This s*** was dope
Only complaint I had was the d***y character. For one they didn't show any of his d*** abuse and 2, the actor was meh. Dude is talk of the town yet is the least charismatic character in the whole movie
Oh yeah and that scene the chick confesses
It’s implied he really wasn’t a d*** addict and the d**** found in his pocket were for Tony
I feel like D\*\*\*ie giving Tony the anti-depression medicine for Livia was the catalyst for him being open to going to therapy and taking prozac and lithium in the future
It’s implied he really wasn’t a d*** addict and the d**** found in his pocket were for Tony
Yooo went way over my head. So Tony was using his mom as a story to get that script?
Yooo went way over my head. So Tony was using his mom as a story to get that script?
No. Tony genuinely wanted to help his mother and he thought these d**** would be useful.
Which is truly a great aspect of the film, the way Chase shows how Tony has been structured by his environment. He used to be such a sweet kid with a huge potential. But nobody except D***ie believed in him. Even his own father couldn’t picture him as an athlete.
Anyone putting this on the level of filler fluff like El camino is on crack and just mad that Tony wasn't illogicaly running s*** back then on some cornball Tariq s***
Thing is any true Sopranos fan wouldn’t be expecting Tony to be “running s***”…..more so would of just preferred to see Tonys back story growing up.
Our first introduction to Tony was him playing with ducks lol not doing typical Hollywood Mafia s***, that’s what makes Sopranos unique.
Thing is any true Sopranos fan wouldn’t be expecting Tony to be “running s***”…..more so would of just preferred to see Tonys back story growing up.
Our first introduction to Tony was him playing with ducks lol not doing typical Hollywood Mafia s***, that’s what makes Sopranos unique.
I'd be all for a sequel showing ronys early days in the mob, but I still liked it for what it was. It's biggest flaw was that the main character was the least compelling character
I'd be all for a sequel showing ronys early days in the mob, but I still liked it for what it was. It's biggest flaw was that the main character was the least compelling character
Facts. I would of rather watched Paulie paint his nails and s*** than D***ie
No. Tony genuinely wanted to help his mother and he thought these d**** would be useful.
Which is truly a great aspect of the film, the way Chase shows how Tony has been structured by his environment. He used to be such a sweet kid with a huge potential. But nobody except D***ie believed in him. Even his own father couldn’t picture him as an athlete.
Gotcha that's what I thought too. How'd you feel about Chris's narrating?
I thought Michael Gandolfini was great in this tbh
For someone without any acting history he did a great job. Shame his character is so disappointing
really stunned with how unnecessary this was. as a stand alone movie, it’s ok I suppose. But tying back to the sopranos, it’s actually really bad. None of the clever dialogue or humor from the sopranos is really there. The characters are all just flat charicature versions of themselves compared to the series. You really learn nothing new about the characters. The closest they come to doing a good job with matching a character is the Paulie bits. James Gandolfini’s son is solid but they didn’t do much with him…even though the heart of the show is Tony Soprano with all due respect to D\*\*\*ie Moltasanti. His character just wasn’t that great or interesting to deserve such a deep dive in this movie. Also Chris alludes in the series that his dad was a junkie, but here he’s this man’s man of mobsters.
Then you have new characters like the black empowerment story line which just feels pretty forced and doesn’t really bring anything to the table for what the sopranos was.
Tony has a bond with D\*\*\*ie that they want us to pick up on, but the moments shown in the movie between them aren’t memorable and don’t give any emotional gravity to anything.
Tony’s transformation from civilian to mob is very badly executed. No Tony B really unless I missed it. No robbing Feech’s card game. Etc.
We actually learn more about the black guy who rises up, which is good in theory, but in a sopranos prequel, feels very out of place and you have to ask yourself what’s the point? Maybe it’s bc, the sopranos series was racist, but i always took that as more to be a realistic view of how these mobsters would be. When Jackie Jr. loses at chess to the little black girl in the series, it’s way more profound than this.
There’s a lot more I can touch on but pretty disappointed honestly.
I would say even as a standalone movie it’s weak. Lots of these tv show prequel/sequel movies suffer from this. The character motivations are impossible to understand unless you watched the show. They never develop Junior’s character as a spiteful yet calculating fool like they so in the show, they just show him as a fool for a couple scenes then suddenly he orders the murder of the main character. Tony barely does anything, there’s just a collection of scenes of him doing teenage s\*\*\* without any rhyme or reason. So what he robbed the ice cream man? So what he has high IQ? None of that is expanded upon in the movie, it only serves to roughly imply in the future he’ll be a mob boss, a future that doesn’t serve in the movie itself at all
Gotcha that's what I thought too. How'd you feel about Chris's narrating?
Didn’t like it as I watched the film but now that I think about it, I realize that it’s a thoughtful decision. D***ie is Christopher’s biological father and Tony’s surrogate father, Tony is also Christopher’s surrogate father. The Sopranos started as a conflict between a son and his mother but it’s mostly about (surrogate) sons and fathers. Ultimately, Johnny Boy, Junior and D***ie did more damage to Tony than Livia but that’s something Tony denies until the last part of the final season. So basically, Chris is telling us how his own father’s failure to save Tony turned him into a monster.
Edit: I realized something, D***ie’s own surrogate father is his uncle, Salvatore. It’s like a f***ed up cycle. A true Greek tragedy.
This s*** was dope
Only complaint I had was the d***y character. For one they didn't show any of his d*** abuse and 2, the actor was meh. Dude is talk of the town yet is the least charismatic character in the whole movie
Oh yeah and that scene the chick confesses
What the F*** man. This actor killed it, he was soooo good
Anyone putting this on the level of filler fluff like El camino is on crack and just mad that Tony wasn't illogicaly running s*** back then on some cornball Tariq s***
El Camino was f***ing great and that's a sequel and this is a prequel. You can't compare
The way Chris described D***y in this scene made him sound like a POS yet he’s portrayed as some likable good guy protagonist in the movie ….
!https://youtu.be/Z9COLaIu0YUI mean he did some really repulsive things in the movie tho lol. I could argue even too repulsive
Anyone putting this on the level of filler fluff like El camino is on crack and just mad that Tony wasn't illogicaly running s*** back then on some cornball Tariq s***
10000%
Yooo how about the drillbit teeth scene
s*** Was CRAZY, I was like that’s the vulgar Sopranos I know & love
Letterboxd!
Makes sense all my friends who have LBs are snobbish when it comes to film
Sry just my personal experience not trying to knock ur friends lol
The more I think about it, the more I like this film. I think there’s a lot to decipher.
Some (very) basic symbolism I noticed: D***ie’s uncle is named “Salvatore” which means “Savior”. His purpose is to guide/save D***ie and give him some spiritual basis (Dickie doesn’t know s*** about religion and is even corrected by a young Tony about Hebrews in the Bible). Salvatore is in jail because he killed “a made guy in the family”, that’s basically what D***ie did too. That’s also what Tony did too when he killed Christopher (even though Chris basically worked for him). Another parallel: Salvatore failed to “save” D***ie just like D***ie failed to “save” Tony. The fact that Tony waits for D***ie at Holsten’s is very interesting because it’s a turning point in his life, much like the final scene of the show, no matter how you interpret it.
Also, the whole film pretty much confirms this brillant theory/analysis:
thechaselounge.net/viewtopic.php?t=2503