Reply
  • Mar 27, 2020

    PND stans really trying to push the narrative that this man will be big or some type of R&B new messiah since 2014 lmao

    I really hope this album is good and succeed tho the more classics the better

  • Mar 27, 2020

    who the avi tho

  • Mar 27, 2020

    WAKE UP PEOPLE!. I'm sorry, but did PARTYNEXTDOOR already lose? Oh, that's right. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing. Seriously though, Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
    then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
    With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
    But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
    The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
    P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
    Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
    then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.

  • Mar 27, 2020

    Anyways

  • Mar 27, 2020
    ·
    7 replies

    Thread aged like milk

  • Mar 27, 2020

    Who

  • Mar 27, 2020

    Nah bruh this straight trash lmao

  • Mar 27, 2020
    First Take

    Thread aged like milk

  • Mar 27, 2020
    First Take

    Thread aged like milk

  • Mar 27, 2020
    First Take

    Thread aged like milk

  • Mar 27, 2020
    First Take

    Thread aged like milk

  • Mar 27, 2020
    First Take

    Thread aged like milk

  • Mar 27, 2020

    this is f***ing amazing.

    one of the most entertaining and original videos I've seen in a minute

  • Mar 27, 2020
    ·
    1 reply

    No

  • Shabazz999

    No

    yes

  • Mar 27, 2020
    ·
    1 reply

    Holy s***

  • PARTY is set to usher in the new era of r&b with PARTYMOBILE

    shaky warrior
    3h
    Reply
    8
    Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
    then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
    With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
    But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
    The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
    P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
    Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.

  • Mar 27, 2020
    ·
    1 reply
    sfsorrow

    Who has ever called PND3 the yeezus of contemporary r&b

    No one because no one even talks about party. He makes the most bland and lazy music with the vocals to match. His fan(s) are a reflection of his style

  • Mar 27, 2020
    ·
    1 reply
    cole breezy

    No one because no one even talks about party. He makes the most bland and lazy music with the vocals to match. His fan(s) are a reflection of his style

    Instant block for your top artists sorry bro

  • Mar 27, 2020
    sfsorrow

    Instant block for your top artists sorry bro

    Crazy because I don’t see yours. Nor have you expressed your taste in any threads of your own.

    Probably like The Weeknd and frank ocean exclusively. Conformist f***

  • Mar 27, 2020
    ·
    1 reply

    how has this post aged this badly and it hasnt been 24 hours

  • CarlSweatpants

    how has this post aged this badly and it hasnt been 24 hours

    wrong

  • Mar 27, 2020
    ·
    1 reply
    fire

    R. Kelly, DeVante Swing, Stokley Williams, Raphael Saadiq, D'Angelo, Teddy Riley, The-Dream etc ... Write, compose, arrange and produce their own music. Usher, Chris Brown, Justin Timberlake, Bryson Tiller, Trey Songsz, The Weeknd, Omarion etc ... don't. You tell me who's the more talented you cretin? lmao

    noah sammak

  • KingGuwop

    noah sammak