Sounds like a structure similar to Hail Caesar where Cliff is trying to fix multiple problems at once

My favorite Fincher after Seven tbh

Wait only in IMAX. That's kinda hard lol. Has that happened with a bigger movie/director before?

the Finch gone from Netflix?

Hope this doesn’t mean the movie wasn’t working and Netflix wouldn’t allow him reshoots so he decided to dip.

Christ lol

wasn't he doing reshoots for this like a month ago? swore i read that somewhere

After what feels like decades of mid

Wait what

This is the 3rd time I’ve seen this David guys name in like 2 hours

good but bad, no mindhunter

this doesnt look particularly interesting.

what happened to old Fincher? dude's been dropping mid after mid since Gone Girl

Trailer looked okay but idk. it’s missing the sauce of the movie

Yeah, I wasn’t that blown away by the trailer either, but I can’t imagine a world where a Fincher directed/Tarantino written film is bad. I’m not sure why so many are ready to write this off.

This looks amazing

I wasn't a big fan of Once upon a time so Im even less interested in this. But since it's Fincher Ill check it out

Once Upon a Time is easily my favorite Tarantino, so I guess I’m coming at this from a different place.

It's not a flex. It's Netflix doing a limited theatrical run.

Jesus Christ lol

From Empire:

Where OUATIH revelled in letting the audience spend time with Booth (and Leonardo DiCaprio’s Rick Dalton, and Margot Robbie’s Sharon Tate) in 1969, the 1977-set follow-up has more momentum. “I don’t think of it as a hangout movie at all,” says Tarantino of Cliff Booth. “Once Upon A Time In Hollywood was a hangout movie, but you know you’re going to Cielo Drive (site of the Manson murders). It has this force, thus I didn’t need a lot of plot. This script was very different.” Expect something that harks back to the feeling of, say, Jackie Brown. “To me, it had the flavour of an Elmore Leonard paperback: a crime-story paperback feel,” he teases.

For Fincher, that was much of the appeal. “I liked the idea that it’s a story around a bonfire,” the director says. “It wasn’t about the plot as much as it was about how the participants collided with one another in the back alleys of Hollywood in 1977.” He had plenty of material to work with, courtesy of Tarantino’s expansive screenplay. “The first draft I read was 230 pages. It was essentially two movies,” says Fincher, noting that he cut 60 pages – resulting in a movie around 2 hours and 20 minutes long. “Somewhere in there was the Venn diagram of what Brad wanted to do, what I want to do, what Quentin wanted to do. Not “want to do”, but the areas we would focus on.” Who’s ready to get back in the Booth?

I see what’s going on here.

He said originally he tried to write Once upon a time in Hollywood as more plot heavy like an Elmore Leonard book but then as he got to know the characters more he figured all the “plot heavy” stuff wasn’t needed and the audience would be fine just hanging out with the characters.

So I guarantee those earlier ideas he had he developed them into this Cliff sequel instead