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  • Jan 15, 2022

    I love how songs like this are mixed. It’s an experience and not just another interlude or song

  • Jan 15, 2022
    Allen Iverson

    You can’t have the type of clipping and distortion that you’re talking about and still get a loud enough master to be competitive with other mainstream tracks. It’s a give or take. It’s not possible.

    i feel this, i noticed on some of my tracks the overcompression leads to tons of distortion. i.g. theres a limit to how loud u can make things without getting distortion

  • Jan 15, 2022
    fashion killa

    people can turn up their volume, uh

    stop chasing loudness

    eh cheap headphones/car speakers can only go so loud

    ik in my car unfortunately if the mix is quiet u cant rly hear s*** even at max volume, like its super apparent based on the mix how loud/clear/enjoyable everything is

    i always go for aggressive mixes just because of that

  • Jan 15, 2022
    fashion killa

    people can turn up their volume, uh

    stop chasing loudness

    Bruh do you even own a car system with a subwoofer LMAO

    Because you can’t just do that in the car with music that is badly distorted and ends up clipping and it overheats the amp for pushing the subs too hard

  • fashion killa

    people can turn up their volume, uh

    stop chasing loudness

  • Jan 15, 2022

    pop is sounding 10x better than 2012 pop

  • Jan 15, 2022
    ·
    1 reply
    fashion killa

    people can turn up their volume, uh

    stop chasing loudness

    nah the loudness war ain’t goin away unfortunately

    I wouldn’t say loudness is #1 priority but you definitely have to be somewhat in the competitive range LUFS wise

  • Jan 15, 2022
    RE1GN

    nah the loudness war ain’t goin away unfortunately

    I wouldn’t say loudness is #1 priority but you definitely have to be somewhat in the competitive range LUFS wise

    fair

    just ppl should be willing to take more risks w the mix

    mile dean does a good job of being loud and also still just dirty enough