Film Noir is often debated as in standard histories goes that originated in America in the 40's. Most of it comes from emerging hard-boiled fictions and greater influence in German Expressionism of the 20's. The term also associated with visual narrative traits from low-key photography, wet city streets, Freudian characterizations, and romantic fascination with femme fatale. The term itself later reference the trend of "burgeoning genre" of Hollywood films described as above imported to Europe in 1946. Many critics used that a***ogy called "serie noire". Noir sometimes have themes of fatalism, hopelessness, and moral corruption.
Film Noir is broad in terms how times changed since its inception. Classic Noir films started in the 1940's to 1960's while the genre revitalize itself to color called Neo-Noir started in 1970's to today.
Lists:
letterboxd.com/pileofcrowns/list/1000-noir-films-they-shot-dark-pictures-didnt
www2.bfi.org.uk/news-opinion/news-bfi/lists/10-great-american-film-noirs
eddiemuller.com/top25noir.html
discuss Noir films and recommend them.
Nice job OP!
watched Detour recently and it was one of the most nihilistic movies I’ve ever seen, highly recommend that and T-Men
Nice job OP!
watched Detour recently and it was one of the most nihilistic movies I’ve ever seen, highly recommend that and T-Men
adding to the noteworthy section
Dope @sace I’ve been sleeping on my Film Noirs, nice reminder chief just re/watched some of Godard & Wilder’s the other day. Imma add some to my list now for sure
French noirs/policiers
La Tête d'un homme (1933) dir. Julien Duvivier
Pépé le Moko (1937) dir. Julien Duvivier
L'assassin habite au 21 (1942) dir. Henri-Georges Clouzot
Quai des Orfèvres (1947) dir. Henri-Georges Clouzot
Touchez Pas au Grisbi (1954) dir. Jacques Becker
Classe tous risques (1960) dir. Claude Sautet
Mélodie en sous-sol (1963) dir. Henri Verneuil
some others that I probably forgot or not sure if they really fit
French noirs/policiers
La Tête d'un homme (1933) dir. Julien Duvivier
Pépé le Moko (1937) dir. Julien Duvivier
L'assassin habite au 21 (1942) dir. Henri-Georges Clouzot
Quai des Orfèvres (1947) dir. Henri-Georges Clouzot
Touchez Pas au Grisbi (1954) dir. Jacques Becker
Classe tous risques (1960) dir. Claude Sautet
Mélodie en sous-sol (1963) dir. Henri Verneuil
some others that I probably forgot or not sure if they really fit
Korean noir