“mid/side processing”
could you elaborate on what this means please
mid/side is essentially processing the "sides" (think stereo) seperately from the "Middle" (think mono) of the sounds so for instance
if you have a drum break thats one recording of a full kit you could eq all of the lows out of the sides (again think stereo left and right) to make the kick more prevalent in the middle.
i was giving a more general answer on how to edit dry drums - which most people feel their "drums are bad" because there is literally nothing done or used on it
jungle - techno its electronic and besides the point - i didnt mean that its the genre op is going after, again, i agev an example of a dry drum and sound being turned into something recognizable
a bit crusher "degrades" the sound of "too clean" sounds - there are extreme ways of doing it and subtle ways - i disagree and a lot of drum machines already have a lot of these componetes happening on top of the actual sound
i dont understand your nitpick, its not a direct answer to op, its an example of a way to turn/transform dry, computerized or "too clean" sounds
he's not talking about dry or clean or processing with the synthesized feel thing tho he's talking about a break's pattern being programmed on a drum machine
no a delay that add more "drum" sounds as if the drummer is moving across snares himself instead of it being so on the nose or planted - such as is an extremely common way echoboy is used
again, youre taking an extreme or only one way of how to do something and assuming thats what i mean or am only offering
but why wouldn't you just program that? smearing the sound with the delay is fine but you're using words like "depth" with very specific definitions in the world of mixing
the difference between genres of music are important especially considering the processing of which are completely different. I don't want op spending 3 hours googling techno processing and not coming away with what they want
i didnt tell him to research electronic music processing i made it clear that its an example of how people transform drums into a more desired outcome lol, which in that example was electronic
most genres use the same methods/tools/programs just in different ways
my example was not nor endorsed him to go out and get that exact plugin or look into that genre - it was an example of a crusher and sampler is a common way people process sounds into what they want
its an example of a "clean/dry" sound being turned into something else
now my mistake is that i either went too broad or too simple/beginner, but at the end ofthe day it was an example how people transform sounds and rhythms into something specific/desired
mid/side is essentially processing the "sides" (think stereo) seperately from the "Middle" (think mono) of the sounds so for instance
if you have a drum break thats one recording of a full kit you could eq all of the lows out of the sides (again think stereo left and right) to make the kick more prevalent in the middle.
oh ok so correct me if i’m wrong, but the sides would be something like room reverb?
mid/side is essentially processing the "sides" (think stereo) seperately from the "Middle" (think mono) of the sounds so for instance
if you have a drum break thats one recording of a full kit you could eq all of the lows out of the sides (again think stereo left and right) to make the kick more prevalent in the middle.
and @op if you're wondering why you would want to do that. It's generally considered best practice (you can always break rules tho if it sounds good) to put lower register (kick bass 808 stuff like that) instruments in the middle of your soundstage
he's not talking about dry or clean or processing with the synthesized feel thing tho he's talking about a break's pattern being programmed on a drum machine
ok then i agree with that
i was thinking starting from blank, which i apologize for then - i didnt read outside of the direct op
oh ok so correct me if i’m wrong, but the sides would be something like room reverb?
no not at all the sides would be the parts of your sound that are getting pushed to the left and right of your soundstage, but to be honest this might be too advanced for you right now.
start by taking your favorite drum sample and count the pattern out to a metronome then take play/or program that pattern into whatever sequencer/daw you're using.
no not at all the sides would be the parts of your sound that are getting pushed to the left and right of your soundstage, but to be honest this might be too advanced for you right now.
start by taking your favorite drum sample and count the pattern out to a metronome then take play/or program that pattern into whatever sequencer/daw you're using.
this is good to know. i’m approaching sound design on how it’d be placed if i were behind the drum kit essentially so im glad you’re telling me all this
i didnt tell him to research electronic music processing i made it clear that its an example of how people transform drums into a more desired outcome lol, which in that example was electronic
most genres use the same methods/tools/programs just in different ways
my example was not nor endorsed him to go out and get that exact plugin or look into that genre - it was an example of a crusher and sampler is a common way people process sounds into what they want
its an example of a "clean/dry" sound being turned into something else
now my mistake is that i either went too broad or too simple/beginner, but at the end ofthe day it was an example how people transform sounds and rhythms into something specific/desired
i'm salty because a lot of "producers" on here give advice to people and send them down these rabbit holes that turn out to really only be about how smart and good those posters are at producing (and usually they f***ing suck at it), instead of actually trying to help the person.
Sorry if I mistook you for being that. I'm just tired of reading a lot of blatantly wrong s***.
this is good to know. i’m approaching sound design on how it’d be placed if i were behind the drum kit essentially so im glad you’re telling me all this
i think that's a good start but honestly op just have fun and don't get too in the weeds yet. if you need a refresher on how effects work, just take one sound and test them out one by one
this is good to know. i’m approaching sound design on how it’d be placed if i were behind the drum kit essentially so im glad you’re telling me all this
also go ahead and tag me in whatever, i'm happy to help
also go ahead and tag me in whatever, i'm happy to help
i really appreciate it man i’m taking a whole new approach to songwriting than what i’m normally used to so i’ve been on a roll rn…i’m still not giving up on releasing music eventually
i’m just a perfectionist; i can’t put something out unless im happy with it
ik it’s based on the Funky Drummer sample, but it’s got a more synesthesized feel to it
!https://youtu.be/dNX46GThcrY?si=nS2Yru0cDRnA9oF9!https://youtu.be/StskEnmH9l8?si=U96rUVwBtFyc3bng!https://youtu.be/Epj84QVw2rc?si=HAZ6ClbI7p0dAowkREAL
still can’t believe this came out in the 90s
!https://youtu.be/GpvccejvVng?si=VPNMDShDR0ppTIpnBeen saying this song is proto-cudi for a few years now
i'm salty because a lot of "producers" on here give advice to people and send them down these rabbit holes that turn out to really only be about how smart and good those posters are at producing (and usually they f***ing suck at it), instead of actually trying to help the person.
Sorry if I mistook you for being that. I'm just tired of reading a lot of blatantly wrong s***.
what i said wasnt wrong tho lol (of ways to transform sounds) nor did i send him down a rabbithole, again youre making extremes out of nothing when i clearly said since the start "here's an example" of using common tools to achieve a desired sound in another genre, that most genre's also use that isnt live recordings related
yeah, i think you jumped the gun based on a pre made assumption
my assumption was op talking from either a blank slate of his own pattern in a daw or mpc - Hence, again, "i assume you mean the vibe, feel and tone", and why i breifly mentioned how drum machines and the like already have these things built in and tuned to their own way and quirks and sound different from one another with their own characteristics - and why your own base drums wont sound like that right away
what i said is not wrong, its just broad and not a direct step answer which i already admitted lol
my whole point was mainly about pointing op towards the tools
never heard that duran duran song before
damn that’s like a grocery store staple where i am
what i said wasnt wrong tho lol (of ways to transform sounds) nor did i send him down a rabbithole, again youre making extremes out of nothing when i clearly said since the start "here's an example" of using common tools to achieve a desired sound in another genre, that most genre's also use that isnt live recordings related
yeah, i think you jumped the gun based on a pre made assumption
my assumption was op talking from either a blank slate of his own pattern in a daw or mpc - Hence, again, "i assume you mean the vibe, feel and tone", and why i breifly mentioned how drum machines and the like already have these things built in and tuned to their own way and quirks and sound different from one another with their own characteristics - and why your own base drums wont sound like that right away
what i said is not wrong, its just broad and not a direct step answer which i already admitted lol
my whole point was mainly about pointing op towards the tools
nah i feel like what you said was wrong and off topic despite all of this
what i said wasnt wrong tho lol (of ways to transform sounds) nor did i send him down a rabbithole, again youre making extremes out of nothing when i clearly said since the start "here's an example" of using common tools to achieve a desired sound in another genre, that most genre's also use that isnt live recordings related
yeah, i think you jumped the gun based on a pre made assumption
my assumption was op talking from either a blank slate of his own pattern in a daw or mpc - Hence, again, "i assume you mean the vibe, feel and tone", and why i breifly mentioned how drum machines and the like already have these things built in and tuned to their own way and quirks and sound different from one another with their own characteristics - and why your own base drums wont sound like that right away
what i said is not wrong, its just broad and not a direct step answer which i already admitted lol
my whole point was mainly about pointing op towards the tools
you gave information that was too broad to be useful and didn’t explain it well either
damn that’s like a grocery store staple where i am
feel like I’ve heard this one too
feel like I’ve heard this one too
oh yeahhh
nah i feel like what you said was wrong and off topic despite all of this
then i guess all of the engineers and very basic tools commonly used to achieve specifc and "deeper" sounds are wrong as well lmao
you gave information that was too broad to be useful and didn’t explain it well either
so basically what i admitted too?
and yeah no, i think youre the only one that didnt get the explanation