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  • Apr 25
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    edited
    Snowboy

    no offense but you dont get what I'm saying at all. art is the product of artists, artists like all people are incomplete and messy vessels of ideology and that comes out in the art they create. quentin tarantino likes to drool over feet IRL, not coincidentally his films are full of shots of feet. this isnt a particularly groundbreaking way of understanding art.

    He also has a thing about violence toward women, and literally enacting them himself enough times for me to look at him different but finding out he himself was the one choking and spitting on Uma and Diane Kruger tells me I'm definitely watching a creep work out some weirdo s*** on screen. And he has proclaimed that he only makes his movies for himself.

  • Apr 25
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    1 reply

    So he was tryna have a stand in for himself, reviewing his movies, in universe. with him interacting with characters as actors commenting on the movies???

    So he was gonna try to say cliff booth starred in inglourious basterds, did the stunt driving for death proof, etc?

  • Apr 25
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    1 reply

    Wish the dude who made the score for The Hateful Eight was still alive. That opening sequence was kino because of it.

  • Apr 25
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    1 reply
    flootures

    So he was tryna have a stand in for himself, reviewing his movies, in universe. with him interacting with characters as actors commenting on the movies???

    So he was gonna try to say cliff booth starred in inglourious basterds, did the stunt driving for death proof, etc?

    prolly not death proof since that was more contemporary right? and this is based in the 70s

    but i wouldn't be surprised IF the idea didn't start to navigate that way and he realized the whole 70s setting wouldn't work

  • Apr 25
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    1 reply

    damn the more i think about it the more dope the movie critic actually seems now
    he probably would have had clips from fake versions of kill bill 3 and django zorro vincent vega spinoff movie maybe even luke cage movie

  • Apr 26
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    1 reply
    JUNE27

    damn the more i think about it the more dope the movie critic actually seems now
    he probably would have had clips from fake versions of kill bill 3 and django zorro vincent vega spinoff movie maybe even luke cage movie

    That would be crazy if so. Nigga got so many unproduced screenplays smh

  • OSCAR WINNER

    That would be crazy if so. Nigga got so many unproduced screenplays smh

    has a sign out front of his house that says Dead Screenplay Storage

  • mjpplus

    The film’s exact story details are not known, but sources familiar with the project dropped a couple intriguing ideas to THR that Tarantino was toying with. One was that the Hollywood-set tale could serve as a Tarantino goodbye meta-verse with the director’s earlier movies existing in the same era of The Movie Critic (which could work, given that his films have a ’70s vibe). That way, Tarantino could bring back some of the stars of his earlier work to reprise their iconic characters in “movie within a movie” moments, or to play fictional versions of themselves as the actors who played those characters. Another idea was that the film could include a movie theater where some characters could potentially interact with a budding future auteur — such as a 16-year-old Tarantino, who worked as an usher at a Torrence p*** theater (“I was tall enough to get away with it,” Tarantino once explained).

    Seems like it was going to be all about him

    Film Critic was boutta turn into Avengers EndGame

  • Apr 26
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    1 reply
    OSCAR WINNER

    I agree! I’m sure when he heard the Sicilian story there was no relation to True Romance at the time, so for him to see a way to weave it in and make it make sense takes some genius. With some creatives you just have to present something already established and they’ll know how to twist and remake it into something original and dope.

    Also the genius about the burger scene is not only does it feel like real life banter, Tarantino still pays it off later with the college kids. Even the foot massage convo, it’s setting up the stakes of the date between Mia and Vincent

    yup I completely agree. i think that’s something that creates such great storytelling. being able to take real life situations or even conversations and taking a part of it and use it to create a whole other conversation of dialogue. that’s impressive and creative

  • Almost at page Final Film

  • Apr 26
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    1 reply
    Jammuh

    yup I completely agree. i think that’s something that creates such great storytelling. being able to take real life situations or even conversations and taking a part of it and use it to create a whole other conversation of dialogue. that’s impressive and creative

    It's the most fun part of writing 😁

  • Apr 26
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    1 reply
    CRACKASTEPPAVEGAN

    It's the most fun part of writing 😁

    Wym fam???

  • Sean Baker made a whole career from just basing his movies around stories he was told from random interesting people no one ever heard of

  • Apr 26
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    1 reply
    OSCAR WINNER

    Wym fam???

    For example, when you're able able to come up with a whole scenario centered around a line from a conversation you've actually had.

  • CRACKASTEPPAVEGAN

    For example, when you're able able to come up with a whole scenario centered around a line from a conversation you've actually had.

    Oh yeah that’s fire!

  • Apr 26
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    1 reply
    CRACKASTEPPAVEGAN

    Wish the dude who made the score for The Hateful Eight was still alive. That opening sequence was kino because of it.

    The fact some of it came from that s***ty exorcist sequel

  • WT777

    The fact some of it came from that s***ty exorcist sequel

    Learning something new everyday

  • OSCAR WINNER

    prolly not death proof since that was more contemporary right? and this is based in the 70s

    but i wouldn't be surprised IF the idea didn't start to navigate that way and he realized the whole 70s setting wouldn't work

    I thought the whole point was that death proof was supposed to be a 70s splatter exploitation horror movie, so I figured it would fit this mold. Then my mind went to Kurt Russell too, who's in once upon a time as Cliff's old friend/mentor

    Having some commentary on your career through the insane but impervious legend stuntman that's on all of your sets, and the p***o mag film critic who you feel is the only one actually watching would be awesome. I think I see where he was going with that

  • the 10 movie thing is so dumb btw, i wish more people would just admit it.

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