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  • Valentine

    Time is valuable in our world. Gotta trim the fat somewhere to get really good elsewhere, especially when the trimming doesn’t affect much of anything lmfao. Thankfully I took that time to focus on engineering to get my preset so I never had to again

    This is fax. Really gotta specialize at the end of the day

  • Dec 16, 2024
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    1 reply
    Notmyfirst

    Not sure that’s true anymore in the era of splice loops

    Splice probably has like less than 4M users per month

    There’s at least 100M producers or close to it

  • Dec 16, 2024
    inspoeater

    Its such a simple equation too

    Niggas in the 70’s-2005ish just had to worry about being stylistically unique and consistent

    Nowadays a nigga has to be ten other things before an actual musician/poet/lyricist. The rappers pretty much have been replaced by the best marketers/hustlers in the mainstream. Less about creative spirit more about who can “play the game” the best or knows the right people who know how to play the game lol

    Facts the days of being able to be a great diy artist and finding a way to get your demo to a label exec are done. The only people getting that path are nepo babies. And you aren’t a nepo baby the only people getting recognition are the ones that are young and good at social media. Social media. Not specifically good at music.

    The music making culture itself has become too cliquey and it’s just about who you know with some clout that can get you in the room. Anyone doing their own thing that isn’t into the high school environment they set is automatically an outsider and an outcast behind the scenes. It’s crazy.

  • Dec 16, 2024
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    1 reply
    Valentine

    Splice probably has like less than 4M users per month

    There’s at least 100M producers or close to it

    I’m saying splice loops as a catch all for this whole style of producing that’s essentially putting legos together

  • Dec 16, 2024
    notbrock

    I bought a drum kit from bro when I first started making beats in the early 2010s

    He said “This will be the only drum kit you ever need” and as someone just starting out I had no idea

    S*** was literally FL studio stock sounds. Had a vendetta ever since

    Yeah they were finessing back then lol shoutout the producer thread on KG KTT a lot of drum packs were shared in that community. Plenty of em had the same sounds tho

  • Dec 16, 2024
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    2 replies
    notbrock

    Yeah I should’ve been more clear on the type beats thing

    I don’t think someone posting a type beat on YouTube is always a bad thing. As you said it’s usually just who the producer could hear on it

    The bad part is the tutorials showing people how to copy something. The “how to make a _ type beat or sample”

    I think the tutorials are still a great entry point as long as you veer off from then. But the fact that the tutorials are being showed to millions on YouTube does make people learn to produce in the same way which doesn't help with uniqueness.

  • Dec 16, 2024

    i really feel like everything is so min max’d and commoditized that everything feels kinda soulless not that there’s no good music because there’s a ton but everyone’s using the same drum sounds and VSTs, everyone’s doing the same lazy sampling, everyone’s using boring ass loops. there’s been formulaic type s*** forever but now it almost feels like production has become like these type neighborhoods

  • Dec 16, 2024
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    2 replies
    Oblivion X

    I think the tutorials are still a great entry point as long as you veer off from then. But the fact that the tutorials are being showed to millions on YouTube does make people learn to produce in the same way which doesn't help with uniqueness.

    Tyler talked about this in an interview and it’s so true, a lot of musicians (dangelo comes to mind) really learned the foundations from just learning to play their favorite songs. That’s why I always tell people to only get technical advice from all these YouTubers, as soon as you’re going to busyworksbeats to learn sample chopping and chord progressions it’s time to hang it up

  • Dec 16, 2024
    inspoeater

    Nigga i’ve watched this happen lmao

    Its like the french montana tyga effect but for producers

    Same bro it’s nuts that a lot of times the most talented person in the room doesn’t give a f*** about playing the social media clout game and usually ends up being the ones that get a later start at an older age.

    Music isn’t about the merit anymore it’s about how many people are aware of me. Who cares what they’re aware about me for. I just care that I have attention and I call myself an artist so that’s what I am. Look how many views my reels have. 🤦🏽‍♂️

  • Dec 16, 2024
    darklex150

    How it "killed the chances" ?? LMAO

    Man you are so f***ing dense

    Acting like these kids got a monopoly on beats and instrumentals

    Again, anybody can be a super producer. If you can't, dont blame the game, blame yourself for not being good enough.

    this is just blatantly ahistorical

    the internet decentralized music creation and consumption, naturally that’s going to dilute things like super producers or even superstars to an extent

  • Dec 16, 2024
    Oblivion X

    I think the tutorials are still a great entry point as long as you veer off from then. But the fact that the tutorials are being showed to millions on YouTube does make people learn to produce in the same way which doesn't help with uniqueness.

    tutorials are good to learn skills ane how certain tools work but you gotta experiment and work with them to find the sound that you hear in your head

  • Dec 16, 2024
    Notmyfirst

    Tyler talked about this in an interview and it’s so true, a lot of musicians (dangelo comes to mind) really learned the foundations from just learning to play their favorite songs. That’s why I always tell people to only get technical advice from all these YouTubers, as soon as you’re going to busyworksbeats to learn sample chopping and chord progressions it’s time to hang it up

    Facts kanye said he learned to produce by trying to recreate the beats on his favorite albums.

    And then when No.id taught him sampling, he mostly just send ye on missions by showing what to do first, giving him a sample and have him come back. So he was able to pick up on his own style

  • Dec 16, 2024
    notbrock

    Yeah I should’ve been more clear on the type beats thing

    I don’t think someone posting a type beat on YouTube is always a bad thing. As you said it’s usually just who the producer could hear on it

    The bad part is the tutorials showing people how to copy something. The “how to make a _ type beat or sample”

    yep that’s why i avoided those sorts of vids like the plague ‘cause there’s no way you’re gonna develop your own voice musically if you’re just watching how to emulate and copy a pre-existing sound the whole time

    only hit YouTube for learning the DAW and other technical s***, rest was crate digging my ass off + trial and error

  • Dec 16, 2024
    Notmyfirst

    Tyler talked about this in an interview and it’s so true, a lot of musicians (dangelo comes to mind) really learned the foundations from just learning to play their favorite songs. That’s why I always tell people to only get technical advice from all these YouTubers, as soon as you’re going to busyworksbeats to learn sample chopping and chord progressions it’s time to hang it up

    exactly

  • Dec 16, 2024

    im trying to think who are the best post covid producers. maybe im biased because of where i live but i can’t think of anyone new outside of mcvertt and cash cobain

  • Dec 16, 2024
    Notmyfirst

    I’m saying splice loops as a catch all for this whole style of producing that’s essentially putting legos together

    And I’m saying those producers are just a section of a very much larger plethora of producers who still exist today and haven’t stopped existing because a new way of producing presented itself into popularity and will eventually fade away or the producers themselves will be forced to expand or the simplistic tool will begin to incorporate unbelievable loops

  • Dec 16, 2024
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    1 reply
    notbrock

    The problem is how people approach loops now

    When people would sample from vinyl back in the day you didn’t get to pick exactly what you wanted. You threw on a record, heard some cool s*** and said “I’m gonna try and flip this”

    The same when loops first started poppin off. Frank Dukes and guys like him would make some cool s*** and send it over to Boi-1da or Dahi or whoever

    But now it’s become super specific. “Oh I’m sending beats to X and he likes X so let me pull up a hundred loops like that”

    making beats has became something more akin to an alienating job at a assembly line rather than a real exercise of creativity and ingenuity

  • Dec 16, 2024
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    1 reply
    Valentine

    Why is bruh acting like a classic song can’t be made with or that type beats are only one sound made one way

    Here’s a song I made with a type beat. I have many more. Buddy gotta breath LOL

    https://vocaroo.com/130W2z6EPz0r

    Sad in the shower rn I needed to hear this

  • Dec 16, 2024

    In the dark with the phone flashlight on vibes

  • Dec 16, 2024
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    1 reply
    CRACKASTEPPAVEGAN

    Wanna learn the boards, like really master that s***, so I'm not just limited to a DAW

    Took longer for me to learn engineering than anything else ngl

  • Dec 16, 2024
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    1 reply
    darklex150

    How it "killed the chances" ?? LMAO

    Man you are so f***ing dense

    Acting like these kids got a monopoly on beats and instrumentals

    Again, anybody can be a super producer. If you can't, dont blame the game, blame yourself for not being good enough.

    Niggas aint ever getting 100k a beat again if you can buy them for $20. You can’t “shut up old head” to basic math

  • Dec 16, 2024
    BRAVE

    Sad in the shower rn I needed to hear this

    Are you okay? Go ahead and replay and scream that s***

  • Mr Sting

    Took longer for me to learn engineering than anything else ngl

    I can imagine lmao. S*** looks mad complex

  • Dec 16, 2024
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    1 reply
    inspoeater

    Niggas aint ever getting 100k a beat again if you can buy them for $20. You can’t “shut up old head” to basic math

    If your beat is good enough then you will make good money off it.

    How much do you think Drake/Kendrick/Travis paid to his producers??? .

  • Dec 16, 2024
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    1 reply
    darklex150

    If your beat is good enough then you will make good money off it.

    How much do you think Drake/Kendrick/Travis paid to his producers??? .

    Decent money but someone like T Minus woulda got 100k a beat or close to it if his 2010’s run happened a decade prior lol

    Part of that because of CDs tho. Someone who it really hurt is someone like Pierre who came up with an original hit making sound but it was easily replicable so his value got cut. Same thing happened to lets say F1lthy or the yeat producers before you could really individually identify them. Not even about old head vs young head just oversaturation and lack of originality being accepted

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