much.

    I would make it so the kick is making up the brunt of beat, and the bass is just supplying it.

    Anything in 20-100 should have a low pass filter on the bass, there is just one little gap where the bass and kick should exist separately

    For me I wanted the kick to just be a pulse. If i took away the kick you would notice and it would feel different, despite the bass being much more prominent.

    For my bass I have sub and stereo bass combined into one. For like Justice type bass what you're saying would work.

    But yeah I always take forever mixing the kick and bass its a pain in the ass lol.

  • CARMEN πŸ’œ
    Apr 23, 2020
    Β·
    1 reply
    Moody mann

    For me I wanted the kick to just be a pulse. If i took away the kick you would notice and it would feel different, despite the bass being much more prominent.

    For my bass I have sub and stereo bass combined into one. For like Justice type bass what you're saying would work.

    But yeah I always take forever mixing the kick and bass its a pain in the ass lol.

    Umm thats not exactly what I said about Justice Bass. Its just increasing the treble and mids, and leaving a little bass frequency there.

    If you need to the bass frequency due to it conflicting with another one do that.

    Try and use a non graphic EQ. You will trust your ears more

  • Apr 23, 2020
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    1 reply
    CARMEN

    Umm thats not exactly what I said about Justice Bass. Its just increasing the treble and mids, and leaving a little bass frequency there.

    If you need to the bass frequency due to it conflicting with another one do that.

    Try and use a non graphic EQ. You will trust your ears more

    Yeah what I do too is I cut out where the kick peaks in the bass and vice verse for the kick. I think if I had the bass mixed at a lower level instead of like -12 db the kick would be more noticeable

  • CARMEN πŸ’œ
    Apr 23, 2020
    Β·
    1 reply
    Moody mann

    Yeah what I do too is I cut out where the kick peaks in the bass and vice verse for the kick. I think if I had the bass mixed at a lower level instead of like -12 db the kick would be more noticeable

    You have your bass at -12 db?

  • Apr 23, 2020
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    1 reply
    CARMEN

    You have your bass at -12 db?

    For this track yeah haha. I love low frequencies what can I say. I want to be bathed in them lmao

    I usually have it at -14 or like -16

  • CARMEN πŸ’œ
    Apr 23, 2020
    Β·
    1 reply
    Moody mann

    For this track yeah haha. I love low frequencies what can I say. I want to be bathed in them lmao

    I usually have it at -14 or like -16

    I usually keep my s*** at -6db. The reason why is cause the samples are a lot quieter in the sampler.

  • Apr 23, 2020
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    1 reply
    CARMEN

    I usually keep my s*** at -6db. The reason why is cause the samples are a lot quieter in the sampler.

    Do you use kontakt? I use the saturation plugin which makes the samples way louder and spread out

  • CARMEN πŸ’œ
    Apr 23, 2020
    Moody mann

    Do you use kontakt? I use the saturation plugin which makes the samples way louder and spread out

    No I use a radiator going into ssl g channel going into a phat fx going into a limiter. I use the limiter as a volume control a little