Reply
  • Aug 14, 2021
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    1 reply
    LOSTintheABYSS

    I usually record with the instrumental in full so it’s just one full sound opposed to individual sounds (Idk if that’s what you meant by stems)

    Do you have a picture of the mix window to show me exactly how you sidechain the beat melody to duck behind the vocals?

    My fault I’m really new to mixing so I appreciate the info fam

    Buy the vst called trackspacer, does it for you automatically

  • Aug 14, 2021
    ·
    2 replies
    Goku

    Who the best engineer on ktt

    idk about best but I've been told my mixes are pretty good

  • Aug 14, 2021
    Mr Sting

    idk about best but I've been told my mixes are pretty good

    Care to share 🤔

  • Aug 14, 2021
    ·
    1 reply

    Got my first client (outside of friends) over for a irl recording/mixing sesh

  • Aug 14, 2021
    Young King

    Buy the vst called trackspacer, does it for you automatically

    good looks fam

  • Aug 14, 2021
    exclave oasis

    Idk about all that, but this is what I mixed today

    Judge for yourself

    https://drive.google.com/file/d/1XQUYJbfv6GWH9nCzc1jyvAvZpmmgE-vG/view?usp=drivesdk

    Would anyone have a good reference for this?

  • Aug 15, 2021
    bebacksoon

    Got my first client (outside of friends) over for a irl recording/mixing sesh

    Worked on 3 songs, finished one, got some CASH

  • Aug 15, 2021
    Goku

    Send me a private message
    I played it for my bro and he likes it

    🗣WHERE YOU AT

  • MORENAA 💜
    Aug 15, 2021
    ·
    1 reply
    HITSLIKEDIETCOKE

    How achieve Mike Dean mix? 😝

    Make sure everything is clipping at -6 lufs

  • Aug 16, 2021
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    2 replies
    MORENAA

    Make sure everything is clipping at -6 lufs

    any tuts?

  • MORENAA 💜
    Aug 16, 2021
    ·
    1 reply
    HITSLIKEDIETCOKE

    any tuts?

    It’s a joke lol

  • MORENAA

    It’s a joke lol

    Bruh

  • High-key though clipping plugins have helped

  • MORENAA 💜
    Aug 16, 2021
    ·
    1 reply

    Tbh I would keep that s*** at -9 lufs, Mike Dean overexaggerates pushing like -4 which is way too loud.

    Abuse a lot of settings on Ozone 9 keep that s*** relatively loud.

    If ur doing any compression try -2-6 db mind u on a parallel bus. Adjust the compression to taste

    If ur gonna Soft Clip than go for like -2db and if ur using Pro-L try an infinite release for loud peaks

  • MORENAA 💜
    Aug 16, 2021
    ·
    1 reply
    Shammy

    Valhalla vs neoverb which y'all using

    Neoverb takes a bit more cpu up

    I go with Valhalla, but I don’t mind using Neoverb if I got time

    Neoverb has pretty cool parameter settings

  • Aug 16, 2021
    ·
    edited
    ·
    1 reply
    MORENAA

    Tbh I would keep that s*** at -9 lufs, Mike Dean overexaggerates pushing like -4 which is way too loud.

    Abuse a lot of settings on Ozone 9 keep that s*** relatively loud.

    If ur doing any compression try -2-6 db mind u on a parallel bus. Adjust the compression to taste

    If ur gonna Soft Clip than go for like -2db and if ur using Pro-L try an infinite release for loud peaks

    When mastering I usually get my tracks to hit around -7 lufs before it starts distorting but it all starts with the mix, if the mix isn’t right you can’t get it anywhere that loud without any audible distortion

    And actually keep the release as low as possible and the attack as high as possible on the Pro-L and the channel linking transients on 0% and release on 50% and the look ahead on the default setting. I found that you can really push things loud with those settings.

  • Aug 16, 2021
    HITSLIKEDIETCOKE

    any tuts?

    See post above

  • Aug 16, 2021
    ·
    1 reply
    Mr Sting

    When mastering I usually get my tracks to hit around -7 lufs before it starts distorting but it all starts with the mix, if the mix isn’t right you can’t get it anywhere that loud without any audible distortion

    And actually keep the release as low as possible and the attack as high as possible on the Pro-L and the channel linking transients on 0% and release on 50% and the look ahead on the default setting. I found that you can really push things loud with those settings.

    I mix, not master, so I have a novice question: Why aim for -7 if streaming services will turn it down to -14?

  • Aug 16, 2021
    DEL_14638

    I mix, not master, so I have a novice question: Why aim for -7 if streaming services will turn it down to -14?

    That’s where a lot of people get confused, the streaming services aren’t turning down any file it just plays everything at -14 if you have loudness normalization on, you can turn it off though. Apple music has it off by default and Spotify only has it on by default on mobile apps not the web player, etc.

    When normalization is off the songs play at whatever level they were mastered at and that’s where you start to hear some tracks just fall flat when going from a song that was mastered really loud to one mastered at -14.

    I’m primarily a mixer too, I only got into mastering when I realized everyone who wants their song mixed, wants it mastered too and would rather pay you extra to do it instead of going to pay someone else just for that. Plus I learned how to improve my mixes by a lot while mastering too.

  • Aug 16, 2021
    ·
    1 reply

    I've been making beats on and off for a decade roughly.

    I know this wouldn't be overnight learned thing but, I really want to purchase Pro Tools and learn how to mix. I want to dump my MPC beats into there and mix down a whole song.

    Any recommendations on where to start? Any books to read etc?
    Thanks all

  • Aug 16, 2021
    Kyanite Robby

    I've been making beats on and off for a decade roughly.

    I know this wouldn't be overnight learned thing but, I really want to purchase Pro Tools and learn how to mix. I want to dump my MPC beats into there and mix down a whole song.

    Any recommendations on where to start? Any books to read etc?
    Thanks all

    For people with ZERO knowledge of mixing here's what I recommend.

    Books:
    Mixing Secrets for the Small Studio by Mike Senior
    The Mixing Engineer's Handbook by Bobby Owsinski

    YouTube channels:
    Wayne.wav: youtube.com/channel/UCsjrTadAFqgr29SsPPN6QRA
    In The Mix: youtube.com/channel/UCIcCXe3iWo6lq-iWKV40Oug
    Reid Stefan: youtube.com/channel/UC4K6tc2C0hauYw5SoXNtkbA
    Simon Servida: youtube.com/channel/UCBO9acnsfbzEL_7am5N2z8Q
    Sean Divine: youtube.com/channel/UCPiiLifmu6_da4ipdXt2ecg
    Creative Sauce: youtube.com/channel/UCESNxzJHzDnCIuRO0RhQLeA
    Chris Selim: youtube.com/channel/UCr4af6MfAMfff8w7WqCa7Lw
    Rick Beato: youtube.com/channel/UCJquYOG5EL82sKTfH9aMA9Q

    I'd say start with books because even reliable YouTube channels have misinformation.

  • Aug 16, 2021
    MORENAA

    Neoverb takes a bit more cpu up

    I go with Valhalla, but I don’t mind using Neoverb if I got time

    Neoverb has pretty cool parameter settings

    Hmm i see, I love neoverb because it sounds so realistic but ik most use Valhalla so I was curious about it

  • The 'wall of sound'

  • Aug 18, 2021
    Mr Sting

    idk about best but I've been told my mixes are pretty good

    WHERE YOU AT

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