DwindlingSun

2y

Thank you for listening

Notmyfirst

2y

You have a real love for the craft

Never stop making s***

DwindlingSun

2y

Means a lot.

Didn't really have any plans to make anything music-wise again, at least not for a while. Poured a lot into this project. But you all got me feeling reinvigorated.

First step, get some good beats to @marcusg

Marcus is Dust

2y

I made a list of things I wanna do
Getting to that list is on my list

/

Exit stage through trapped door
I just don’t really wanna be here anymore..

DwindlingSun

1y

May want to hold off on locking in those aoty lists...

DwindlingSun

1y

· edited

@marcusg @sentient_sherm_bag @Vox @Lit @Nessy @Flaphead @gunkmail @cotton_dockers @Water_Giver @dixxie @WRU @JR @Yolko @beflygelt @OMEGA @WhiteChrisDorner @KundaliniMeanie @Notmyfirst

Apologies for the mass tag but you were all kind enough to firstly listen to the album I dropped earlier this year, and secondly provide such meaningful words, so I wanted to alert you to the new one I have just released.

It is 10 tracks, about 20 minutes, and features the immensely talented Sunmundi (https://sunmundi.bandcamp.com , https://ktt2.com/marcus-choukin-prod-by-ojomot-3250464)

Bandcamp link:
https://seership.bandcamp.com/album/your-art-is-that

Unnecessary and optional contextual ramble below:

I truly had no intention of making more music, certainly not this soon. That album was everything I felt I could and had to pour out. There’s always something of a void to grapple with in light of any major events completion, but it quickly proved too consuming for me to handle without immediately getting back to work on something.

My original motivation was simply to try and make one beat that Marcus/Sunmundi would like enough to wanna use. I sent him a pack of about 10 loops churned out over a weekend, ranging from incredibly unrhythmic to just absurdly strange. He understandably and very politely declined. Rather than be a normal human and make a pack that actually resembled music, I decided to just get even weirder. I started making alien, abrasive noise and soon had a lightbulb for a new something of my own.

I toiled with this lens in mind until about the very end of October when I realised that it just simply wasn’t moving me. I didn’t feel any emotional connection. I was wracked with writer’s block and those verses I had managed to write felt like they didn’t stem from anything but a repression of what I truly wanted to address. I scrapped much of that and refocused it into this. It became a much more intimate, emotional and heavy piece of work. It moves me significantly, and that always my go to test.

I’m happy to finally let this go. I wouldn’t say it was rushed necessarily but there was a certain urgency to it. These words were ones I didn’t want to carry into 2023.

As was the case of album 1, the production was done on Koala Sampler. Ableton Lite was used for arrangement, mixing and mastering. Vocals recorded on an AT2020. And thank you to those who purchased my first album, because some of that mullah was reinvested into a granular synthesiser, Tardigrain, which I used for the instrumental piece on ‘Introspection #2’.

A big thank you to Sunmundi for his patience and adaptability. Thank you to all who take the time to listen. I hope you enjoy it.

https://seership.bandcamp.com/album/your-art-is-that

babylon sherm

1y

F*** YES LET'S GO!!!!!!!! Hey boss your first album was formidable to say the least, so expectations are sky high for round two – I'm sure you'll meet and exceed them handily though, I already know this is gonna be phenomenal

DwindlingSun

1y

@marcusg @sentient_sherm_bag @Vox @Lit @Nessy @Flaphead @gunkmail @cotton_dockers @Water_Giver @dixxie @WRU @JR @Yolko @beflygelt @OMEGA @WhiteChrisDorner @KundaliniMeanie @Notmyfirst

Apologies for the mass tag but you were all kind enough to firstly listen to the album I dropped earlier this year, and secondly provide such meaningful words, so I wanted to alert you to the new one I have just released.

It is 10 tracks, about 20 minutes, and features the immensely talented Sunmundi (https://sunmundi.bandcamp.com , https://ktt2.com/marcus-choukin-prod-by-ojomot-3250464)

Bandcamp link:
https://seership.bandcamp.com/album/your-art-is-that

Unnecessary and optional contextual ramble below:

I truly had no intention of making more music, certainly not this soon. That album was everything I felt I could and had to pour out. There’s always something of a void to grapple with in light of any major events completion, but it quickly proved too consuming for me to handle without immediately getting back to work on something.

My original motivation was simply to try and make one beat that Marcus/Sunmundi would like enough to wanna use. I sent him a pack of about 10 loops churned out over a weekend, ranging from incredibly unrhythmic to just absurdly strange. He understandably and very politely declined. Rather than be a normal human and make a pack that actually resembled music, I decided to just get even weirder. I started making alien, abrasive noise and soon had a lightbulb for a new something of my own.

I toiled with this lens in mind until about the very end of October when I realised that it just simply wasn’t moving me. I didn’t feel any emotional connection. I was wracked with writer’s block and those verses I had managed to write felt like they didn’t stem from anything but a repression of what I truly wanted to address. I scrapped much of that and refocused it into this. It became a much more intimate, emotional and heavy piece of work. It moves me significantly, and that always my go to test.

I’m happy to finally let this go. I wouldn’t say it was rushed necessarily but there was a certain urgency to it. These words were ones I didn’t want to carry into 2023.

As was the case of album 1, the production was done on Koala Sampler. Ableton Lite was used for arrangement, mixing and mastering. Vocals recorded on an AT2020. And thank you to those who purchased my first album, because some of that mullah was reinvested into a granular synthesiser, Tardigrain, which I used for the instrumental piece on ‘Introspection #2’.

A big thank you to Sunmundi for his patience and adaptability. Thank you to all who take the time to listen. I hope you enjoy it.

https://seership.bandcamp.com/album/your-art-is-that

DwindlingSun

1y

@marcusg @sentient_sherm_bag @Vox @Lit @Nessy @Flaphead @gunkmail @cotton_dockers @Water_Giver @dixxie @WRU @JR @Yolko @beflygelt @OMEGA @WhiteChrisDorner @KundaliniMeanie @Notmyfirst

Apologies for the mass tag but you were all kind enough to firstly listen to the album I dropped earlier this year, and secondly provide such meaningful words, so I wanted to alert you to the new one I have just released.

It is 10 tracks, about 20 minutes, and features the immensely talented Sunmundi (https://sunmundi.bandcamp.com , https://ktt2.com/marcus-choukin-prod-by-ojomot-3250464)

Bandcamp link:
https://seership.bandcamp.com/album/your-art-is-that

Unnecessary and optional contextual ramble below:

I truly had no intention of making more music, certainly not this soon. That album was everything I felt I could and had to pour out. There’s always something of a void to grapple with in light of any major events completion, but it quickly proved too consuming for me to handle without immediately getting back to work on something.

My original motivation was simply to try and make one beat that Marcus/Sunmundi would like enough to wanna use. I sent him a pack of about 10 loops churned out over a weekend, ranging from incredibly unrhythmic to just absurdly strange. He understandably and very politely declined. Rather than be a normal human and make a pack that actually resembled music, I decided to just get even weirder. I started making alien, abrasive noise and soon had a lightbulb for a new something of my own.

I toiled with this lens in mind until about the very end of October when I realised that it just simply wasn’t moving me. I didn’t feel any emotional connection. I was wracked with writer’s block and those verses I had managed to write felt like they didn’t stem from anything but a repression of what I truly wanted to address. I scrapped much of that and refocused it into this. It became a much more intimate, emotional and heavy piece of work. It moves me significantly, and that always my go to test.

I’m happy to finally let this go. I wouldn’t say it was rushed necessarily but there was a certain urgency to it. These words were ones I didn’t want to carry into 2023.

As was the case of album 1, the production was done on Koala Sampler. Ableton Lite was used for arrangement, mixing and mastering. Vocals recorded on an AT2020. And thank you to those who purchased my first album, because some of that mullah was reinvested into a granular synthesiser, Tardigrain, which I used for the instrumental piece on ‘Introspection #2’.

A big thank you to Sunmundi for his patience and adaptability. Thank you to all who take the time to listen. I hope you enjoy it.

https://seership.bandcamp.com/album/your-art-is-that

DwindlingSun

1y

@marcusg @sentient_sherm_bag @Vox @Lit @Nessy @Flaphead @gunkmail @cotton_dockers @Water_Giver @dixxie @WRU @JR @Yolko @beflygelt @OMEGA @WhiteChrisDorner @KundaliniMeanie @Notmyfirst

Apologies for the mass tag but you were all kind enough to firstly listen to the album I dropped earlier this year, and secondly provide such meaningful words, so I wanted to alert you to the new one I have just released.

It is 10 tracks, about 20 minutes, and features the immensely talented Sunmundi (https://sunmundi.bandcamp.com , https://ktt2.com/marcus-choukin-prod-by-ojomot-3250464)

Bandcamp link:
https://seership.bandcamp.com/album/your-art-is-that

Unnecessary and optional contextual ramble below:

I truly had no intention of making more music, certainly not this soon. That album was everything I felt I could and had to pour out. There’s always something of a void to grapple with in light of any major events completion, but it quickly proved too consuming for me to handle without immediately getting back to work on something.

My original motivation was simply to try and make one beat that Marcus/Sunmundi would like enough to wanna use. I sent him a pack of about 10 loops churned out over a weekend, ranging from incredibly unrhythmic to just absurdly strange. He understandably and very politely declined. Rather than be a normal human and make a pack that actually resembled music, I decided to just get even weirder. I started making alien, abrasive noise and soon had a lightbulb for a new something of my own.

I toiled with this lens in mind until about the very end of October when I realised that it just simply wasn’t moving me. I didn’t feel any emotional connection. I was wracked with writer’s block and those verses I had managed to write felt like they didn’t stem from anything but a repression of what I truly wanted to address. I scrapped much of that and refocused it into this. It became a much more intimate, emotional and heavy piece of work. It moves me significantly, and that always my go to test.

I’m happy to finally let this go. I wouldn’t say it was rushed necessarily but there was a certain urgency to it. These words were ones I didn’t want to carry into 2023.

As was the case of album 1, the production was done on Koala Sampler. Ableton Lite was used for arrangement, mixing and mastering. Vocals recorded on an AT2020. And thank you to those who purchased my first album, because some of that mullah was reinvested into a granular synthesiser, Tardigrain, which I used for the instrumental piece on ‘Introspection #2’.

A big thank you to Sunmundi for his patience and adaptability. Thank you to all who take the time to listen. I hope you enjoy it.

https://seership.bandcamp.com/album/your-art-is-that

babylon sherm

1y

F*** YES LET'S GO!!!!!!!! Hey boss your first album was formidable to say the least, so expectations are sky high for round two – I'm sure you'll meet and exceed them handily though, I already know this is gonna be phenomenal

Marcus is Dust

1y

YES

So excited to tap in with this. Your debut really shook me, and I know this is gonna be just as great, if not better. Thank you for letting me be a part of this one!

Flaphead

1y

Tardigrain looks f***ing dope also, very excited to hear how you used it!

phil trout

1y

So beautiful man - masterfully abstract to begin and builds into such a peaceful scene. Awesome samples and synth patches. So impressed