The next big project for Takafumi Hori would be on Little Witch Academia directed by Yoh Yoshinari under the newly formed Studio Trigger formed by former Gainax employees Hiroyuki Imaishi and Masahiko Otsuka. This would be the first project Trigger would do. For LWA Hori would be placed on some action scenes of a dragon attempting to steal the Sorcererās Stone. In this scene its easy to spot Hori trying to be closer to Yoshinari animating a lot of pluming smoke effects sakugabooru.com/post/show/199488\. From here on out Hori would become a regular resident of Trigger and start churning out some of the best scenes in the next series Kill La Kill.
On Kill La Kill, Hori would shine brighter than ever before, implementing everything he had known up to this point and turning it up to 11. When the iconic perspective shot of Gamagori towering over Mikisuki first happens you know youāre in for a treat.
What follows after is some of the nuttiest and hilarious storyboarding ever. I canāt properly do this scene justice with words just watch here sakugabooru.com/data/4158df5d4f6062169a02b847c0fb884f.mp4
Hori would animate for the rest of the show doing some key scenes highlighting a lot of his excellent background animation, and flowing arcing action movement. In 2014 Space Dandy and Terror in Resonance would reunite Hori with Watanabe as heād do a cut on one episode on both shows, then also collaborate again with Koike on a Lupin III film, once more handling cars.
In 2015, Little Witch Academia: The Enchanted Parade would release with Hori proving himself as one of Yoshinariās best handling over 2 minutes of pure animation. These scenes show the uncompromising flow movement like Yoshinari is known for though less smooth as not even Hori can achieve that level of consistency sakugabooru.com/post/show/224895 sakugabooru.com/post/show/224896
The following year Hori would work on Space Patrol Lulucoās OP back at it again with director Hiroyuki Imaishi.
he would also contribute brief animation to Kiznaiver.
The same year Hori ventured out from Japan and into America working on a show he had been a fan of Steven Universe. Hori would work on Episode 107 of the show and animating several character acting scenes and providing storyboards. Hori experimented around the time with digital animation and implemented it into the fight scenes to great effect. Traditional animation would also come in handy as he animated a portion of one of the episodeās song.
Hori 0:09 to 0:52
Hori fight at the start and crying scene with hair sakuga
2017 LWA would finally get a show, and Hori seriously made a mark for the television adaptation. He would serve as lead animator on all 25 episodes of the show, and key animate on 10. There are so many highlights in here I donāt know where to start. The opening scene of Shiny Chariot might be one of the best scenes he's ever done
whole scene animated by Hori
My favorite scene he animated for the show would be the sky sailing of Constanze and Akkoās Stanship in Episode 18, the drawings of Akko I particularly loved with the flowing hair and grinning teeth being slightly more off model and mature but feeling in line with the energy of the character. sakugabooru.com/post/show/34106
Hori himself is most proud of the missile sequence from the finale, sakugabooru.com/post/show/35741 this was his first time drawing an Itano Circus
Following LWA Hori would surprisingly provide KA to Darling in the Franxx which after LWA you think heād need a break but no he just didnāt stop as the year after would be one of the most busiest years for Hori as a whole, credited on six projects in 2019.
The first project would be Watanabeās Carole and Tuesday where Hori worked on some very elegant OP animation.
Hori with the dancing cut of Carole
The second would be on the Steven Universe movie where heād animate a ton of scenes of the filmās antagonist? Spinel. Some of this animation is so American looking I was surprised Hori even did this. Brilliant use of squash and stretch with very clear 1930s dance cycle influence.
Hori starts when Spinel sings til 1:36 and picks back up ending on Spinel pulling out her scythe to cutting the girls
The third project would be an episode of another American show OK K.O. Letās be Heroes
sakugabooru.com/post/show/179200
sakugabooru.com/post/show/142435
Displaying more of Horiās capabilities with digital animation
The next would be on the first studio Trigger feature film debut Promare,
then a few scenes on Lupin III: Fujiko Mineās Lie, and then final project of the year would be KA on a mobile game called Indivisible handled by Trigger and Titmouse.
Hori scattered throughout doing montage and action cuts, and effects animation
The following years heād provide character designs for a Star Wars Visions short and briefly work on The Deer King and the same year Inu-Oh.
Itās hard to be good at what you do, and even harder to be consistent, that is one thing that comes to mind when putting Takafumi Horiās animation into retrospect; its his consistency. Horiās attention to timing and detailed effects is so realized, and his meticulous on model characters (and even improving designs through KA) should be renowned by animators everywhere. Though some people can paint him as a second rate Yoh Yoshinari on a superficial level in regards to his effects, I think he had already gone beyond proving himself as a diverse animator who isnāt afraid to mix up his palette and being one of the best talents in the industry right now.
Hori's twitter
twitter.com/porigoshi?lang=en
Hori's insane KA process for commemorative Steven Universe animation
KA alternate early Stanship?
The same year Hori ventured out from Japan and into America working on a show he had been a fan of Steven Universe. Hori would work on Episode 107 of the show and animating several character acting scenes and providing storyboards. Hori experimented around the time with digital animation and implemented it into the fight scenes to great effect. Traditional animation would also come in handy as he animated a portion of one of the episodeās song.
!https://youtu.be/dHg50mdODFMHori 0:09 to 0:52
!https://youtu.be/NIt02ziit7wHori fight at the start and crying scene with hair sakuga
This episode is actually funny because this is literally the only episode where all characters stay on model throughout the entire show. The only difference was that he was involved in drawing out the storyboards.
Oshi No Ko gonna be good or nah? Hearing good s*** about the first episode, but donāt know much about it aside from that. Anyone read the manga and recommend watching it?
This episode is actually funny because this is literally the only episode where all characters stay on model throughout the entire show. The only difference was that he was involved in drawing out the storyboards.
I mean look at this s***. This does not happen with him involved lol
Oshi No Ko gonna be good or nah? Hearing good s*** about the first episode, but donāt know much about it aside from that. Anyone read the manga and recommend watching it?
I just watched it and that s*** is good
Run with the Wind - 9/10
"When you're running, you're running alone, but you're never actually alone"
Run with the wind is an anime both about determination and manhood. All the men in the track team come from different backgrounds and have different motivations, all of them coerced to join the team by Haiji. They all face challenges and achieve impressive results. I'm not a sports anime fan but it's hard not to get caught up in the hype and root for them. It's hard not to get emotional when you see a character struggle and break their own peak. It made me want to get up and run. If Prince can do it I can do it too. And he made me tear tf up.
The relationship between the members of the team is healthy and supportive. You can tell that at one point they all bring their value to the team and are all determined to achieve their goals. Some of the characters develop and grow, the lead one being Kakeru, the only "pro runner" in the team, who was always fast but never supported by his teammates, finally experiences a healthy bond with other men and brings his entire team up with him.
I can talk about this s*** all day like it's One Piece, it's hype. It's dramatic. And it's relatable. A lot of clever things are said even outside the context of running. You start to feel like part of the team.
P.S. Haiji is so gay for Kakeru
bump
I mean look at this s***. This does not happen with him involved lol
Wow thats funny