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  • May 18, 2023

    tim cook spending that iphone money on kino

  • Prez 💎
    May 18, 2023

    can you find the wolf in this picture

  • May 18, 2023

    Looks good

  • May 18, 2023
    Everest

    THEY TRIMMED IT

    https://twitter.com/discussingfilm/status/1648424782420115456

  • May 18, 2023
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    1 reply

    oh yeah real cinema is back

  • May 18, 2023
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    1 reply

    Wish he worked with another cinematographer

  • May 18, 2023
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    1 reply

    jesus this looks amazing

  • God this looks incredible..

  • May 18, 2023

  • Can you find the wolves in this picture?

  • May 18, 2023
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    1 reply
    Spike Spiegel

    Wish he worked with another cinematographer

    Why? 99.9% of cinematographers are s*** nowadays. Scorsese has one of the good ones

  • May 18, 2023
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    4 replies
    CloudyDreams

    Why? 99.9% of cinematographers are s*** nowadays. Scorsese has one of the good ones

    I do honestly think that his latest work has a kind of digital TV quality to it, especially in the skin tones, even though he likes to shoot on film as much as possible

    The movies are incredible so it doesn't matter much, but, they're visually a little flatter than his work even from the 2000s, they're going for vastly different tones, but there's something weird and ghostly about his visual style and grading since around The Irishman that I'm not all-in on

  • May 18, 2023
    SHIZZY

    oh yeah real cinema is back

  • Prez 💎
    May 18, 2023

    Can you find the wolves in this picture?

  • May 18, 2023
    ·
    edited
    Fries

    I do honestly think that his latest work has a kind of digital TV quality to it, especially in the skin tones, even though he likes to shoot on film as much as possible

    The movies are incredible so it doesn't matter much, but, they're visually a little flatter than his work even from the 2000s, they're going for vastly different tones, but there's something weird and ghostly about his visual style and grading since around The Irishman that I'm not all-in on

    I think the issue ultimately is moreso that the quality for digital has gone up so much that everything looks the same nowadays in film and tv. In the 2000s, tv still had a crappy digital look to it while film was film and looked magnificent

    I think while shot composition has gotten clearer, it sacrifices style and color for clarity and that’s true for any film nowadays I feel. I feel only Fraser has shown he can do stylistically interesting things with the digital medium nowadays.

  • May 18, 2023
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    1 reply
  • May 18, 2023
    MattM

    jesus this looks amazing

  • May 18, 2023
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    1 reply

    Looks cool. So many movies with potential coming out

  • May 18, 2023

    THATS WHAT IM TALKING ABOUT

  • May 18, 2023
    Fries

    I do honestly think that his latest work has a kind of digital TV quality to it, especially in the skin tones, even though he likes to shoot on film as much as possible

    The movies are incredible so it doesn't matter much, but, they're visually a little flatter than his work even from the 2000s, they're going for vastly different tones, but there's something weird and ghostly about his visual style and grading since around The Irishman that I'm not all-in on

    I think it looks great

  • May 18, 2023
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    1 reply

    Prieto shot Silence, put some respect on his name

  • May 18, 2023
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    2 replies
    Yuzzy

    Prieto shot Silence, put some respect on his name

    Silence looks incredible, one of the most visually beautiful of Scorsese's career, I just think there's something a little 'prestige TV' about the look of his last two features, but again, I love The Irishman, it doesn't impact my enjoyment much at all, and the way the grading shifts over time is fantastic

  • May 18, 2023
    Fries

    Silence looks incredible, one of the most visually beautiful of Scorsese's career, I just think there's something a little 'prestige TV' about the look of his last two features, but again, I love The Irishman, it doesn't impact my enjoyment much at all, and the way the grading shifts over time is fantastic

    i know what you mean. it seems like it's an industry wide phenomenon recently.

    the texture of shots just feels different.

  • May 18, 2023
    Lou
    https://twitter.com/prazeet3/status/1659196001008357379

  • May 18, 2023
    Fries

    I do honestly think that his latest work has a kind of digital TV quality to it, especially in the skin tones, even though he likes to shoot on film as much as possible

    The movies are incredible so it doesn't matter much, but, they're visually a little flatter than his work even from the 2000s, they're going for vastly different tones, but there's something weird and ghostly about his visual style and grading since around The Irishman that I'm not all-in on

    It really is extremely noticeable but I think this one looks better than the Irishman in that regard

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