Was it? Hmm
Well Fema, China Town, Bando
Were all smashes
Damn I’m so glad I grew up in ATL so many hits niggas only know the mainstream ones
Yep that’s why that last verse in Not Like Us can easily be debunked if people know the history
In a way. I feel like even if he did use them he also balanced it out by helping them go higher.
Appropriating the different cultures as a person who didn't grow up in it, then using that culture that he appropriated to sell records for himself. Profiting off of extracting black culture and labor sounds familiar
No wonder cacs love him so much...
DRAKE was DRAKE before he decided to collaborate with rappers from Atlanta.
It was mutually beneficial. Drake was able to solidify his appeal to urban America and the rappers from Atlanta were able to raise their public profile and commercial viability.
Once again, attributing the term “culture vulture” towards Drake is a misguided attempt at ostracising him from the genre.
Ariana Grande collaborated with future at his peak. You think Future is gonna get another Ariana Grande collab?
Robin Thicke collaborated with 2 chainz at his peak. You think 2 chainz is gonna get another Robin Thicke collab?
Katy Perry collaborated with Quavo/Migos at thier peak. You think Migos is gonna get another Katy Perry collab?
All these people cashed in on the cultural cache of Atlanta and dipped. I never see the same level of vitriol towards them.
But the guy, who happens to be a rapper, who consistently collaborates with the people mentioned, supported them through avenues such as touring exposure, gave them some of the biggest records of their career is labelled a culture vulture.
S*** is ridiculous.
Future didn’t need Drake on DS2. He was buzzin in the streets like crazy. There was supposed to be zero features on DS2 and the day before he released the album Drake calls Future begging to be on the album.
The narrative that he put these people on is so lame. Drake only collabs with people who are currently popping. He was down with Migos in 2013 when they first blew then when they struggled for a few years he’s gone. Then he’s back after Culture gave them a second wind.
He got that whole method from Hov. Thats his blueprint.
Can’t forget Rae Sremmurd! And that’s just the rappers! Lmao. Mike Will, Zaytoven, Southside, Sonny Digital, Metro, TM88, Lex Luger, OG Parker, DJ Esco and Murda
Damn I sure did forget about Sremmurd, also forgot to mention T.I. & Jeezy still had some hits in the early 10s
the irony in this verse when kendrick ran to future for like that
He didn’t run to future tho pretty sure Metro reached out to him
Damn I sure did forget about Sremmurd, also forgot to mention T.I. & Jeezy still had some hits in the early 10s
ATL was more than good and holding itself down give that Canadian way too much credit
ATL was more than good and holding itself down give that Canadian way too much credit
Someone is gonna try to attribute Future’s success to Drake because of Tony Montana without considering how badly received that song was
Wave-riding has been a thing in Hip-Hop since inception.
LL Cool J saw the influence and impact of west coast gangsta rap and that was reflected in his 14 shots too the dome album in 1993
JAY-Z went from jacking the mafioso rap style adopted by raekwon and biggie on reasonable doubt, to enlisting the commercially successful bad boy/hitmen sound on vol 1, to the swizz beatz and ruff Ryder sound on vol 2.
For a good minute, New York rappers started to sound like they were from the south.
Remember when everyone wanted to be on a DJ Mustard beat.
At the end of the day, the goal is to make dope records and Drake has done this consistently regardless of who he collaborates with.
Someone is gonna try to attribute Future’s success to Drake because of Tony Montana without considering how badly received that song was
🗣️🗣️🗣️
Racks, Magic and Same Damn Time did more for him than Tony Montana then eventually Honest
He brought the Atlanta rap scene back (he didn’t) but can’t do the same to Toronto, his own city?
cause toronto doesn’t have that atlanta talent lol
cause toronto doesn’t have that atlanta talent lol
🧢 it’s cause even Drake couldn’t bring that scene together
The daily thread thank you for the free and continued promotion
Not seeing many Kendrick threads on a daily basis, interesting.
Funniest part is it’s the same 6-8 people discussing the same 4-5 topics on rotation daily throughout the week
Drake needed Atlanta way more than they needed him.
Drake has always needed the hood’s
aesthetic because no one would take a Jewish mixed guy from the suburbs of Toronto seriously. Which is why the Birdman and J Prince Co-signs were so important for his career.
It’s not just Atlanta, he does it with any artist from any city with the hood behind them.
Any new artist that the hood f***s with he will try to ride their wave.
Bossman Dlo is the next upcoming artist I think he’ll try to be best friends with.
Even his guy 21 savage pointed out how Drake by himself is not what the hood is checking for:
Does the Drake defense force refuse to get avis because they're alts and know they're just gonna get banned again anyway?
Lol....ATL wasn't even close to dead when Drake hopped on the Versace remix
Everybody nowadays are Clowns, Drake remixed da song and bodied it, it woulda never been as big if he didn’t get on it
Drakes greatness comes from his first three albums, no Atlanta involvement
If anything it f***ed him up
“He’d still be successful because he’s great”
I’m not taking anything away from his greatness prior to aligning himself with Atlanta. He had been proven himself, and as someone who was around when Versace Remix dropped, it honestly just felt like a fun side quest he was embarking in lmao
But now we see just how much that seed he planted with that move benefitted his career and longevity, and all I’m saying is I don’t think he’d quite be what he is today if he didn’t do that. Same with those Atlanta artists. It’s mutual
DRAKE was DRAKE before he decided to collaborate with rappers from Atlanta.
It was mutually beneficial. Drake was able to solidify his appeal to urban America and the rappers from Atlanta were able to raise their public profile and commercial viability.
Once again, attributing the term “culture vulture” towards Drake is a misguided attempt at ostracising him from the genre.
Ariana Grande collaborated with future at his peak. You think Future is gonna get another Ariana Grande collab?
!https://youtu.be/oHmBf4ExtZk?si=p18rhrnYqSiTmzp9Robin Thicke collaborated with 2 chainz at his peak. You think 2 chainz is gonna get another Robin Thicke collab?
!https://youtu.be/TH8m6J3gPH0?si=mrEdCZX0Pr9Anso0Katy Perry collaborated with Quavo/Migos at thier peak. You think Migos is gonna get another Katy Perry collab?
!https://youtu.be/dPI-mRFEIH0?si=sAfK1sVXHeqZiUt4All these people cashed in on the cultural cache of Atlanta and dipped. I never see the same level of vitriol towards them.
But the guy, who happens to be a rapper, who consistently collaborates with the people mentioned, supported them through avenues such as touring exposure, gave them some of the biggest records of their career is labelled a culture vulture.
S*** is ridiculous.
people call ariana a vulture all the time though.
like why would we bother saying robin thicke and katy perry are just cashing in on whatever is trending? its so obvious it goes without saying lol
on one hand i could see arguments of them having no longevity being a thing because i feel like there’s very few artists who blow and everyone just knows “yeah they’re going to be around for a decade”, and i can understand someone having that concern in 2014 that migos would just be a flash in the pan
but a one hit wonder argument sounds crazy to me because i feel like they proved that wasn’t the case really quick lol, like they had hits across multiple tapes whether they actually hit the charts (versace, fight night, handsome and wealthy, hannah montana) or they were street hits (bando, chinatown, freak no more, cross the country, etc)
they was making that one flow work wonders for like three years
I should've said one trick ponies instead of one hit wonders, but same idea.
DRAKE was DRAKE before he decided to collaborate with rappers from Atlanta.
It was mutually beneficial. Drake was able to solidify his appeal to urban America and the rappers from Atlanta were able to raise their public profile and commercial viability.
Once again, attributing the term “culture vulture” towards Drake is a misguided attempt at ostracising him from the genre.
Ariana Grande collaborated with future at his peak. You think Future is gonna get another Ariana Grande collab?
!https://youtu.be/oHmBf4ExtZk?si=p18rhrnYqSiTmzp9Robin Thicke collaborated with 2 chainz at his peak. You think 2 chainz is gonna get another Robin Thicke collab?
!https://youtu.be/TH8m6J3gPH0?si=mrEdCZX0Pr9Anso0Katy Perry collaborated with Quavo/Migos at thier peak. You think Migos is gonna get another Katy Perry collab?
!https://youtu.be/dPI-mRFEIH0?si=sAfK1sVXHeqZiUt4All these people cashed in on the cultural cache of Atlanta and dipped. I never see the same level of vitriol towards them.
But the guy, who happens to be a rapper, who consistently collaborates with the people mentioned, supported them through avenues such as touring exposure, gave them some of the biggest records of their career is labelled a culture vulture.
S*** is ridiculous.
I'm not sure comparing Drake to Ariana Grande, Robin Thicke, and Katy Perry is doing what you want it to, but go off