There's real data on this every label uses. Already made a thread
link?
i disagree
women are less likely to be the music nerd early adopters who break a popping artist (like the people who listened to drake in 2006-08, altho he did have many women listening even then)
but when an artist is at the "drake dropping so far gone" moment of their career, before they have the benefit of an intense label push, they actually do need to resonate with the audience, including women
even if you are a follower with your music taste, it's no fun to be a follower if the thing you're following sounds wack and/or doesn't bang to you
You’re arguing something completely unrelated to what I said
That “do b****es like it” s*** is so weird bruh y’all niggas really lettin b****es run your taste
All the bad b****es I know listen to MF DOOM and JPEGMAFIA.
Are they mentally stable
Bumping Hounds Of Love by Kate Bush @op will get you p****. things will get better
i disagree
women are less likely to be the music nerd early adopters who break a popping artist (like the people who listened to drake in 2006-08, altho he did have many women listening even then)
but when an artist is at the "drake dropping so far gone" moment of their career, before they have the benefit of an intense label push, they actually do need to resonate with the audience, including women
even if you are a follower with your music taste, it's no fun to be a follower if the thing you're following sounds wack and/or doesn't bang to you
i do agree that they are "not into rap like that," if like that means generally possessing the quality or quality of hip-hop fandom that men, and KTT users, have
but i disagree that women "just get spoonfed whatever is popular with men in hip-hop" because that implies that female listeners don't have a role in listening to artists during the stage right before the artist becomes popular with men and people in general (in other words, that an artist getting female listeners is part of the process of that artist becoming popular with men)
when you stop living online it’s so much easier to like stuff
easier to like popular music
easier to like popular films and shows
you don’t got the snobs or the f***in nerds crying bout slorp mcglorb not being in star wars you can just enjoy it
Bumping Hounds Of Love by Kate Bush @op will get you p****. things will get better
i dont need p****, the desire to effortpost on KTT stems from a completely different primal urge
A lot of mental gymnastics going on itt
Either people vibing with your records or not. Its that simple lol
A lot of mental gymnastics going on itt
Either people vibing with your records or not. Its that simple lol
this is a pro-drake thread just to clarify
this is a pro-drake thread just to clarify
I have nothing against the post in op. Just reading through some of the comments
i do agree that they are "not into rap like that," if like that means generally possessing the quality or quality of hip-hop fandom that men, and KTT users, have
but i disagree that women "just get spoonfed whatever is popular with men in hip-hop" because that implies that female listeners don't have a role in listening to artists during the stage right before the artist becomes popular with men and people in general (in other words, that an artist getting female listeners is part of the process of that artist becoming popular with men)
They only hear it at the “right stage” because men put em on it first.
You think women were listening to moneybagg yo like they are now when he dropped that collab tape w Youngboy? The answer is no
They only hear it at the “right stage” because men put em on it first.
You think women were listening to moneybagg yo like they are now when he dropped that collab tape w Youngboy? The answer is no
I do see what ur saying. Obviously women aren’t a monolith so it isn’t a blanket statement. But I do feel like during those “grinding” years for a male artist when they’re relatively unknown, little/no buzz, not really poppin anywhere most of your core fanbase is gonna be men.
Maybe when you get that breakthrough single or bubbling song is when the early comers, start dipping into a more mainstream base (more of which consists of women) so ur fanbase is gonna start to reflect that
Every thread I see you in you hating on Drake it's actually pathetic
He f*** your girl or something?
He did f*** SZA allegedly
journalosers: "DRAKE IS A MISOGYNIST!"
women: nah we good on that, we gonna keep streaming
That Cosmopolitan title wtf
I do see what ur saying. Obviously women aren’t a monolith so it isn’t a blanket statement. But I do feel like during those “grinding” years for a male artist when they’re relatively unknown, little/no buzz, not really poppin anywhere most of your core fanbase is gonna be men.
Maybe when you get that breakthrough single or bubbling song is when the early comers, start dipping into a more mainstream base (more of which consists of women) so ur fanbase is gonna start to reflect that
yeah i agree with @02Shaq that early adopters during the grind stage are disproportionately men
but there are plenty of artists who get that breakthrough single which allows them to try and transition from grind to shine, and the independent variable as to the success of that transition is if you appeal to that more mainstream (more female) base
and its not guaranteed this will happen
you perhaps saw all those self-indulgent articles recently about how jack harlow was popping cuz black women like him
and i think that's actually true... ofc in the days before he dropped dark knight im sure his fanbase was much more male than it is now, but there are plenty of rappers who are rejected at that right stage
im basically just saying i think saying women are "spoonfed" what's popular with men is unnecessarily harsh; even if you're picking food from a buffet that was laid out by someone else, there's still a measure of independent choice there
yeah i agree with @02Shaq that early adopters during the grind stage are disproportionately men
but there are plenty of artists who get that breakthrough single which allows them to try and transition from grind to shine, and the independent variable as to the success of that transition is if you appeal to that more mainstream (more female) base
and its not guaranteed this will happen
you perhaps saw all those self-indulgent articles recently about how jack harlow was popping cuz black women like him
and i think that's actually true... ofc in the days before he dropped dark knight im sure his fanbase was much more male than it is now, but there are plenty of rappers who are rejected at that right stage
im basically just saying i think saying women are "spoonfed" what's popular with men is unnecessarily harsh; even if you're picking food from a buffet that was laid out by someone else, there's still a measure of independent choice there
It is being spoonfed because you’re not diving deep into the genre. Like lbr about this s*** lol. Most b****es have rap caviar level taste when it comes to rap music
Talking strictly rap btw. This doesn’t apply to pop and r&b and s*** like that
It is being spoonfed because you’re not diving deep into the genre. Like lbr about this s*** lol. Most b****es have rap caviar level taste when it comes to rap music
Talking strictly rap btw. This doesn’t apply to pop and r&b and s*** like that
i dont necessarily disagree
im just saying it's a two-way street to decide what rap caviar tier hip-hop is at any given point in time: rap caviar taste is influenced by the preferences of normie listeners (including "most b****es"), and of course, those preferences are in turn shaped by what ends up being pushed on streaming service playlists or maybe even the radio. not every song they try and push through rap caviar or the radio is going to resonate with rap caviar listeners, and they use the success of the ones that do to decide which tracks they're going to try and push next
(also, let's be real, most people on this forum, even if they listen to more esoteric music as well, are bumping the rap caviar tier pop rap that normies and women also like, including myself, so i'm not pretending like this is some haven of musical superiority)
i dont necessarily disagree
im just saying it's a two-way street to decide what rap caviar tier hip-hop is at any given point in time: rap caviar taste is influenced by the preferences of normie listeners (including "most b****es"), and of course, those preferences are in turn shaped by what ends up being pushed on streaming service playlists or maybe even the radio. not every song they try and push through rap caviar or the radio is going to resonate with rap caviar listeners, and they use the success of the ones that do to decide which tracks they're going to try and push next
(also, let's be real, most people on this forum, even if they listen to more esoteric music as well, are bumping the rap caviar tier pop rap that normies and women also like, including myself, so i'm not pretending like this is some haven of musical superiority)
Bro you’re typing all this s*** for stuff we already know and understand. Like we already know women make up a large portion of casual rap listeners. It’s not a profound take. Y’all really be tailoring y’all tastes towards what u think women will like and treating em like a different species
And I’d rather talk music w a ktt user than a rap caviar type listener any day.
That Cosmopolitan title wtf
"Things get worse when you remember that misogyny in popular music is often echoed and affirmed in policy. The Texas abortion ban legally empowers people like R. Kelly. Black women are victims of violence twice as often as white women—which is why it was so disturbing to see Kanye sharing a stage with Marilyn Manson during the third listening party for Donda. Also onstage that night? DaBaby, who recently made a series of harmful homophobic comments about AIDS and then doubled down on them when fans got angry. Mind you, Black people accounted for nearly half of new HIV diagnoses in 2018 because racism is a barrier to health equity. Drake, for his part, chose to frame financial abuse of women as a flex (“Imma f*** her friends and send her back to Metro housin’”) in a climate where 25 states just cut unemployment benefits in a pandemic. Drake and Kanye have aligned themselves with institutions that protect their manhood, cis-ness, heterosexuality, and wealth, and they don’t appear to be looking back."
man imagine writing this paragraph
that Metro housin line was indeed hella savage tho, i remember hearing the song for the first time and thinking "Damn, this is a Future-level 'fuck these hoes' verse from Drake"
Bro you’re typing all this s*** for stuff we already know and understand. Like we already know women make up a large portion of casual rap listeners. It’s not a profound take. Y’all really be tailoring y’all tastes towards what u think women will like and treating em like a different species
And I’d rather talk music w a ktt user than a rap caviar type listener any day.
when did i say anything about tailoring anyone's tastes lol
im just describing how things work, not how they ought to work
the role of women in mainstream rap success may not be a totally unprecedented topic, but i think it's more interesting than another "X flopped" "Did y come and go" "Z fell off" thread, and that im being a little more specific than just saying "women make up a large portion of casual rap listeners"
but in any case, im glad we're on the same page that the game doesn't need more female rappers