im not surprised that this type of marketing exists but i am surprised that some of the artists in OP and on their site are using this marketing
like yea the music is good but you're telling me that people have finally caught on to jane remover because of bots?
i have an industry friend... expect jane's sound to be copied lol they have her on lists
i have an industry friend... expect jane's sound to be copied lol they have her on lists
earl sweatshirt yeah i mean yeah
8:40
INTERVIEWER: You guys work across, like, pretty much every genre at this point, right? Okay. So, could you give me some like practical examples of types of content that resonates with certain audiences in certain genres? Because I imagine if you’re working on a country song one day, and a Latin song the next day, those are not going to be the same campaign to try to reach those audiences. So, give me some examples.
SPELMAN: This is a really core principle of the company, which is, you know, we can drive impressions on anything. At this point we know how to go viral. We have, you know, thousands of pages. But [we are] making sure that they are not empty calories, and that they are impressions that will actually find your audience. And so, you know, for a lot of underground rap songs, it'll be these kind of like stretched-out clips of video games right now, [which] are really popular. Or like, for a lot of singer-songwriter stuff – I'm sure a lot of people have seen here have seen the kind of like yellow text quotes – you know, we call that ‘pastel talk’. We think we were kind of the first people to do that and now [there are] a lot of copiers, and then you have to pivot to the next thing. And so, you know, when we spoke, you know, however many months ago that was. On the country side, it is a lot of trucks, it is a lot of cowboy hats and things like that. But it makes sense, yeah.
8:40
INTERVIEWER: You guys work across, like, pretty much every genre at this point, right? Okay. So, could you give me some like practical examples of types of content that resonates with certain audiences in certain genres? Because I imagine if you’re working on a country song one day, and a Latin song the next day, those are not going to be the same campaign to try to reach those audiences. So, give me some examples.
SPELMAN: This is a really core principle of the company, which is, you know, we can drive impressions on anything. At this point we know how to go viral. We have, you know, thousands of pages. But [we are] making sure that they are not empty calories, and that they are impressions that will actually find your audience. And so, you know, for a lot of underground rap songs, it'll be these kind of like stretched-out clips of video games right now, [which] are really popular. Or like, for a lot of singer-songwriter stuff – I'm sure a lot of people have seen here have seen the kind of like yellow text quotes – you know, we call that ‘pastel talk’. We think we were kind of the first people to do that and now [there are] a lot of copiers, and then you have to pivot to the next thing. And so, you know, when we spoke, you know, however many months ago that was. On the country side, it is a lot of trucks, it is a lot of cowboy hats and things like that. But it makes sense, yeah.
" On the country side, it is a lot of trucks. It is a lot of cowboy hats and things like that, but it makes sense, yeah."
it does suck that any sort of underground organic artist or sound that wants a bigger audience through a label gets involved in this s*** by default at this point
fakemink and dijon too... honestly i assume this is happening to any somewhat popular artist on any label, this is just the game now
(LaRussell voice) Dijon too!
who said this
Me, Mr Chaotic Good
This thread is a psyop to get Geese more clout. The PTA filming at Carnegie Hall was just the start I’m afraid
11:50
INTERVIEWER: Do you still consider a campaign to be a success if there is virality on TikTok, but maybe not a huge translation into streams on Spotify?
SPELMAN: That's a great question. […] You know, I think if we still have a viral trend, I think it can still be a really successful campaign. We manage an artist named Kevin Atwater, who, we saw that there was a lot of overlap with his fan base and the show Yellowjackets. And so, we'd been trying a lot of stuff for this song, and we ended up putting a quote from the [show] before the audio [on TikTok] and it went crazy. “I feel it so deeply in my bones,” something like that, and then the song starts. And it went crazy, and the song has 40,000 creates on TikTok. And streaming improved a lot, but it’s not like a crazy consumption hit. But, what it's done is now, every time he posts with the audio, his posts do well, because he has this trending audio and it's tied to his brand. And now fans show up dressed as the characters, and it's kind of been this huge moment for him. So, I view that as a huge success for a client on our roster.
fakemink and dijon too... honestly i assume this is happening to any somewhat popular artist on any label, this is just the game now
dudes really tried to tell me Esdeekid was organic
mans manager was doing Renaissance tour merch lmaoo
dudes really tried to tell me Esdeekid was organic
mans manager was doing Renaissance tour merch lmaoo
the line is blurred now for me cus as soon as an artist starts getting attention in any organic sense they get co opted instantly. i legit can't think of a single artist that got big in the post-covid era this didn't happen to in some way
@hadjigaviota since u have a decent following can u contact them and ask for a quote
tryna see somethin
dawg wants the KTT2 exclusive
13:20
INTERVIEWER: You guys have run campaigns for all sorts of artists. I was looking through your Instagram. You have artists on there like Coldplay, and Zara Larsson, and Childish Gambino. Could you walk me through an example of one of these campaigns working and why you think it works so well? Maybe Childish Gambino.
SPELMAN: Yeah, Childish Gambino is a fun one. The song is ‘Letter Home’. You know, when we get a song, we sit as a team, [all] 25 people, and we talk about what we’ve seen on the internet that week, what we think's going to work, and then we try to put it into action. And we have a very serious testing process. Uh, and all of our tricks were not working. We [threw] the fastball, and the curveball, and the other thing, and it wasn't working. And then, we noticed one style of quote-on-screen creators really working. But we weren't able to do it at a scale that was actually moving the needle. So, Adam [Tarsia], who is one of our partners in the company who we mentioned, had this “fuck it, I'll do it myself” mindset. We are confident – and so is he – that we can train anyone to go viral. And so he just started training his friends, his brothers, his brothers' friends, and built this army of people to post on TikTok, and the song started going crazy, just driven off these people. I'd be swiping on my feed and seeing his brother [and] our employees going very viral. The song went very high on the TikTok charts. And now all of those people are hired by other labels and they're some of the top influencers in in music who had no experience before.
4:00
INTERVIEWER: [discussing old strategies] Back in the day it used to be top-down for marketing. So, it's like hiring your biggest creators you can find, paying them and having them use their song in a video. Now, what you guys are describing, practically speaking, is you run – or have a network of – a bunch of different accounts that are meme accounts, or sports clips, or truck videos, or whatever these types of accounts are. And then you can plug the song into those, so it creates more of a groundswell effect rather than coming from the top-down. Is that correct?
SPELMAN: That’s correct.
this is also how social media digital hackers show they are engineering you in real time if you really catch it
hidden in plain sight type s***. there’s a whole community researching social media manipulation/engineering and hackers kinda showing off that they are the cause with like a “random dog with a hat” type s*** would be the hacker within a string of random memes influencing you to click something that now opens a backdoor to expose your personal data
the hole gets deep. this is like tip of the iceberg lmao
The opinions being formed from tiktok comments is true and not alot of people have caught onto this fact just yet. Ive seen a lot of nasty narratives about people get formed because of the tiktok comment section that get repeated irl
https://www.pinterest.com/04x4fd43ulitukigqn7rz4yibcm7dm/

@op
2hollis makes so much sense rofl