”conversely, if hip hop was still traditional, the sheer amount of conservatism and homophobia in the industry would've kept a plethora of artists from being allowed to flourish.”
the culture of hip-hop is distinct from what was typically required to be considered “good” in those times, basically every single hip-hop artist that commonly crop up on an all time list were very strong lyricists with crossover ability, i don’t think the bar of entry was ever that low like it is now
even B list artists like Ludacris had to have that ability to be taken seriously
who from this newer generation of artists from the SoundCloud era fit the bill and wouldn’t look out of place next to the JAY’s, Kendrick’s and Nas’ on an all time list? who would you put up there? Future?
i see your overarching point but the conclusion not so much if im being honest, it isn’t trap’s “fault” but it provided a medium for lazy and successful music, that’s more on the people who use it like that versus it as a sound itself obviously
lumping in kendrick whose debut album came out in 2011 with those two doesn't make any sense. beyond that - artists like him, mach hommy, billy woods, ka, conway, etc all have post-2015 catalogues that rival the best work of a bygone era. 6 uninspired albums with hit-boy from a washed abuser and pseudo financial advice from a serial predator does nothing for me.
ultimately alladat is besides the point because at the end of the day the only thing people like you see worth in is 'lyricism' and not what the masses consider good music that speaks to them. technical ability is not the sole focus anymore and it means jack s*** especially if whatever bullshit you're rapping doesn't resonate with the culture (re: eminem). and none of it, new or old, mean s*** to me at all if you're just a white opportunist cribbing off of Black artists.
This s***’s been going on since the beginning of popular American music as a commodity. What this tells me is that Trap, etc, is played out and a parody of itself. It’s time for the next movement to take over.
lumping in kendrick whose debut album came out in 2011 with those two doesn't make any sense. beyond that - artists like him, mach hommy, billy woods, ka, conway, etc all have post-2015 catalogues that rival the best work of a bygone era. 6 uninspired albums with hit-boy from a washed abuser and pseudo financial advice from a serial predator does nothing for me.
ultimately alladat is besides the point because at the end of the day the only thing people like you see worth in is 'lyricism' and not what the masses consider good music that speaks to them. technical ability is not the sole focus anymore and it means jack s*** especially if whatever bullshit you're rapping doesn't resonate with the culture (re: eminem). and none of it, new or old, mean s*** to me at all if you're just a white opportunist cribbing off of Black artists.
”lumping in kendrick whose debut album came out in 2011 with those two doesn't make any sense. beyond that - artists like him, mach hommy, billy woods, ka, conway, etc all have post-2015 catalogues that rival the best work of a bygone era. 6 uninspired albums with hit-boy from a washed abuser and pseudo financial advice from a serial predator does nothing for me.”
and i mentioned Kendrick among them because he is usually mentioned on an all time list, that would include all generations
for the latter half of your post, are you under the impression that “good music” and solid songwriting are two entirely different things or? most of the most beloved hip-hop albums had pretty good songwriting lol
This s***’s been going on since the beginning of popular American music as a commodity. What this tells me is that Trap, etc, is played out and a parody of itself. It’s time for the next movement to take over.
Though I'm not the first king of controversy
I am the worst thing since Elvis Presley
To do Black music so selfishly
And use it to get myself wealthy (Hey!)
There's a concept that works
Twenty million other white rappers emerge
lumping in kendrick whose debut album came out in 2011 with those two doesn't make any sense. beyond that - artists like him, mach hommy, billy woods, ka, conway, etc all have post-2015 catalogues that rival the best work of a bygone era. 6 uninspired albums with hit-boy from a washed abuser and pseudo financial advice from a serial predator does nothing for me.
ultimately alladat is besides the point because at the end of the day the only thing people like you see worth in is 'lyricism' and not what the masses consider good music that speaks to them. technical ability is not the sole focus anymore and it means jack s*** especially if whatever bullshit you're rapping doesn't resonate with the culture (re: eminem). and none of it, new or old, mean s*** to me at all if you're just a white opportunist cribbing off of Black artists.
6 uninspired albums with hit-boy from a washed abuser and pseudo financial advice from a serial predator does nothing for me.
I know what you are
6 uninspired albums with hit-boy from a washed abuser and pseudo financial advice from a serial predator does nothing for me.
I know what you are
had to double take when i read Conway
they’re crazy on here
this forum full of s*** cause soon as I posted nani2neat (kid that rapped about guatemala revolution over rage beat on tiktok) none of yall was tryna hear that s***
https://soundcloud.com/user-565949701-953620419/sackreligiousKeep tryna f***, now she salty
I'm tellin' her Na like it's chemistry
Born schizophrenic my money gon' talk to me
No bеstiality, been had that dog in me
Opps throwing dirt on my name it's like sod to mе
@nikedufflebag said it's impossible to be lyrical over these type of beats and not sound corny which one is it yall?
@Brave
See the problem with this is that it just sounds terrible
remember in mid 2010s when that whole “mumble rap” thing was at its apex, they excused all of the s***ty lyrics, heavily melodic driven + carried by production s*** as “hip-hop evolves” they were out here batting for Famous Dex dawg
even pop has better gatekeeping it’s so funny, Jojo Siwa been trying to nepo her way into the entire s*** and no one is taking that girl serious
They were tryna tell us SoundCloud rap was the new punk or some s*** like s*** applies to the genre the same
You wanna know the most successful psyop? @edumist
Whenever you criticized the music from that 2016-2019 era and people would try to label you as anti black because of it
Just skimmed that s***
This s*** is literally just another dime a dozen auto tune bullshit “rage” artist that everyone including myself takes an L for engaging in this convo
You wanna know the most successful psyop? @edumist
Whenever you criticized the music from that 2016-2019 era and people would try to label you as anti black because of it
yeah that’s that infantilism s*** lmao
if you don’t soullessly support some stupid s*** in the name of “this is progress” or “it’s just dumb fun” even with all the antics and s*** in tow you’re lame, washed and anti-black lmao, that dumbass Snowboy user was just doing it a page back
it’s POPTIMISM
no one wants to have that conversation just yet though
This s*** almost depressing
Like the path that we was going on after 2015 if XXL2016 doesnt happen seems like an alternate universe now lmao
I dont get this. Not only were all of those albums made by niggas who were in 2015 almost vets but the 2015XXL was trash. I remember when it came out thinking damn XXL is cooked, and the XXL 16 class was gaining traction in 2015. So it was inevitable
Who ian and why his linkup with quavious important?
its TikTok music ur not missing out
I was surprised people saw that White Iverson video and were like yeah this is hip hop
Now that b**** is hanging with Joe Rogan
cause this site doesn’t wanna support anyone without a massive co-sign lol, @willcherry s*** didn’t even start jumping like that until he got that Complex article on here
quiet as kept i don’t even post about my music as much on here anymore cause i don’t expect a ton of support lmao
love to anyone who has shown me love on here though because it has been a good amount of the years
I'm not gonna lie I don't know how people that are sincerely looking for good rap music to listen to look at an album art like what Ian has and are like "oh I am going to make good use of my finite time with ears by listening to this" like I am literally doing nothing but reading this thread and still haven't heard an Ian song because it looks like pressing play on a TikTok meme or some s***
As someone who makes stuff, it's very easy to fall into the trap of making yourself into a meme/playing into deep irony (either in the music itself or everything surrounding it) but we gotta treat ourselves with a some f***ing degree of decorum and self seriousness. I gotta develop this thought more but this s*** speaks to such a disrespect of your own audience to carry yourself in a way like this
Yall mad a white boy is taking the most low brow aspects of rap music and profiting from it. It shows you view the artform negatively and broadly, if humor hadn't died within the last decade people would normally actually find the humor in it, but nope! Everything is a #serious topic now