Why do y'all do this

Vou falar a real

5 anos pra isso?

Pior album do travis DISPARADO

Drake
Party
Carti

Os unicos que podem salvar o ano

i love how much this album focuses on travis

A lot of people thought it wasn't him rapping at the end tho

Bro the soundscape and production is nuts

Sounds like ur in another dimension

We in Utopia 🕊

Features definitely take much more a backseat here than they did on Birds/Astroworld.

I feel like part of the reasoning for that approach is so that Travis has more parts to perform live from these songs rather than dedicating too much time to guests

3rd listen, this is album of the life

UTOPIA..

HYAENA is so addictive

Arm and a leg

Yeah the polar opposite. Still don’t understand the title lol

My version of Utopia got the moving album cover where Travs face distorts into some other s*** lol what

MODERN JAM is so f***ing dope

(MUCHO GRACIAS)

that part at the end of sirens when that vocal sample gets spammed the f*** out and the slide guitar solo comes in

say less

damn.

Does it bother anyone else that SZA comes in like 2 seconds too early then she should?

Along with her being mixed super high

The drop feels botched in that regard. Shame

but here’s the AM summary:

A great deal obviously occurred in the five years between ASTROWORLD and UTOPIA, Travis Scott’s third and fourth solo studio albums, respectively. Still, looking at hip-hop and rap music specifically, few could deny the extraordinary impact his music had on a young generation of emerging artists, their radical vocal and production style choices so overtly informed by his own vision. His commercial success at least partially hinged on the futuristic, otherworldly sound and image he cultivated, with listeners tuning in just to hear what fresh level of the game he’d unlocked.

Thus the collective anticipation for UTOPIA could not have been higher. Without fail, Scott delivers something only he could have delivered, a thoroughly riveting album that transmutes star power and experimental artistry into a marvellous musical monument. The opening boom-bap bombast of “HYAENA,” the funkadelic crunch of “MODERN JAM,” and the proggy thump of “CIRCUS MAXIMUS” are just a few examples of how he has so lavishly expanded his sonic universe with this record. He now seems to enjoy a certain austerity, as on “I KNOW ?” and “LOST FOREVER,” but remains incapable of completely escaping the maximalist thrills of his past.

The deliberately concealed guest list contains quite a few stars and superstars, and shrewd listeners may enjoy trying to identify them all without a cheat sheet. Drake’s unmistakable baritone leads the shape-shifting “MELTDOWN,” while Playboi Carti unspools his magnificent mumble over the buzzy “FE!N.” But when Beyoncé arrives for “DELRESTO (ECHOES),” its muted club contents echoing her own dance music renaissance, she provides a big diva energy that luxuriates amid Scott’s cutting edge.

it’s like eye of the storm vibes shoutout john mayer

heyyyyyy nowwwwwwww

needed this one tbh